“Come on, Wolf.”
As they turned away to the candy-stand, Jack stuffing the one into the pocket of his grimy jeans, the ticket-girl mouthed to the counterman:
Jack looked at Wolf and saw Wolf’s nose flaring rhythmically.
“Stop that,” he muttered.
“Stop what, Jack?”
“Doing that thing with your nose.”
“Oh. I’ll try, Jack, but—”
“Shh.”
“Help you, son?” the counterman asked.
“Yes, please. A Junior Mints, a Reese’s Pieces, and an extra-large popcorn without the grease.”
The counterman got the stuff and pushed it across to them. Wolf got the tub of popcorn in both hands and immediately began to snaffle it up in great jaw-cracking chomps.
The counterman looked at this silently.
“Doesn’t get off the farm much,” Jack repeated. Part of him was already wondering if these two had seen enough of sufficient oddness to get them thinking that a call to the police might be in order. He thought—not for the first time—that there was a real irony in all this. In New York or L.A., probably no one would have given Wolf a second look . . . or if a second look, certainly not a third. Apparently the weirdness-toleration level was a lot lower out in the middle of the country. But, of course, Wolf would have flipped out of his gourd long since if they had been in New York or L.A.
“I’ll bet he don’t,” the counterman said. “That’ll be two-eighty.”
Jack paid it with an inward wince, realizing he had just laid out a quarter of his cash for their afternoon at the movies.
Wolf was grinning at the counterman through a mouthful of popcorn. Jack recognized it as Wolf’s A #1 Friendly Smile, but he somehow doubted that the counterman was seeing it that way. There were all those teeth in that smile . . . hundreds of them, it seemed.
And Wolf was flaring his nostrils again.
“Well, enjoy the show,” the counterman said.
“You bet,” Jack replied. He started away and then realized Wolf wasn’t with him. Wolf was staring at something over the counterman’s head with vacant, almost superstitious wonder. Jack looked up and saw a mobile advertising the re-issue of Steven Spielberg’s
“Come on, Wolf,” he said.
8
Wolf knew it wasn’t going to work as soon as they went through the door.
The room was small, dim, and dank. The smells in here were terrible. A poet, smelling what Wolf was smelling at that moment, might have called it the stink of sour dreams. Wolf was no poet. He only knew that the smell of the popcorn-urine predominated, and that he felt suddenly like throwing up.
Then the lights began to dim even further, turning the room into a cave.
“Jack,” he moaned, clutching at Jack’s arm. “Jack, we oughtta get out of here, okay?”
“You’ll like it, Wolf,” Jack muttered, aware of Wolf’s distress but not of its depth. Wolf was, after all, always distressed to some degree. In this world, the word
“Okay,” Wolf said, and Jack heard the agreement but not the thin waver that meant Wolf was holding on to the last thread of his control with both hands. They sat down with Wolf on the aisle, his knees accordioned up uncomfortably, the tub of popcorn (which he no longer wanted) clutched to his chest.
In front of them a match flared briefly yellow. Jack smelled the dry tang of pot, so familiar in the movies that it could be dismissed as soon as identified. Wolf smelled a forest-fire.
“Jack—!”
“Shhh, picture’s starting.”
Jack would never know of Wolf’s heroism in the next few minutes; Wolf did not really know of it himself. He only knew that he had to try to stick this nightmare out for Jack’s sake.
But Wolf was a cyclic creature, and his cycle was approaching its monthly climax. His instincts had become exquisitely refined, almost undeniable. His rational mind told him that he would be all right in here, that Jack wouldn’t have brought him otherwise. But that was like a man with an itchy nose telling himself not to sneeze in