they will ride out to meet offence in such a way.'
'Yet, Anne,' said her mother, 'you may comfort yourself with knowing that as long as you do what is commanded, set a watch before your lips, you are not likely to wound the feelings of others, however sensitive.'
'I know, Mamma,' said Anne, 'that would correct every fault of that kind; but then I hardly know how to do so thoroughly. And I think sensitiveness is a good thing--
at least, it makes people know better what will hurt others.'
'Be sensitive for others, without being ready to take offence for yourself, then, Anne,' said Lady Merton. 'And now that you have fitted the moral to my story, I must go down and help Mrs. Woodbourne to entertain Mrs. Hazleby.'
'I pity you,' said Anne. 'If everyone, or indeed if half the world were like her, I should be more violent in my opinions than Lizzie is.'
'And what are you going to do?' asked Lady Merton.
'I am going to sit in the school-room,' said Anne; 'I had a special invitation from Dora this morning.'
On going down-stairs, Anne found that Katherine and Harriet had gone to spend the morning with the Mrs. Turner mentioned during the walk to St. Austin's, as her daughter, Miss Wilhelmina, had engaged to teach Harriet to make wax flowers. Lucy was up-stairs, writing to Major Hazleby; and Helen was sitting in the school-room, where Elizabeth was teaching the children. Little Winifred had just finished her lessons, and was skipping off in high glee with her medal round her neck, to tell her mamma that she had gained four good marks. Dora was perched on a high stool, at Elizabeth's desk, with a broadly ruled paper before her, on the top of which the words, 'My dear Horace, St. Austin's Church was consecrated yesterday,' were to be seen in fair round hand. No more was visible, for the little girl laughingly laid down her rosy cheek, and all her light wavy curls, flat upon the letter, as Anne advanced and made a stealthy attempt to profit by the intelligence she was sending to her brother. Edward was standing by Elizabeth, reading Mrs. Trimmer's Fabulous Histories, for, though five years old, he made very slow progress in English literature, being more backward in learning to read than any of the others had been, excepting Helen. He did not like the trouble of spelling, and was in the habit of guessing at every word he did not know; and on his very composedly calling old Joe the gardener, 'the old gander,'
Anne burst into an irrepressible giggle, and Helen, sedate as she was, could not help following her example. They had just composed themselves, when Edward made another blunder, which set them off again, and Elizabeth, who when alone with the children, could bear anything with becoming gravity, also gave way.
Edward, finding that he was diverting them, began to make absurd mistakes on purpose, so that Elizabeth was forced to call him to order. Anne thought it best to leave the room, and Helen followed her, saying, 'We had better leave Lizzie to manage him by herself; she always does better without me.'
'You have never shewn me your drawings, Helen,' said Anne; 'I should like very much to see them, if you will let me.'
'If you please,' said Helen. 'Will you come up to my room? I keep all my own things there, out of the way of the critics.'
'What critics?' inquired Anne.
'Lizzie, to be sure, and Papa,' said Helen; 'I think them the severest people I know.'
'Do you indeed!' said Anne.
'Do not you?' said Helen; 'does not Lizzie say the sharpest things possible? I am sure she does to me, and she never likes anything I do. If there is any little fault in it, she and Papa always look at that, rather than anything else.'
'Well,' said Anne, 'it is a comfort that if they like anything you do, you are sure it is really very good. Their praise is worth more than that of other people.'
Helen sighed, but made no reply, as by this time they had arrived at the door of the room which she shared with Katherine. It was a complete contrast to Elizabeth's; it was larger and lighter, and looked out upon the bright garden, the alms-houses, and the church tower. The upper part of the window was occupied by Katherine's large cage of canary birds, and below was a stand of flower-pots, a cactus which never dreamt of blossoming, an ice- plant, and a columnia belonging to Katherine, a nourishing daphne of Helen's, and a verbena, and a few geranium cuttings which she had brought from Dykelands, looking very miserable under cracked tumblers and stemless wine-glasses. On a small round table were, very prettily arranged, various little knicknacks and curiosities, which Elizabeth always laughed at, such as a glass ship, which was surrounded with miniature watering-pots, humming- tops, knives and forks, a Tonbridge-ware box, a gold-studded horn bonbonniere, a Breakwater-marble ruler, several varieties of pincushions, a pen-wiper with a doll in the middle of it, a little dish of money-cowries, and another of Indian shot, the seed of the mahogany tree, some sea-eggs, a false book made of the wreck of the Royal George, and some pieces of spar and petrifactions which Helen had acquired on an expedition to Matlock with the Stauntons. The book-shelf, however, was to Anne the most attractive object in the room; and whilst Helen was untying the strings of her portfolio, she went up to it.
'What a beautiful little Bishop Wilson!' exclaimed she, taking out one of the books.
'Yes,' said Helen with a sigh, 'that was dear Mrs. Staunton's last present to me before I left Dykelands. She said that perhaps she should not see me again before I was confirmed, and it was the fittest Godmother's gift she could find.'
'And is this pretty Lady of the Lake yours too?' said Anne; 'what a pretty binding, with the Douglas arms on it!'
'Yes,' said Helen, 'that was Fanny's present; and Jane gave me the pretty forget-me-not brooch I wore yesterday. You see I have plenty of keep-sakes from the dear people.'
Anne then turned to the portfolio on the table. Helen shewed her, in the first place, a rather stiff and formal looking forget-me-not, painted by Fanny Staunton, and a carelessly sketched but neatly shaded head drawn by Jane, both which specimens of art Anne tried hard to admire for Helen's sake, but could not find it in her heart to do so. Helen's own drawings, which were landscapes, gave more promise of improvement, and displayed a good deal of taste and freedom of hand, though some were by no means correct in the outline. Helen pointed out several faults which she candidly acknowledged to be wrong, and some others which she said 'Lizzie called blunders.'
'There,' said she, 'is the house at dear Dykelands; there is my window with the Banksia roses clustering round it, so that I could gather them as I stood in my room. That room is still to be called Helen's. But now, Anne, do you think that line ought to be straight? Lizzie says it should, but I think the perspective alters it; I am sure I saw it so.'
