“I swear, caller, and this goes for my last caller, too, and every single one of you out there, I love you
“Hey, I thought it was a good tag, and I only heard it on the radio,” says Tom Lund.
Both men are stalling, and they know it.
“In fact,” shouts the hands-down most popular Talk Voice of the Coulee Country, “let me go out on a
Mirth suffuses Tom Lund’s bland face. That George Rathbun, man, he’s a hoot. Bobby says, “Come on, okay?”
Grinning, Lund pulls the folded newspaper out of its wrapper and flattens it on his desk. His face hardens; without altering its shape, his grin turns stony. “Oh, no. Oh, hell.”
“What?”
Lund utters a shapeless groan and shakes his head.
“Jesus. I don’t even want to know.” Bobby rams his hands into his pockets, then pulls himself perfectly upright, jerks his right hand free, and clamps it over his eyes. “I’m a blind guy, all right? Make me an umpire—I don’t wanna be a cop anymore.”
Lund says nothing.
“It’s a headline? Like a banner headline? How bad is it?” Bobby pulls his hand away from his eyes and holds it suspended in midair.
“Well,” Lund tells him, “it looks like Wendell didn’t get some sense, after all, and he sure as hell didn’t decide to lay off. I can’t believe I said I liked the dipshit.”
“Wake up,” Bobby says. “Nobody ever told you law enforcement officers and journalists are on opposite sides of the fence?”
Tom Lund’s ample torso tilts over his desk. A thick lateral crease like a scar divides his forehead, and his stolid cheeks burn crimson. He aims his finger at Bobby Dulac. “This is one thing that really
“One of the pieces,” Bobby says.
“I reminded Dale about the girl bartender at the Taproom, and Dale told Hollywood, and Hollywood talked to the girl, and that was a big, big piece. It helped get him. So don’t you talk to me that way.”
Bobby Dulac assumes a look of completely hypothetical contrition. “Sorry, Tom. I guess I’m kind of wound up and beat to shit at the same time.” What he thinks is:
At 11:15 the previous night, Armand “Beezer” St. Pierre and his fellow travelers in the Thunder Five had roared up from Nailhouse Row to surge into the police station and demand of its three occupants, each of whom had worked an eighteen-hour shift, exact details of the progress they were making on the issue that most concerned them all. What the hell was going on here? What about the third one, huh, what about Irma Freneau? Had they found her yet? Did these clowns have
“Give it to me,” says Bobby Dulac.
Lund picks up the paper, turns it around, and holds it out for Bobby to see: FISHERMAN STILL AT LARGE IN FRENCH LANDING AREA, reads the headline over an article that takes up three columns on the top left-hand side of the front page. The columns of type have been printed against a background of pale blue, and a black border separates them from the remainder of the page. Beneath the head, in smaller print, runs the line
“The Fisherman,” Bobby says. “Right from the start, your
“Well,” says Lund, smiling even more broadly, “they say Dillinger’s tool was so humungous, they put it in a jar in the Smithsonian. So . . .”
Tom Lund looks down and reads: “ ’As the police in French Landing fail to discover any leads to the identity of the fiendish double murderer and sex criminal this reporter has dubbed “the Fisherman,” the grim specters of fear, despair, and suspicion run increasingly rampant through the streets of that little town, and from there out into the farms and villages throughout French County, darkening by their touch every portion of the Coulee Country.’ ”
“Just what we need,” Bobby says, “Jee-