its OVERLOAD message.
He typed: MY WIFE IS ADELINA MABEL WARREN HAGSTROM He punched the DELETE button. He typed: I AM A MAN WHO LIVES ALONE.
Now the word began to blink steadily in the upper right-hand comer of the screen: OVERLOAD OVERLOAD OVERLOAD.
CANNOT SEE NOW TRY AGAIN LATER Except there
He struck the INSERT button and the screen went dark, except for the constant OVERLOAD message, which was now blinking at a frantic, stuttery rate.
He typed: EXCEPT FOR MY WIFE, BELINDA, AND MY SON, JONATHAN
He hit the EXECUTE button.
The screen went blank. For what seemed like ages it remained blank, except for OVERLOAD, which was now blinking so fast that, except for a faint shadow, it seemed to remain constant, like a computer executing a closed loop of command. Something inside the CPU popped and sizzled, and Richard groaned.
Then green letters appeared on the screen, floating mystically on the black: I AM A MAN WHO LIVES ALONE EXCEPT FOR MY WIFE, BELINDA, AND MY SON, JONATHAN He hit the EXECUTE button twice.
Richard leaned back in his chair, shielding his face in case the screen should implode. It didn't. It only went dark. He sat there, looking at the darkness of the screen.
CANNOT TELL FOR SURE ASK AGAIN LATER.
'Dad?' He swiveled around in his chair, heart pounding so hard he felt that it might actually tear itself out of his chest.
Jon stood there, Jon Hagstrom, and his face was the same but somehow different—the difference was subtle but noticeable. Perhaps, Richard thought, the difference was the difference in paternity between two brothers. Or perhaps it was simply that that wary, watching expression was gone from the eyes, slightly overmagnified by thick spectacles (wire-rims now, he noticed, not the ugly industrial horn-rims that Roger had always gotten the boy because they were fifteen bucks cheaper).
Maybe it was something even simpler: that look of doom was gone from the boy's eyes.
'Jon?' he said hoarsely, wondering if he had actually wanted something more than this. Had he? It seemed ridiculous, but he supposed he had. He supposed people always did. 'Jon, it's you, isn't it?'
'Who else would it be?' He nodded toward the word processor. 'You didn't hurt yourself when that baby went to data heaven, did you?' Richard smiled. 'No. I'm fine.' Jon nodded. 'I'm sorry it didn't work. I don't know what ever possessed me to use all those cruddy parts.' He shook his head. 'Honest to God I don't. It's like I
'Well,' Richard said, joining his son and putting an arm around his shoulders, 'you'll do better next time, maybe.'
'Maybe. Or I might try something else.'
'That might be just as well.'
'Mom said she had cocoa for you, if you wanted it.'
'I do,' Richard said, and the two of them walked together from the study to a house into which no frozen turkey won in a bingo coverall game had ever come. 'A cup of cocoa would go down just fine right now.'
'I'll cannibalize anything worth cannibalizing out of that thing tomorrow and then take it to the dump,' Jon said.
Richard nodded. 'Delete it from our lives,' he said, and they went into the house and the smell of hot cocoa, laughing together.
The Man Who Would Not Shake Hands
Stevens served drinks, and soon after eight o'clock on that bitter winter night, most of us retired with them to the library. For a time no one said anything; the only sounds were the crackle of the fire in the hearth, the dim click of billiard balls, and, from outside, the shriek of the wind. Yet it was warm enough in here, at 249B East 35th.
I remember that David Adley was on my right that night, and Emlyn McCarron, who had once given us a frightening story about a woman who had given birth under unusual circumstances, was on my left. Beyond him was Johanssen, with his
Stevens came in with a small white packet and handed it to George Gregson without so much as a pause.