“Where y’from?”

“Are you going to take a look at this damned car or aren’t you?”

The gum chewer seemed startled by her language. He stopped, looked dull. On the front porch of the station, the second man—fortyish, nearly bald, wearing a filthy coverall with the gas station emblem on the breast pocket—hit the boards with his feet. The scene had been turned over to him: the young one had come up against something he couldn’t handle.

“Well, I c’n take a look at ‘er,” he said, and got up. The gum moved sluggishly in his mouth, and he matched pace with it toward Selena and the car.

He stood in front of the Packard for a moment, as if trying to decide which end contained the engine. Then he fumbled around the hood, looking for the latch. With exasperation, Selena moved beside him, reaching in through the front grille. “It opens from underneath.”

The older man attained a tone of cool disdain that completely repudiated his obvious unfamiliarity with the business end of an automobile: “Why, thank you, ma’am.” It was a brand of sarcasm honed to perfection by four hundred years of misdirecting the outsiders.

She opened the hood, and the man leaned over the front bumper, carefully not touching the mud-spattered metal with his already-filthy coverall. He stared down into the guts of the machine for long minutes.

Finally, without looking at Selena, he said, “Why don’t y’all start ‘er up.”

Selena felt a rising tide of frustration and fury. She got in and turned the ignition key. The engine coughed to life. The sound of metal grinding and tearing came up solidly. Superimposed as the latest symptom of a disease that had been built in sixteen years before when the car had been new. It was a strange kind of testimony to the excellence of the Packard manufacturers that the car was even able to start sixteen years later; a feat far beyond the capabilities of contemporary Detroit Iron.

The gum-chewing went on apace, the staring into the innards did not change phase, the observers said nothing, the sound of thunder caromed through the mountains.

Selena leaned out through the open door. “Can you do anything…?”

The man slowly looked up at her. His expression was one of mixed lechery and disgust. He did not have to say Lady, shut yore damned face, you’re in awuh part of the woods now, with yore damned long legs and all yore damned pretty skin a-showin’ through that skimpy li’l dress. an’ whut we want to do is whut we gonna do, so sit back an’ don’t be harangin’ us whilst we playinwith puttinyou in yore place; he didn’t have to say it. There it was, arrogant and infuriating for Selena, in his expression.

The youngest of the three ambled up beside the gum chewer, and they stared down at the machine together.

Nowhere is North Carolina. Nowhere is the land of the Gods. All the Gods. Not only the ancient Gods who have gone to sleep, and the recent Gods who are still worshipped, but the God of Rain, and the God of Lightning, and the God of the Hunt, who have taken on new attributes and new faces. And the newest, youngest, strongest Gods: the God of Neon, the God of Smog, the God of Luck, and the Machine God. People come to worship at strange altars. They place their oblations at the feet of graven images without knowing these are truly Gods they have found. The War God grows fatter each year, gorged on blood. The Love God fornicates with himself, weakening his genes, rebirthing as a thalidomide monstrosity. Paingod does his work and doles out his anguish, paying no attention to the cries of those crushed beneath his millstones. But the Machine God…

The sound had grown more violent. It was an ugly sound. In final frustration, Selena shut the car down, and got out. The tableau was still the same. The little porch on the slat-walled gas station; the old man still tilted against the front wall, smoking his pipe; the two observers still looking down into the engine as though studying a slide under a microscope; the mountains looming huge and dark around the town; the sound of the storm gathering strength to hurl itself against them once more.

“All right!” Selena snapped. “Enough is enough.”

The two looked at her. Then as one, they looked at the old man in the chair. And Selena realized all at once, that neither of these two fools could have done anything, had they wanted to: the old man was the mechanic. The other two were camouflage, the sportsmen who had been given Selena to toy with for a few minutes. It was the old man she should have approached.

He did not move an inch from his comfortable position as he informed her in a doughy, wheezing voice, “Can’t he’p you, ma’am. Trouble you got’s too big. Have t’take it on in to Shelby, or someplace, where they’s ‘quipped to make them kinda repairs.”

“But you didn’t even look at it!” Selena yelled.

“Too much. Can’t fix ‘er,” the old man said, and closed his eyes. Smoke rose from the meerschaum once more, lazily.

The two fools stood where they were, staring once again down into the engine, as if hoping the show might resume. Selena shoved them aside and slammed the hood closed. She was speechless with fury. She strode back to the front door and started to get in. And realized…she could not go anywhere.

She needed this car in working order.

If they were tracking her, she could not afford to be without transportation.

But these fools would not—or could not—repair the engine.

She was hamstrung.

A wave of such helplessness possessed her that she almost sank down on the car seat.

The old man, without opening his eyes, said, “I s’pose you could call old Ernest….”

And the two fools fell down laughing. The youngest one rolled around on the muddy ground as though possessed by St. Vitus’s Dance. The middle-aged one barked a kind of laughter Selena had not heard since she had been at the Bronx Zoo. The old man was smiling, smugly.

“Who the hell is Ernest? And what’s so funny?”

The old man opened his eyes, and looked at the middle-aged one. His laughter came under control with difficulty, but when he could speak without gasping, he wiped the tears from his eyes and said, with difficulty, “Ernest? Oh, he, uh, he r’pairs things, sometimes…”

And they fell down laughing again.

Selena watched them with incredulity. Something was funny, unquestionably. But what that something was she could not even begin to fathom. The two grown men tumbled back and forth at her feet like an unmatched set of children’s toys, loose-jointed, rubber-armed, totally without control of themselves as the enormity of the joke paralyzed them. Their laughter drowned out the thunder that whipped overhead.

She had to repeat herself three times before they could hear her: “Well, all right then, why don’t you just run and get ‘old Ernest’!”

The youngest one sat up, suddenly. There on the ground. He looked at her. She was serious. Why the hell shouldn’t I be serious? Selena thought, interpreting his look in an instant. The young one looked over at the old one. The old one nodded with a barely perceptible movement of his head. The young one leaped to his feet and, cackling uproariously, dashed off through the town and was gone in an instant. Selena stood beside the Packard, tapping her foot. Every few seconds, the middle-aged one, now back in his chair on the porch, beside the old man, would chuckle deep in his throat, and build it till he was roaring with laughter. Fuck you! thought Selena.

…Ah, He is a special God. He loves his gears and his pumps, his springs and his transistors, his printed circuits and his boilers. He is not a jealous God, like some, but he is an attentive God. He tends to business, and keeps his world of machines functioning. But every now and then, every once in a while, every few centuries in a mind that is Machine and not Man, the Machine God finds one He can care about more than the others. A special machine, or a special man, and they become the beloved of the Machine God. Saint Joan had the power of moving masses of men to religious fervor. Ahmad, who was Mohammed, was able to die of his own volition when he was presented with the keys of eternal life on earth, and those of Paradise. Gandhi saw the sheep being led to

Вы читаете Deathbird Stories
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату