came down here the next year. I like to watch the rockets take off.'

'I know,' Richard said. He paused. 'Show me your hands.'

'No.' It came out very quickly and sharply. 'I can't let them see. I've told you that.'

'It's been five years,' Richard said. 'Why now, Arthur? Can you tell me that?'

'I don't know. I don't know! Maybe whatever it is has a long gestation period. Or who's to say I even got it out there? Whatever it was might have entered me in Fort Lauderdale. Or right here on this porch, for all I know.'

Richard sighed and looked out over the water, now reddish with the late-evening sun. 'I'm trying. Arthur, I don't want to think that you are losing your mind.'

'If I have to, I'll show you my hands,' I said. It cost me an effort to say it. 'But only if I have to.'

Richard stood up and found his cane. He looked old and frail. 'I'll get the dune buggy. We'll look for the boy.'

'Thank you, Richard.'

He walked out towards the rutted dirt track that led to his cabin - I could just see the roof of it over the Big Dune, the one that runs almost the whole length of Key Caroline. Over the water towards the Cape, the sky had gone an ugly plum colour, and the sound of thunder came faintly to my ears.

I didn't know the boy's name but I saw him every now and again, walking along the beach at sunset, with his sieve under his arm. He was tanned almost black by the sun, and all he was ever clad in was a frayed pair of denim cutoffs. On the far side of Key Caroline there is a public beach, and an enterprising young man can make perhaps as much as five dollars on a good day, patiently sieving the sand for buried quarters or dimes. Every now and then I would wave to him and he would wave back, both of us non-commital, strangers yet brothers, year-round dwellers set against a sea of money spending, Cadillac-driving, loud-mouthed tourists. I imagine he lived in the small village clustered around the post office about a half mile further down.

When he passed by that evening I had already been on the porch for an hour, immobile, watching. I had taken off the bandages earlier. The itching had been intolerable, and it was always better when they could look through their eyes.

It was a feeling like no other in the world - as if I were a portal just slightly ajar through which they were peeking at a world which they hated and feared. But the worst part was that I could see, too, in a way. Imagine your mind transported into a body of a housefly, a housefly looking into your own face with a thousand eyes. Then perhaps you can begin to see why I kept my hands bandaged even when there was no one around to see them.

It began in Miami. I had business there with a man named Cresswell, an investigator from the Navy Department. He checks up on me once a year - for a while I was as close as anyone ever gets to the classified stuff our space programme has. I don't know just what it is he looks for; a shifty gleam in the eye, maybe, or maybe a scarlet letter on my forehead. God knows why. My pension is large enough to be almost embarrassing.

Cresswell and I were sitting on the terrace of his hotel room, sipping drinks and discussing the future of the US space programme. It was about three-fifteen. My fingers began to itch. It wasn't a bit gradual. It was switched on like electric current. I mentioned it to Cresswell.

'So you picked up some poison ivy on that scrofulous little island,' he said, grinning.

'The only foliage on Key Caroline is a little palmetto scrub,' I said. 'Maybe it's the seven-year itch.' I looked down at my hands. Perfectly ordinary hands. But itchy.

Later in the afternoon I signed the same old paper ('I do solemnly swear that I have neither received nor disclosed and divulged information which would . . .') and drove myself back to the Key. I've got an old Ford, equipped with hand-operated brake and accelerator. I love it - it makes me feel self-sufficient.

It's a long drive back, down Route 1, and by the time I got off the big road and on to the Key Caroline exit ramp, I was nearly out of my mind. My hands itched maddeningly. If you have ever suffered through the healing of a deep cut or a surgical incision, you may have some idea of the kind of itch I mean. Live things seemed to be crawling and boring in my flesh.

The sun was almost down and I looked at my hands carefully in the glow of the dash lights. The tips of them were red now, red in tiny, perfect circlets, just above the pad where the fingerprint is, where you get calluses if you play guitar. There were also red circles of infection on the space between the first and second joint of each thumb and finger, and on the skin between the second joint and the knuckle. I pressed my right fingers to my lips and withdrew them quickly, with a sudden loathing. A feeling of dumb horror had risen in my throat, woollen and choking. The flesh where the red spots had appeared was hot, feverish, and the flesh was soft and gelid, like the flesh of an apple gone rotten.

I drove the rest of the way trying to persuade myself that I had indeed caught poison ivy somehow. But in the back of my mind there was another ugly thought. I had an aunt, back in my childhood, who lived the last ten years of her life closed off from the world in an upstairs room. My mother took her meals up, and her name was a forbidden topic. I found out later that she had Hansen's disease -leprosy.

When I got home I called Dr Flanders on the mainland. I got his answering service instead. Dr Flanders was on a fishing cruise, but if it was urgent, Dr Ballanger -'When will Dr Flanders be back?'

'Tomorrow afternoon at the latest. Would that -' 'Sure.'

I hung up slowly, then dialled Richard. I let it ring a dozen times before hanging up. After that I sat indecisive for a while. The itching had deepened. It seemed to emanate from the flesh itself.

I rolled my wheelchair over to the bookcase and pulled down the battered medical encyclopedia that I'd had for years. The book was maddeningly vague. It could have been anything, or nothing.

I leaned back and closed my eyes. I could hear the old ship's clock ticking on the shelf across the room. There was the high, thin drone of a jet on its way to Miami. There was the soft whisper of my own breath.

I was still looking at the book.

The realization crept on me, then sank home with a frightening rush. My eyes were closed, but I was still looking at the book. What I was seeing was smeary and monstrous, the distorted, fourth-dimensional counterpart of a book, yet unmistakable for all that.

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