'Okay, okay. Forget it.' I had just uncovered a disturbing thought. I was a carrier of disease myself. Had I been sowing the nekronic death on a dozen worlds already, leaving the virus in transmitters for those who came after me to carry still farther abroad?

'There is no way of knowing that yet,' Belem said. 'Turn the dials.' I did.

It seemed to me that this time the vibration of the transmission was a little longer and more violent than before. I wondered if we were going an unusually long distance. Then the room steadied again and I pushed open the door.

I expected the laboratory, enormously braced, enmeshed with catwalks and, sparkling far across the room, the bright neural, webbing that meant the dangerous man-machine was in the making. Perhaps Belem's motionless figure would stand there waiting beside the door.

I looked out into the seething concourse we had just left. The fat man in the snowy cloak was only a dozen paces away in the crowd. We had not stirred from this station.

'Try again,' Belem said in my mind, after what seemed a very long pause, full of strain.

I tried. The room shook and blurred, steadied. I opened the door.

The concourse was till there. This time the fat man had almost vanished in the crowd though I could still see his fur cloak swing out as he dodged to avoid a group of adolescents with bright knapsacks on their shoulders, bound for – what resort world in what distant corner of the galaxy?

'Shut the door,' Belem said. I got a feeling of tight-reined control from his mind superimposed upon mine. He was frightened, trying to keep panic down. 'This is very simple,' he said, perhaps as much to himself as to me. 'The receiver in our laboratory is no longer working.

'It can mean only one thing – Paynter must have known all along where we were. Or he had access to those who did know. However he found us he must already have sent the weapon ahead.' He didn't name the weapon, but I caught his mental picture of the golden marble in the glass box.

'All right,' I said. 'That lets me out, then. We're finished.'

'Not at all.' Belem's thought was sharp. 'We must find the nearest receiver to the laboratory that works. It will be somewhere in the city. Then we must walk. There are secret entrances the government can't possibly have found yet. After all there hasn't been time for much to happen. But I must get back to my body and you'll be safer with us than with the government.'

'It looks more to me as if we'd be safe in jail together,' I said.

'Try the dials again,' was all Belem replied.

Someone was knocking impatiently on the door of the cubicle as the walls shimmered again and the long stretches of infinite space drew out between this world and the nameless place of the laboratory. I suppose the particles of my body dispersed along that path and reassembled again. I never did know much about how it worked. But when my head cleared I was in another room, smaller, square, smelling of machine oil. I opened the door.

This was it. I remembered the strange, pale daylight, the bands of thin borealic light across the black sky, the double sun swinging far off and not very bright above the time-ruined city.

But it was a very busy city this time. Men in uniform were hurrying through the streets in low square cars that floated without wheels, quite fast. Groups of them flickered and materialized and groups flickered and were gone at the transmission-centers which were this city's transportation system. Far off over the rusty roofs a cone of blue-white light, blinding in that dark daylight, seemed to clamp down over something at the city's edge – I could guess what.

'Hurry,' Belem said in my mind. 'Out here, around the next corner and step on the black disc in the pavement. If you move fast I don't think anyone will recognize you, though a cordon must be out for you by now. They'll expect us.'

'Me, not us,' I said, dodging through the doorway. 'I wouldn't be surprised if Paynter let me go and then trailed me with the idea I might lead him to you. He'll have a lot of explaining to do now that I'm missing. But he can't have guessed you were there – more or less – all the time. Here's the disc. Now what?'

'Step on it,' Belem said. 'The dark half.'

The circle was six feet across, half dark, half palish.

The pale half was unmarked, but the dark half had an arrow inlaid in it which was pointing right.

I stepped gingerly on the arrow.

I was standing on the pale half of a large disc. But not the same one. The buildings were different around me. A carload of soldiers drifted rapidly past toward one of the bigger discs, floated over it, centered and vanished.

'At the next corner,' Belem urged me. 'Take the dark half again. Hurry!'

Leap by miraculous leap I traversed the dark clear air of that curious city. And as I went it seemed to me I began to get a glimmer of the decoration which had once made it spectacular in its heyday, something one couldn't see from a single standpoint but grasped bit by bit as one went through great arcs and vistas of its streets.

One bit at a time showed nothing but each leap through space, each glimpse from a different point, built up a little more of the plan in the memory, so that eventually a strange concept of the art emerged, a step farther than the architecture of my own day, when solids and surfaces were used. Here movement and distance were of equal importance. Like a moving picture, except that it was the city which stood still and the watcher who moved.

Presently Belem halted me. We had come out near a fenced enclosure full of hunks of junked machinery, floating cars that still hovered motionless just off the ground, all their ribs showing, small lifeboats from beached spaceships, odds and ends of jetsam wholly nameless to me.

'Over there, the little ship under the girders,' Belem said. 'Make sure nobody's watching, then climb into it.'

I did, wondering who had last sat in the tattered leather bucket-seat before the instrument panel, what he had seen through the glass, what wrecked liner and whirling stars. Belem interrupted the fancies impatiently. Under his orders I pushed the seat aside and pulled up a trap in the floor. A ladder went down.

Nobody had discovered this passage yet, though I expected to find at any corner that somebody was waiting for me with a paralyzer that puffed rubber lips in and out. At the end I tapped a signal on a metal door and after awhile someone pulled it creaking open.

The gigantically braced laboratory was blue with smoke and bluer with the blinding light of the cone that hung above it, glaring through the broad windows.

Belem's motionless figure waited where he had left it.

19. THE MARBLE

It was curious to look into his face and find it alien, he who had been so intimate a part of my mind. The emotionless features, the strange, quicksilver eyes belonged to De Kalb but the voice was – as I pointed out to him – the voice of Esau.

He wasn't amused. He seemed to find his own body rather strange for a moment or two, for after he had left me he tried it out stiffly, moving to and fro with short steps.

'You look like De Kalb,' I said, watching him. 'You move like De Kalb. Belem, were is De Kalb now?'

He gave me a swift, strange, emotionless look. 'I told you I was beginning to understand,' he said. 'I was. But I haven't the full answer yet and – look, Cortland.'

I followed his gesture. The enormous room, braced with its monstrous girders, lay before us. There was orderly activity all through the vast place, centering around a control panel that might be the device creating the

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