up to others. That may be a short-sighted attitude for a writer, but it was the way I felt. I had never been on a TV talk show and had never been interviewed by a newspaper or magazine. I couldn’t care less.
So reading Chuck Thorndike’s Big Caper was like reading something written by a stranger. I hadn’t looked at it for almost two months, and meanwhile I had been working on Buck Williams’ newest.
I didn’t have to read more than ten pages. I’ve never been so ashamed in my life.
It was a piece of cheese.
I mean it was
I started reading about 2:00 P.M., determined to finish the damned thing. The outside light grew dim. I switched on the desk lamp and read on; I can endure pain. I finished at about 7:00 in the evening. Then I straightened the manuscript pages, tapped them neatly into a smooth bundle, and dumped the whole thing into the wastebasket. Then I felt my cheeks. I was blushing.
I went to the kitchen for a chilled, half-bottle of Gallo chablis and brought that and a glass back to my office. I peeled off my pantyhose and settled in the swivel chair again. I poured a glass of wine, and sipped.
MY WRITING CAREER
During my relatively brief and successful writing career, I had been like someone who builds houses without knowing anything about engineering or architecture. He builds simply by observing how other houses are constructed — beams here, rafters there, shingles on the outside.
I had written my novels the same way, by reading and observing how other people wrote similar books. Never once had I considered the theory or
The comments of Aldo Binder and Sol Faber that morning were a revelation to me. I had been a lucky blunderer, grinding out imitative books people wanted to read. Now, because I really didn’t know what the hell I was doing, my luck was running out.
Aldo Binder had been right: I had lost contact with the real world. Sol Faber had been right: I had forgotten, if I ever knew, what my readers wanted.
Still, I wasn’t about to toss my hands in the air and seek employment as a domestic. It never occurred to me to stop. Obsession? Possibly.
I WAS HUNGRY
These deep, deep thoughts were interrupted by a very human need: hunger. I’m a big woman, and a chefs salad at noon really isn’t enough to see me through the day. I went into the kitchen to inspect the larder. Dismal. The best possibilities seemed a half-dozen eggs and a small, canned ham. Not the Four Seasons, but it would do.
The kitchen clock showed a few minutes to 8:00 so I called Dick Fleming.
‘Richard,’ I said, ‘am I interrupting?’
‘Nope. How are you, Jannie?’
‘Miserable. Eat yet?’
‘I was just looking in the fridge. How does a hunk of greenish cheddar and a few slices of gray baloney grab you?’
‘I can do a little better than that — ham and eggs. Want to share?’
‘Be right over,’ he said.
I met Richard J. Fleming at Sol Faber’s New Year’s Eve party, two years ago….
‘Listen, doll,’ Sol said excitedly, holding on to him, ‘you’ve got to meet this gorgeous guy, Dick Flemmer his name is, and he’s the new-’
‘Dick Fleming,’ the man said, smiling.
Sol snapped his fingers. ‘Right! Dick Fleming. He handles children’s books for Mayer, Markham. Dick, this beautiful lady is my favorite client, Jannie Shean.’
‘Jannie Shanahan,’ I said soberly.
‘What?’ Sol said, worried. ‘Oh, I get it! You’re putting me on. Right, doll? You’re putting me on?’
Dick was a few inches taller than I, and almost as skinny.
That helped. Also, it turned out, he was a quiet, sweet, amusing, un-pushy man, and he became my closest and dearest friend.
He was not gay, exactly, and he was not straight, exactly. He edited children’s books, and there was something childlike about him: sudden and brief enthusiasms, fits of stubbornness, an occasional tantrum. But generally he was smiling and serene, as if he had come to terms with himself and could live with what he was.
He spoke little of his background, but 1 gathered he’d been raised by a widowed mother and an unmarried aunt. He came from someplace in Ohio, and in the two years I had known him, had never returned for a visit.
He was lanky and loose-limbed, fair-headed, with pale, freckled skin. He moved gracefully and had a pleasing singing voice. He played a passable piano and guitar, and spoke three foreign languages. He was also an excellent cook and a marvelous host. He doted on parties.
Dick’s apartment was three blocks from mine, on East 74th Street, and we frequently dropped in on each other, but never without calling first. During the previous summer we had rented a place together in Easthampton, and it worked out very well. He was easy to live with: quiet, neat, self-effacing. He was there when you wanted him, and gone when you wanted to be alone.
When Dick came over, he volunteered to fix dinner. He scrambled the eggs with chives and found a can of pineapple slices in my cupboard to add to the baked ham. So that, plus an endive salad with a vinaigrette sauce, made a feast that we both tucked into with fervor.
While we ate, I told him what had happened to me during the day. He listened closely, asked very perceptive questions and, as usual, seemed genuinely interested in my problems.
We took our coffee and brandy into the living room and sprawled side by side on my chesterfield.
‘Well,’ Dick said when I’d finished my tale of woe, ‘sounds like you’ve had a full day.’
‘Yeah,’ I said sourly, ‘full of bullshit.’ I sometimes used words like that. Dick didn’t.
‘What are you going to do, Jannie?’
‘I don’t know. I’m about a hundred pages into a new book. I read those over, too. Just as bad. I’ll have to junk them, I guess. What did you think about what Binder and Faber said? About mystery-suspense novels?’
‘I don’t read that kind of thing,’ he said. ‘You know that. But I’m always suspicious about profound pronouncements. Maybe they’re right; I’m not saying they’re not. They could just as easily be wrong. But what disturbs me most is that you yourself think the book is bad.’
‘It’s bad, Dick. I read it over. I trashed it.’
‘All right. You’re entitled to a flop now and then. No one hits it all the time. But don’t let one turkey make you feel you’re a failure as a writer. Get started on something new, right away.’
‘That’s what Sol told me. But Binder told me I’ve lost contact. He was talking about reality. So how do I make contact with reality? I don’t know what to do. Spend the night?’
‘Sure,’ he said. ‘You haven’t been shaving your legs with my razor, have you?
‘I bought new blades.’
‘Good. Jannie, I shouldn’t even venture an opinion on your books. You know I don’t read anything written for anyone over fifteen years old. But I’ve found a factor in children’s books that may be applicable in the detective- mystery-suspense field. Kids are hooked by adventure. Risk and adventure. Unknown lands. Unexplored continents. Seas no one has sailed, uncharted galaxies. I think the same holds true for adults. Men and women read crime
