The 1st Deadly Sin

creams and lotions; phallic candles; amorous prints, paintings, etchings and posters; unisex lingerie; lace pajamas for men, leather nightgowns for women; and whips for both. An armed guard had to be hired to eject certain obviously disturbed customers.

Erotica was an instant success. Florence and Samuel Morton became wealthier. Depressed, they turned to blackstrap molasses and acupuncture. Making money was their tragic talent. Their blessing was that they were without malice.

And the first thing Daniel Blank saw upon awaking Sunday morning was the note on his bedside table, the invitation to brunch from Flo and Sam. They would, he remembered fondly, serve things like hot Syrian bread, iced lumpfish, smoked carp, six kinds of herring. Champagne, even.

He padded naked to the front door, unlocked chains and bars, took in his New York Times. He went through the ritual of relocking, carried the newspaper to the kitchen, returned to the bedroom, began his 30 minutes of exercise in front of the mirror on the closet door.

It was the quiet Sunday routine he had grown to cherish since living alone. The day and its lazy possibilities stretched ahead in a golden glow. His extensions and sit-ups and bends brought him warm and tingling into a new world; anything was possible.

He showered quickly, gloating to see his dried skin had softened and smoothed. He stood before the medicine cabinet mirror to shave, and wondered once again if he should grow a mustache. Once again he decided against it. It would, he felt, make him look older, although a drooping Fu-Manchu mustache with his glabrous skull might be interesting. Exciting?

His face was coffin-shaped and elegant, small ears set close to the bone. The jaw was slightly aggressive, lips sculpted, freshly colored. The nose was long, somewhat pinched, with elliptic nostrils. His eyes were his best feature: large, widely spaced, with a brown iris. Brows were thick, sharply delineated.

Curiously, he appeared older full-face than in profile. From the front he seemed brooding. Lines were discernible from nose creases to the corners of his mouth. The halves of his face were identical; the effect was that of a religious mask. He rarely blinked and smiled infrequently.

But in profile he looked more alert. His face came alive. There was young expectation there: noble brow, clear eye, straight nose, carved and mildly pouting lips, strong chin. You could see the good bones of cheek and jaw.

He completed shaving, applied “Faun” after-shave lotion, powdered his jaw lightly, sprayed his armpits with a scented antiperspirant. He went back into the bedroom and considered how to dress.

The Mortons with their “…Thousands of fantastic pip-ple…” were sure to have a motley selection of the bizarre friends and acquaintances they collected: artists and designers; actors and writers; dancers and directors; with a spicy sprinkling of addicts, whores and arsonists. All, on a Sunday morning, would be informally and wildly costumed.

To be different-aloof from the mob, above the throng-he pulled on his conservative “Ivy League” wig, grey flannel slacks, Gucci loafers, a white cashmere turtleneck sweater, a jacket of suede in a reddish brown. He stuffed a yellow-patterned foulard kerchief in his breast pocket.

He went into the kitchen and brewed a small pot of coffee. He drank two cups black, sitting at the kitchen table and leafing through the magazine section of the Sunday Times. The ads proved that current male fashions had become more creative, colorful, and exciting than female.

At precisely 11:30, he locked his front door and took the elevator up to the Mortons’ penthouse apartment on the 34th floor.

He was alone in the elevator, there was no one waiting for entrance at the Mortons’ door and, when he listened, he could hear no sounds of revelry inside. Perplexed, he rang the bell, expecting the door to be answered by Blanche, the Mortons’ live-in maid, or perhaps by a butler hired for the occasion.

But Samuel Morton himself opened the door, stepped quickly out into the corridor, closed but did not latch the door behind him.

He was a vigorous, elfin man, clad in black leather shirt and jeans studded with steel nailheads. He twinkled when he moved. His eyes, shining with glee, were two more nailheads. He put a hand on Daniel Blank’s arm.

“Dan,” he pleaded, “don’t be sore.”

Blank groaned theatrically, “Sam, not again? You promised not to. What’s with you and Flo? Are you professional matchmakers? I told you I can find my own women.”

“Look, Dan, is it so terrible? We want you to be happy! Is that so terrible? Your happiness-that’s all! All right, blame us. But we’re so happy together we want everyone to be happy like us!”

“You promised,” Blank accused. “Sam, your cuffs are about a half-inch too long. After that disaster with the jewelry designer, you promised. Who’s this one?”

Morton stepped closer, whispering…

“You won’t believe. An original! I swear to God…Here he held up his right hand. “…an original! She comes into the store last week. She’s wearing a sable coat down to her ankles! It’s a warm day, but she’s wearing an ankle-length fur. And sable! Not mink. Dan- sable! And she’s-beautiful in an offbeat, kinky way. Marilyn Monroe she’s not, but she’s got this thing. She scares you! Yes. Maybe not beautiful. But something else. Something better! So in she comes wearing this long sable coat. Fifty thousand that coat-at least! And with her is this kid, a boy, maybe eleven, twelve, around there. And he is beautiful! The most beautiful boy I’ve ever seen-and you know I don’t swing that way! But she’s not married. The kid’s her brother. Anyhow, we get to talking, and Flo admires her coat, and it turns out she bought it in Russia. Russia! And she lives in a townhouse on East End Avenue. Can you imagine? East End Avenue! A townhouse! She’s got to be loaded. So one thing leads to another, and we invited her up for brunch. So what’s so terrible?”

“Did you also tell her you were inviting a friend-male and divorced-who is living in lonely anguish and seeking the companionship of a good woman?”

“No. I swear!”

“Sam, I don’t believe you.”

“Dan, would I lie to you?”

“Of course. Like your ‘thousands of fantastic pipple’.”

“Well…Flo may have casually mentioned a few neighbors might stop by.”

Daniel laughed. Sam grabbed his arm, pulled him close. “Just take a look, a quick look. Like no woman you’ve ever met! I swear to you, Dan-an original. You have simply got to meet this woman! Even if nothing comes of it-naturally Flo and I are hoping-but even if nothing happens, believe me it will be an experience for you. Here is a new human being! You’ll see. You’ll see. Her name is Celia Montfort. My name is Sam and her name is Celia. Right away that tells a lot-no?”

The Mortons’ apartment was a shambles, thrift shop, rats’ nest, charity bazaar, gypsy camp: as incoherent as their lives. They redecorated at least twice a year, and these upheavals had left a squabble of detritus: chairs in Swedish modern, a Victorian love seat, a Sheraton lowboy, a wooden Indian, Chinese vases, chromium lamps, Persian rugs, a barber pole, a Plexiglas table, ormolu ashtrays, Tiffany glass, and paintings in a dozen trendy styles, framed and unframed, hung and propped against the wall.

And everywhere, books, magazines, prints, photographs, newspapers, posters, swatches of cloth, smoking incense, boxes of chocolates, fresh flowers, fashion sketches, broken cigarettes, a bronze screw propeller and a blue bedpan: all mixed, helter-skelter, as if giant salad forks had dug into the furnishings of the apartment, tossed them to the ceiling, allowed them to flutter down as they would, pile up, tilt, overlap, and create a setting of frenzied disorder that stunned visitors but proved marvelously comfortable and relaxing.

Sam Morton led Daniel to the entrance of the living room, tugging him along by the arm, fearful of his escaping. Blank waved a hand at Blanche, working in the kitchen, as he passed.

In the living room, Flo Morton smiled and blew a kiss to Dan. He turned from her to look at the woman who had been speaking when they entered, and who would not stop to acknowledge their presence.

“It is bad logic and worse semantics,” she was saying in a voice curiously devoid of tone and inflection. “‘Black is beautiful’? It’s like saying, ‘Down is up.’ I know they mean to affirm their existence and assert their pride. But they have chosen a battlecry no one, not even themselves, can believe. Because words have more than meaning, you see. The meaning of words is merely the skeleton, almost as basic as the spelling. But words also have emotional weight. The simplest, most innocent words-as far as definition is concerned-can be an absolute