'Let's see your driver's license and your registration.' I got out my wallet and handed him my license.
'Registration?'
'It's my brother's truck. He carries the registration in his wallet.'
'That right?' He looked at me hard, trying to stare me down. When he saw it would take a while, he looked past me at Nona. I could have ripped his eyes out for what I saw in them.
'What's your name?'
'Cheryl Craig, sir.'
'What are you doing riding around in his brother's pickup in the middle of a snowstorm, Cheryl?'
'We're going to see my uncle.'
'In the Rock.'
'That's right, yes.'
'I don't know any Craigs in Castle Rock.'
'His name is Emonds. On Bowen Hill.'
'That right?' He walked around to the back of the truck to look at the plate. I opened the door and leaned out. Hfe was writing it down. He came back while I was still leaning out, spotlighted from the waist up in the glare of his headlights. 'I'm going to... What's that all over you, boy?' I didn't have to look down to know what was all over me. I used to think that leaning out like that was just absentmindedness, but writing all of this has changed my mind. I don't think it was absentminded at all. I think I wanted him to see it. I held on to the socket wrench.
'What do you mean?' He came two steps closer. 'You're hurt—cut yourself, looks like. Better—' I swung at him. His hat had been knocked off in the crash and his head was bare. I hit him dead on, just above the forehead. I've never forgotten the sound that made, like a pound of butter falling onto a hard floor.
'Hurry,' Nona said. She put a calm hand on my neck. It was very cool, like air in a root cellar. My foster mother had a root cellar.
Funny I should remember that. She sent me down there for vegetables in the winter. She canned them herself. Not in real cans, of course, but in thick Mason jars with those rubber sealers that go under the lid.
I went down there one day to get a jar of waxed beans for our supper. The preserves were all in boxes, neatly marked in Mrs. Hollis's hand. I remember that she always misspelled raspberry, and that used to fill me with a secret superiority.
On this day I went past the boxes marked 'razberry' and into the corner where she kept the beans. It was cool and dark. The walls were plain dark earth and in wet weather they exuded moisture in trickling, crooked streams. The smell was a secret, dark effluvium composed of living things and earth and stored vegetables, a smell remarkably like that of a woman's private parts. There was an old, shattered printing press in one comer that had been there ever since I came, and sometimes I used to play with it and pretend I could get it going again. I loved the root cellar. In those days—I was nine or ten—the root cellar was my favorite place. Hollis refused to set foot in it, and it was against her husband's dignity to go down and fetch up vegetables. So I went there and smelled that peculiar secret earthy smell and enjoyed the privacy of its womblike confinement. It was lit by one cob-webby bulb that Mr. Hollis had strung, probably before the Boer War. Sometimes I wiggled my hands and made huge, elongated rabbits on the wall.
I got the beans and was about to go back when I heard a rustling movement under one of the old boxes. I went over and lifted it up.
There was a brown rat beneath it, lying on its side. It rolled its head up at me and stared.
Its sides were heaving violently and it bared its teeth. It was the biggest rat I had ever seen, and I leaned closer. It was in the act of giving birth. Two of its young, hairless and blind, were already nursing at its belly. Another was halfway into the world.
The mother glared at me helplessly, ready to bite. I wanted to kill it, kill all of them, squash them, but I couldn't. It was the most horrible thing I'd ever seen. As I watched, a small brown spider—a daddy longlegs, I think—crawled rapidly across the floor. The mother snatched it up and ate it.
I fled. Halfway up the stairs I fell and broke the jar of beans. Mrs. Hollis thrashed me, and I never went into the root cellar again unless I had to.
I stood looking down at the cop, remembering.
'Hurry,' Nona said again.
He was much lighter than Norman Blanchette had been, or perhaps my adrenaline was just flowing more freely. I gathered him up in both arms and carried him over to the edge of the bridge. I could barely make out the falls downstream, and upstream the GS&WM railroad trestle was only a gaunt shadow, like a scaffold. The night wind whooped and screamed, and the snow beat against my face. For a moment I held the cop against my chest like a sleeping newborn child, and then I remembered what he really was and threw him over the side and down into the darkness.
We went back to the truck and got in, but it wouldn't start. I cranked the engine until I could smell the sweetish aroma of gas from the flooded carb, and then stopped.
'Come on,' I said.
We went to the cruiser. The front seat was littered with violation tags, forms, two clipboards. The shortwave under the dash crackled and sputtered.
'Unit Four, come in, Four. Do you copy?' I reached under and turned it off, banging my knuckles on something as I searched for the right toggle switch. It was a shotgun, pump action. Probably the cop's personal property. I undipped it and handed it to Nona. She put it on her lap. I backed the cruiser up. It was dented but otherwise not hurt. It had snow tires and they bit nicely once we got over the ice that had done the damage.
Then we were in Castle Rock. The houses, except for an occasional shanty trailer set back from the road, had disappeared. The road itself hadn't been plowed yet and there were no tracks except the ones we were leaving behind us. Monolithic fir trees, weighted with snow, towered all around us, and they made me feel tiny and
