follows the escaping riders. She can scarce see them for the dust-some eight or nine men, riding hard for the north.
'Noooooo!'
Gnostic words rumble out from all directions, as if spoken with the sky's own lungs. Bluish light flares from the Wizard's eyes and mouth… Meaning-unholy meaning. He steps out into the open sky, climbing across spectral ground. Wild, hoary, old-he seems a doll of rags flung high against the distance.
She stands dumbstruck, watches as he gains on the fleeing horsemen, then rains brilliant destruction down upon them. Dust steams and plumes, the mark of tumult on the horizon.
The others scarce seem interested. A quick glance reveals that almost all of them are intact, save for Conger, who sits in the dust grimacing, his hands clutched about a crimson welling knee. He watches his Captain's approach with dull horror. The shadow of Lord Kosoter's sword hangs across his face for a breathless heartbeat, then Conger is no more.
'No limpers!' the Captain grates, his eyes at once starved and bright.
And that is the sum of their plunder. It seems sacrilege, for some reason, to don the possessions of others- things so clean they can only be filthy. The old Wizard returns on weary foot, framed by seething curtains of smoke. He has set the plains afire.
'I'm damned already,' is all he says in reply to Mimara's look.
He stares at the ground and says nothing for the next three days.
His continuing silence does not trouble her so much as her own indifference to it. She understands well enough: in running down the Tydonni, the old Wizard has murdered in the name of rank speculation. But she knows his guilt and turmoil are as much a matter of going through the motions as is her compassion. His silence is the silence of falsehood, and as such, she sees no reason why she should care.
She has the weight of her own murder to bear.
The morning of the third day passes like any other, save that the tributaries they cross have all dried to dust and their skins have grown flabby enough for the Captain to institute rationing. When the old Wizard finally chooses to speak, he does so without spit.
'Have you ever seen Kellhus with it?'
Kellhus. Hearing the name pricks her for some reason, so much so she resists the urge to make one of the signs of warding she learned in the brothel. Before Achamian, she had never heard anyone refer to her stepfather in the familiar before, not even her mother, who always referred to him as 'your father.' Not once.
'Seen my stepfather?' she asked. 'You mean with my… other eyes?'
She can tell by his hesitation that this is a question he had feared to ask for a long time.
'Yes.'
Absolution, she realizes. He killed the Tydonni to prevent any word of their expedition from reaching the Great Ordeal. Now he seeks to absolve himself of their deaths through the righteousness of his cause. Men murder, and men excuse. For most the connection is utterly seamless: those killed simply have to be guilty, otherwise why would they be dead? But Achamian, she knows, is one of those rare men who continually stumble over the seams in their thought. Men for whom nothing is simple.
'No,' she replies. 'You must believe me when I tell you I've only seen him a handful of occasions. Prophets have scarce the time for real daughters, let alone the likes of me.'
This is true. For most of her years on the Andiamine Heights, the Aspect-Emperor was scarce more than a dread rumour, an unseen presence that sent hoards of perfumed functionaries scurrying this way and that through the galleries. And in a manner, she realizes with a peculiar numbness, very little has changed. Was he not the hidden tyrant of this very expedition?
For the first time, it seems, she sees things through Drusas Achamian's eyes: a world bound to the machinations of Anasurimbor Kellhus. Looking out, she has a sudden sense of loads borne and stresses diffused, as if the world were a wheel spoked with mountains, rimmed with seas, one so vast that the axle lay perpetually over the horizon-perpetually unseen. Armies march. Priests tally contributions. Ships leave and ships arrive. Emissaries howl in protest and wriggle on their bellies…
All at the pleasure of the Holy Aspect-Emperor.
This is the world the old Wizard sees, the world that frames his every decision: a singular thing, a living thing, nourished by the arteries of trade, bound by the sinew of fear and faith…
A leviathan with a black cancer for a heart.
'I believe you,' he says after a time. 'I was just… just wondering.'
She ponders this image of the Aspect-Emperor and his power, this hellish seal. It reminds her of the great Nilnameshi mandala that hangs in the Allosium Forum below the Andiamine Heights. For more than a thousand years, the artisan-sages of Invishi sought to capture creation in various symbolic schemes, resulting in tapestries of unparalleled beauty and manufacture. The Allosium Mandala, her mother had told her once, was famed for being the first to use concentric circles instead of nested squares to represent the hierarchies of existence. It was also notorious for containing no image whatsoever in its centre, the place typically reserved for the God of Gods…
Innovations that, her mother explained, saw the artisan stoned to death.
Now Mimara sees a mandala of her own manufacture in her soul's eye, one more temporal than cosmological but every bit as subversive in its implications. She sees the million-panelled extremities, the tiny lives of the mob, each enclosed in ignorance and distraction. And she sees the larger chambers of the Great Factions, far more powerful but just as oblivious given their perpetual scramble for prestige and dominance. With terrifying clarity she sees it, apprehends it, a symbolic world thronging with life yet devoid of nerves, utterly senseless to the malignancy crouched in their absent heart…
A dark world, one battling a war long lost.
As thin as her passions have become, it seems she can feel it: the impotence, the desolation, the gaping sense of hopelessness. She walks for a time, tasting, even savouring, the possibility, as if doom were a kind of honey-cake. A world where the Aspect-Emperor is evil…
And then she realizes that the opposite could just as easily be true.
'What would you have thought,' she asks the old Wizard, 'if I had told you he was wreathed in glory when I saw him, that he was, without any doubt, the Son of Heaven?'
This is it, she realizes. The rat that hides in his gut, gnawing and gnawing…
'Hard questions, girl. You have a talent for them.'
The overthrowing fear.
'Yes. But the dilemmas remain yours, don't they?'
He glares at her, and for the merest heartbeat, she glimpses hatred. But like so much else, it drops away without residue. Simply another passion too greased with irrelevance to be clutched in the hands of the present.
'Strange…' he replies distantly. 'I see two sets of footprints behind me.'
There is this sense of unravelling.
A sense of threads worn and abraded, until snipped by their own tension. A sense of things hanging, as if they were nothing more than fluff skipping across the wind. A sense of things tying, of newborn anchors, novel tautnesses yanked across old seams, old straps, as if they were spiderwebs become kites, soaring high and free, batted by falcon winds, pinned to the earth by a singular string…
Qirri.
Qirri the holy. Qirri the pure.
Each night they queue before the Nonman, suck from the teat that is his finger. Sometimes he clasps their cheek with his free hand, gazes long and melancholy into their eyes, while his finger probes their tongue, their gums and teeth.
And it is right and proper to taste the spittle of another.
They have found a new Tusk to guide them, a new God to compel their hearts and to bend their knees. Qirri, as rationed and apportioned by its prophet, Incariol.
During the day they walk, utterly absorbed in the blessed monotony. Like beetles, they walk with their faces to the earth, step after step, watching their boots hooking through haloes of dust.