When I could put it off no longer, I slipped over the railing and back on to the ledge. The pigeon, a few feathers worse for wear, was standing below his mate's nest, where the guano was thickest, eyeing me balefully. But I didn't think he'd bother me, not when he saw I was moving away.
It was very hard to move away - much harder than it had been to leave Cressner's balcony. My mind knew I had to, but my body, particularly my ankles, was screaming that it would be folly to leave such a safe harbour. But I did leave, with Marcia's face in the darkness urging me on.
I got to the second short side, made it around the corner, and shuffled slowly across the width of the building. Now that I was getting close, there was an almost ungovernable urge to hurry, to get it over with. But if I hurried, I would die. So I forced myself to go slowly.
The crosswind almost got me again on the fourth corner, and I slipped around it thanks to luck rather than skill. I rested against the building, getting my breath back. But for the first time I knew that I was going to make it, that I was going to win. My hands felt like half4rozen steaks, my ankles hurt like fire (especially the pigeon-pecked right ankle), sweat kept trickling in my eyes, but I knew I was going to make it. Halfway down the length of the building, warm yellow light spilled out on Cressner's balcony. Far beyond I could see the bank sign glowing like a welcome- home banner. It was 10.48, but it seemed that I had spent my whole life on those five inches of ledge.
And God help Cressner if he tried to welsh. The urge to hurry was gone. I almost lingered. It was 11.09 when I put first my right hand on the wrought-iron balcony railing and then my left. I hauled myself up, wriggled over the top, collapsed thankfully on the floor. . . and felt the cold steel muzzle of a
I looked up and saw a goon ugly enough to stop Big Ben dead in its clockwork. He was grinning.
'Excellent!' Cressner's voice said from within. 'I applaud you, Mr Norris!' He proceeded to do just that. 'Bring him in, Tony.'
Tony hauled me up and set me on my feet so abruptly that my weak ankles almost buckled. Going in, I staggered against the balcony door.
Cressner was standing by the living-room fireplace, sipping brandy from a goblet the size of a fish-bowl. The money had been replaced in the shopping bag. It still stood in the middle of the burnt-orange rug.
I caught a glimpse of myself in a small mirror on the other side of the room. The hair was dishevelled, the face pallid except for two bright spots of colour on the cheeks. The eyes looked insane.
I got only a glimpse, because the next moment I was flying across the room. I hit the Basque chair and fell over it, pulling it down on top of me and losing my wind.
When I got some of it back, I sat up and managed: 'You lousy welsher. You had this planned.'
'Indeed I did,' Cressner said, carefully setting his brandy on the mantel. 'But I'm not a welsher, Mr Norris. Indeed no. Just an extremely poor loser. Tony is here only to make sure you don't do anything . . . ill-advised.' He put his fingers under his chin and tittered a little. He didn't look like a poor loser. He looked more like a cat with canary feathers on its muzzle. I got up, suddenly feeling more frightened than I had on the ledge.
'You fixed it,' I said slowly. 'Somehow, you fixed it.'
'Not at all. The heroin has been removed from your car. The car itself is back in the parking lot. The money is over there. You may take it and go.'
'Fine,' I said.
Tony stood by the glass door to the balcony, still looking like a leftover from Halloween. The .45 was in his hand. I walked over to the shopping bag, picked it up, and walked towards the door on my jittery ankles, fully expecting to be shot down in my tracks. But when I got the door open, I began to have the same feeling that I'd had on the ledge when I rounded the fourth corner: I was going to make it.
Cressner's voice, lazy and amused, stopped me.
'You don't really think that old lady's-room dodge fooled anyone, do you?'
I turned back slowly, the shopping bag in my arms. 'What do you mean?'
'I told you I never welsh, and I never do. You won three things, Mr Norris. The money, your freedom, my wife. You have the first two. You can pick up the third at the country morgue.'
I stared at him, unable to move, frozen in a soundless thunderclap of shock.
'You didn't really think I'd let you have her? he asked me pityingly. 'Oh, no. The money, yes. Your freedom, yes. But not Marcia. Still, I don't welsh. And after you've had her buried -'
I didn't go near him. Not then. He was for later. I walked towards Tony,. who looked slightly surprised until Cressner said in a bored voice: 'Shoot him, please.'
I threw the bag of money. It hit him squarely in the gun hand, and it struck him hard. I hadn't been using my arms and wrists out there, and they're the best part of any tennis player. His bullet went into the burnt-orange rug, and then I had him.
His face was the toughest part of him. I yanked the gun out of his hand and hit him across the bridge of the nose with the barrel. He went down with a single very weary grunt, looking like Rondo Hatton.
Cressner was almost out the door when I snapped a shot over his shoulder and said, 'Stop right there, or you're dead.'
He thought about it and stopped. When he turned around, his cosmopolitan world-weary act had curdled a little around the edges. It curdled a little more when he saw Tony lying on the floor and choking on his own blood.
'She's not dead,' he said quickly. 'I had to salvage something, didn't I?' He gave me a sick, cheese-eating grin.
'I'm a sucker, but I'm not that big a sucker,' I said. My voice sounded lifeless, dead. Why not? Marcia had been my life, and this man had put her on a slab.
With a finger that trembled slightly, Cressner pointed at the money tumbled around Tony's feet. 'That,' he said, 'that's chickenfeed. I can get you a hundred thousand. Or five. Or how about a million, all of it in a Swiss bank
