have some understanding of a spirit world, of a world coterminous with our own. I believe that the mythic element must touch all human cultures, that it is there that we must seek our initial contact.'
At first Diana felt weak all over. Then she was furious. What would they think? What would Anatoly think? It was like a slap in the face, like making fun of something that was serious, not a lark. 'You can't!' she blurted out. 'Owen, you can't do it.'
Owen blinked at her, looking bewildered. 'Can't do what?' he asked. Anahita tittered.
'You can't make me play that part. It's… it's…' She clenched her hands into fists and found that she was too upset to go on.
'But it's perfect. Love's misunderstandings. Weddings. A comedy. It will play to the audience, and we will find a bridge across which we can communicate.'
Hyacinth coughed into his hand, hiding his smug grin. 'Poor Owen. I'm having no problem in communicating.'
Unexpectedly, Hal spoke up. 'Di's right, Dad. Considering what happened with Burckhardt, isn't it a bit inappropriate? What if the natives take it as an insult?'
Owen regarded first Diana, and then Hal, with a penetrating gaze. His usual vagueness sloughed off him like a duck shedding water from its back. 'I hear your reservations. But. I am right in this. Now. Hyacinth, shall we begin?'
'I refuse,' said Diana, before she realized she meant to say it. 'I refuse to play Helena. You're asking me to insult my… my…' The word was hard to say, but she forced herself to say it. 'My husband.'
'Ooooh,' said Anahita. 'My, my. Aren't we the little queen today?'
'Anahita,' said Gwyn in a soft voice. 'Shut up.'
Everyone else was watching Owen. Owen scratched at his black hair, frowning a little. Then he clambered down from the platform and walked over to stand in front of Diana. She wanted to take a step back, but she did not. He pulled at his lower lip, studying her with his dark eyes.
'Are you a member of this Company?' he asked finally.
She swallowed, but she met his gaze. 'Yes.'
His voice dropped. In an undertone that could not be heard five feet from them, but carried clearly to her, he said, 'Then do as I say. It is your choice, Diana. You are free to go, if that is what you wish. Although I would hate to lose you, that goes without saying. Now, will you play the part?''
Her hands were still tightly fisted. She lowered her gaze away from him. Of course she was out of line, disputing with him in this way. Of course she was free to go. She had always been free to go, as were any of them. 'I'm not free to go, and you know it,' she said in a whisper, because it was true. She was an actor. Her whole life had led her to this. 'Yes.' She could not look up at him. She felt their stares like a weight on her. 'I'll play.'
'Good.' He said it curtly but not without sympathy, and then turned and hopped back up on the platform.
'From Puck's entrance,' said Yomi.
'Sorry,' muttered Hal, with a lift of his chin motioning toward his father.
'Thanks,' she said, and took her place. And forced everything else out of her mind, to concentrate on her part: Helena, scorned by Demetrius-Demetrius, who together with Lysander loves Hermia-until out in the enchanted wood, by the mistaken conjurings of Puck, both Demetrius and Lysander forget their love for Hermia and compete for Helena's affections.
They broke at noon, and Diana went and sat in the big Company tent while the others trooped off to assemble the stage and screens over in the jaran camp. Joseph was assembling food for the company. He had a fire going outside, with a huge kettle full of soup set on a tripod over it. Inside, he frowned at the solar-powered oven that sat disguised as a chest in one corner of the tent. 'We'll need more flour soon,' he said. 'And I don't know how to requisition it. Otherwise we'll have to give up bread.'
'And you make the most wonderful bread, Joseph.' Diana propped her chin on her fists and stared at the canvas wall. The filaments that led up to the solar strips sewn into the ceiling blended into the canvas fabric, lending the barest sheen to the fabric if the light struck it right. 'I hate being confined to camp like this.'
'It's a good lesson,' said Joseph thoughtfully.
'What is?'
'Well, marriage, a legal or spiritual partnership of whatever kind, is restrictive in that you must think of another person and not only of yourself and your desires. You are no longer as free as you once were, responsible only for yourself. Not that I think that that's necessarily the meaning these people give this custom of seclusion-I wouldn't presume to know that-but it's one lesson to be gained, nevertheless. Is there someone outside?' He ducked his head out the flap and then turned back to look at Diana, a quizzical look on his face. 'I believe they've come to see you.'
He disappeared outside, and Diana heard a brief exchange. She stood up. Joseph reappeared. 'Go on,' he said. Then he smiled. 'And good luck.'
'You don't think I'm a fool?' she asked, because Joseph and Yomi were the rock on which the company was laid, the solid foundation that held everything together, and she trusted their judgment.
'We're all fools sometimes,' said Joseph cheerfully. 'But foolishness is one of the saving graces of our lives. Go on. I can't have them in here. The bread's about to come out.'
She pushed past the entrance flap and blinked to adjust to the sunlight. Sonia Orzhekov and Anatoly's grandmother waited for her outside. Elizaveta Sakhalin was a tiny woman, quite old, but Diana felt cowed by her presence nevertheless.
Sonia smiled graciously and took Diana's hands in hers. 'I hope you will allow us to have a talk with you.'
'Of course.' Diana dared not refuse. She felt like a giant, towering over Sakhalin, and yet she felt as well at a complete disadvantage.
'Will you come with us, then?' Sonia asked, with a kind smile. 'We discovered that you have no tent of your own, so we took the liberty of bringing one with us, which we set up out here.'
'Out here' lay just beyond the Company's encampment and not quite within the jaran encampment. 'That's very diplomatic,' said Diana, seeing that the colorful tent was sited to belong to both camps, and yet to neither-the meeting of two independent tribes. 'And generous, too. It's a beautiful tent.' Which it was, striped in four colors on the walls. The entrance flap bore a pattern of beasts intermingled, twined together.
'You must thank Mother Sakhalin,' said Sonia. 'She has gifted you the tent. Here, now, come inside. We sent Anatoly out of camp for the day, knowing we would bring you here, but you really ought to be inside until sunset.' Sonia pulled the tent flap aside and gestured for Diana to precede her. Diana hesitated, and then motioned to Sakhalin to go in first. That brought the first softening of the old woman's features, but the smile was brief. She ducked inside, and Diana followed her. There was room to stand up, but barely, and the walls sloped steeply down from the center. Sonia came in last. She showed Diana how to sit on the large pillows that covered half the rug that made up the floor of the tent.
'I spoke to Mother Yomi,' said Sonia as she, too, sank down onto a pillow. 'She agreed that you might wait out the rest of the day in seclusion here, as is fitting. She said some preparations were necessary for your performance tonight, but one of the other women of your Company will come by to help you.'
'Thank you,' said Diana, aware that Elizaveta Sakhalin was studying her with a frown on her face. 'I… I hope that you will tell me anything I need to know, about… about…'
Sonia grinned. Her eyes lit, a trifle mischievously, perhaps, and Diana felt suddenly that here she had an ally, not an enemy. ' 'As for what to do with Anatoly, I think you need no instruction from me.' Diana flushed and twisted her bracelet around her wrist. 'As for the rest-well-first Mother Sakhalin wishes to ask you a few questions.' She spoke a few words in khush to Sakhalin, and then the grilling began.
Elizaveta Sakhalin wished to know about Diana's family. Were they important? Wealthy? Had they any skills to pass on to her new husband's family? Did they own horses? How many tents made up the family? Only after Diana had stumbled through this inquisition, scrambling to answer the questions truthfully without revealing anything about where she really came from, did Sakhalin's questions narrow in on Diana herself. Did she have any particular skills to bring to the marriage? Any marriage goods? What was an actor? Was it like a Singer?
In fact, it was clear that Elizaveta Sakhalin thought her grandson was marrying beneath himself, that he had fallen in love with a pretty face, marked Diana on a whim, and now was going to marry a woman who had nothing but her looks and her curious status as an actor to recommend her. And she had nothing. Diana stared at her hands
