and a hairdresser’s. It isn’t a bad neighbourhood, though. He’s seen a lot worse. The girl keeps step alongside him, deep in thought. Her hair blows a little in the breeze, and he imagines her walking to school, like Britney used to.

For Tianna walking to school was always Alabama. Sucking in the medley of forms, sounds and movements along the Tallapoosa River route, the swampy aromas taking the urgency out of the day’s excited voices. It was different in Miami, that mirthless ride in the school bus rambling down the palm-treed avenues. Teased from the start for her rudimentary Spanglish. Her bag seized on her first day by two boys who tossed it back and forth to each other. She knew they’d wanted her to exasperate and humiliate herself by trying to retrieve it. But she’d been suddenly stung by the dire recall of what he’d said to her about being a woman, not a little girl, and she’d simply waited disdainfully till they’d become bored. They’d cursed her in Spanish as they dropped the bag at her feet, but it was half-hearted as they were quickly off in search of a more responsive victim. Pappy Vince, she remembered, had shown her good things too.

The apartment, a palace of functional understated luxury, is a short cab ride from the cocktail bar. A pool and hot tub built into a glass-enclosed patio look out on to the ocean beyond, the inky blue of each almost imperceptibly blending in the night. He’d suggested the nightcap at his place, and when she thought of Ray, out carousing full of cocaine, and probably in the arms of some slut, she was happy to agree.

Aaron Resinger seems as designed as his home. Hair dark and wavy. Body heavy with muscle built and honed in the gym since college years. An admitted workaholic, he tells her that he is one of few native South Floridians. He’d studied Real Estate Finance and Urban Planning at the University of Miami and made his money in the condominium boom of the early nineties. Success has come at a cost, as a few months ago, he’d split up with a long-term partner. — I guess I’ve been licking my wounds since, he sings with a hint of melancholy through a grill of perfect white teeth.

After pouring Trudi a drink, and showing her his art collection, they stand on the patio, looking out to where the Biscayne Bay meets the Atlantic Ocean. — When I built this place I decided that I simply couldn’t find anywhere better to live, he purrs. Trudi feels like a film star, ennobled and exalted by the attentions of this man. When he kisses her, she responds. At first tentatively, then, as she thinks of how Ray Lennox has treated her, with ferocious abandon. When they break off, he sweeps the hair from her face, looks into her eyes, and says with a sincerity she finds crippling, — I would really like to make love to you.

Trudi smiles and allows herself to be led by the hand into a master bedroom. She knows at that moment that when she tells this story to the girls in some wine bar back home, they will all be letting out volleys of uncontrollable laughter. But right now, in this luxury, under the moonlight, with the crashing waves outside and her burned by alcohol and thoughts of a treacherous, uncaring fiance, it is by far the best show in town.

He beats out an edgy rhythm on his thigh with Perfect Bride as they walk. Lennox had tried to chat but the kid wasn’t forthcoming. It was easier getting information out of hardened cons. He didn’t push it because he sensed she carried the sort of hurt that engendered introspection.

His mouth feels bad, and he thinks about getting some gum. It’s a strain with the American kid, and he’s relieved when they come across a local police station. He doesn’t want to alarm her. Luckily, there is a diner across the street. — I been there before, Tianna says uneasily, pointing at it. — Starry works there.

Perhaps Starry would be able to help sort out this mess. She was a total bitch last night but then she was coked up. And she is Robyn’s friend. Or is she? He’ll soon find out.

Mano’s Grill might have been considered a good place to waitress. A very narrow L-shaped space, there are no tables as such, just a counter that runs along the length of one wall, alongside which chairs are positioned. The customers can almost reach over and touch the short-order cooks: one of whom he believes to be Mano himself. Another counter with more stools underneath runs round the periphery, along some big plate-glass windows. Lennox can envision Starry stretching across to pass the plates to these customers over the heads of the poor stiffs at the counter.

But he’ll bet that she never does that when Mano’s around. An aggressive caricature posted above the counter depicts a younger, hairier, slimmer version, but still instantly recognisable as him. It warns underneath: THIS AIN’T BURGER KING – HERE WE DO THINGS MY WAY.

With Tianna reluctantly alongside him, Lennox watches Mano in action. As he shouts at a waitress, bitterness seeps from him, strong enough to taint every bite of the food he cooks. Then Lennox sees that there is an alcoved passage leading to restrooms, then a bigger dining space. Mano’s empire extends to a busy area of tables, chairs and another counter with a register. Even a separate kitchen seems to be in operation.

Lennox hazily recalls Starry telling him last night that she’d been working there for four years. It was probably a lifetime in a place like this, he considers. In caustic semi-drunkenness, she’d told him somewhere between a boast and a lament that it was the longest she’d ever held down a job in her life. No matter how crazy her own lifestyle got, Starry contended she’d never missed a shift. This had seemed doubtful to him at the time. It’s exposed as nonsense as he asks the waitress – the one Mano chewed out – if she’s due in. The woman glares confrontationally at him. — You know that beetch? Where ees she?

— I was hoping you could tell me.

— Ha! How should I know? I have to cover her sheeft, she spits in uncontrived anger.

Lennox sits down with Tianna who seems relieved at Starry’s absence. He fancies a milkshake. He remembers the ones in the Howard Johnson’s on Times Square in New York with the boys. They were good. But they’d soon turned into Bloody Marys.

They order a chocolate shake for him, with toast and eggs. Tianna gets a Coke, burger and fries. Lennox’s appetite is shot. He dabs at the eggs with toast, dropping an accidental bomb of yolk on Perfect Bride, and sucks on the shake that cools his raw throat. The kid is hungry. There is a quick, methodical single-mindedness about the way she attacks her food. He wonders when she last ate. — You stay here, he tells her, standing up. — I’m just going to get some cigarettes next door, he raps out the easy lie of the infidel cop.

— Uh-huh, she replies and now her eyes seem so big, — That would be way cool.

— For me, he snaps in exasperation. — Wait here, he reiterates.

Striding out of the diner, Lennox marches across to the smart new building bearing the sign indicating Miami–Dade County Police Department. It takes up a good part of a city block. Inside there would be men and women, like his colleagues back home, earning a living through law enforcement. It’s crazy. He’s an experienced cop, but he doesn’t know what he’s going to say. Without authority or status he’s pared down to his essence: a doubter, operating in a world where such luxuries were frowned upon. Lennox stops outside the glass doors. Now is not the time to doubt. Now is the time to act.

The likes of Dougie Gillman would stride in and report the kidnapping, abandonment, molestation and attempted rape of a minor to the desk officer. Not only that, he’d do it with a sneering contempt that said: ‘Where the fuck were youse?’ And that’s what he is steeling himself to do, thinking of his actor brother, Stuart, telling him how he got himself into role.

As he opens the door, he sees a very large woman leaning across the desk. Her outsized rump, encased in pink stretched leggings, sticks in the air and partially blocks his view of the officer behind the reception counter who attends to her. Then the man shimmies to one side and lifts his head and Lennox and the desk cop gaze at each other in mutual shock.

It is Lance Dearing who speaks first, as the flight urge explodes like a starter’s pistol in Ray Lennox, who twists away from the desk.

— Why, you jus hold on a minute there, Ray – Lance begins, but the barrel of a woman is shouting at him: — You gotta get him outta my house! He ain’t got no business to be in my house!

— Ma’am, if you don’t mind… Dearing says, stepping out from behind the counter.

Ray Lennox walks quickly through the glass doors and out of the police station. His jarring staccato descent down the steps evokes a pianist playing chopsticks. At the bottom he breaks into a trot and then a sprint. The lay- off from his sporting endeavours is painfully evident: his weight hangs around his heart and lungs and his leg muscles ache. Under his soles the slabs on the sidewalks are cracked and uneven, and he self-consciously fears for his footing. Then the bilious mass seems to lift, his chest holding the air, lightening him, and Lennox is flying.

Tianna is sitting where he left her, finishing off her food, looking at the wedding magazine. The urgency signalled by Lennox’s entrance makes her pack a few ketchup-laden fries into her mouth before he reaches the

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