To get in the right state of mind, I read big books—Midnight’s Children by Salman Rushdie, Infinite Jest by David Foster Wallace, Ulysses by James Joyce (okay, I skimmed parts of that one). I read King Lear. Inexplicably, Sylvia thought I was procrastinating.

And so one day, I plugged in my laptop. I opened a new document. The cursor blinked. I looked out the window. I watched ocean swells. Were those dolphins? Tuna, maybe. I gazed at a few passing clouds—a horse, a battleship, my aunt’s nose, breasts. I boiled a pot of water. What’s that floating stuff? It’s probably dead. It’s okay then. I turned back toward my computer. The cursor was still blinking. And then… nothing. Writer’s block.

I was not worried. I read somewhere that it took Gabriel Garcia Marquez months to come up with his first sentence, and then all followed, the sweet pouring forth of a writer’s vision. Sylvia suggested I write an outline. Outlines are for the creatively impaired, I explained. Did Kerouac use an outline? Not likely. The important thing was to attain a certain state of being, a transcendental awareness of life, and then the words, the magical words, would simply appear and the writer simply had to transcribe those words. Sylvia noted that Kerouac was a drug-addled drunk and quite dead as a result. Well, writing is pretty edgy, I said.

I went back to my first sentence. The hours passed. The days, too. Also the weeks. And then finally… a sentence. I read it. I read it again. I altered it. I erased it.

The cursor blinked.

CHAPTER 7

In which the Author settles into the theme of Absence, in particular the paucity of food options, and offers an account of the Great Beer Crisis, when the island’s shipment of Ale was, inexcusably, misdirected to Kiritimati Island, far, far away from those who needed it most.

It is entirely possible that somewhere on planet Earth there exists a cuisine more unpalatable than that found in Kiribati. I accept this possibility like I accept the possibility of intelligent life elsewhere in the universe. I have never encountered it. I cannot imagine it. I simply accept that there is a statistical probability of its existence. An eensie-weensie tiny little probability.

How can this be, you wonder, when Kiribati is really nothing more than a vast habitat for fish. Good fish. Delicious fish. Dip a line with six baited hooks off reef’s edge (about 150 yards of line), tug for a minute or two, and you will pull up six large, succulent red snappers. Got a hankering for octopus? Just wander over the reef shelf during a neap tide and look under the rocks. Are you thinking mantis prawns? Search the lagoon flats at low tide for the telltale burrows, insert a sliver of eel, and pluck the creature out. Shark fin soup? Cut open a few flying fish, toss liberally around your boat, bait your hook with the liver of a ray, shake a rattle in the water, watch your arm now, await inevitable arrival of frenzied shark, hook it, tie line to boat, enjoy sleigh ride as shark tires itself out. Cut fin. Want a turtle? Well, you shouldn’t.

Elsewhere in the world, people are willing to pay good money for the fish found in Kiribati. And they do. Every now and then a decaying Chinese vessel limps toward Kiribati to gather the hundreds of shark fins culled by fishermen in the outer islands. The Chinese also take on live lagoon fish—the more luminous, the better—which are then transported to Hong Kong, where a meal isn’t a meal unless something endangered is served. Octopi and beche-de-mer, turdlike creatures that function as reef cleaners, are rounded up for the Japanese, perhaps the most fastidiously hygienic people on the planet, who are clearly unaware of what exactly a reef cleaner in Kiribati cleans.

The real prize, however, is tuna and Kiribati has the world’s richest tuna fishing grounds. Dozens of industrial fishing boats from Japan, Taiwan, South Korea, Spain, and the United States ply across the more than two million square miles of ocean that comprise Kiribati’s exclusive economic zone. Quite likely, these floating colonies of trawlers and mother ships—Death Stars to the fish community—that receive and process the catch, are the very same ships that have emptied the North Atlantic and the South China Sea of life. Add to this an unknown number of illegal fishing boats—Chinese, Taiwanese, Korean, Russian—and you begin to understand that industrial fishing is something very different than the fishing rhapsodized about in the tomes churned out with alarming regularity by big city writers who summer in Montana. Rich countries are good at offering sweet words, little odes to environmental sensitivity, the homage to sustainable harvesting, haiku for nature—but appetites are not to be denied.

In an average year, nearly $2 billion worth of tuna is legally caught in the Pacific. This is a lot of money, particularly for nations where flipflops are regarded as evidence of conspicuous consumption. Yet, Pacific island nations typically only receive around $60 million annually in fees from fishing licenses. Kiribati, no surprise, receives a disproportionately small share. This is because—how to put this politely?—in the Pacific your average minister of fisheries is a) an idiot, or b) corrupt, and c) usually both. It does not help that license fees are tied directly to foreign aid. Japan, for instance, balks at paying more than 4 or 5 percent of the catch value in fees, arguing that it more than compensates in aid. But consider the aid. In Kiribati, this consists of the Fisheries Training Center, where young I-Kiribati men are groomed to work Japanese fishing boats for wages no Japanese would accept, and the construction of a new port to service, yes, Japanese fishing boats. Neat, huh?

Of course, it is not just rapacious foreigners doing the fishing in Kiribati. The country survives at a subsistence level, and subsistence is maintained almost solely by the consumption of fish. Consider this: Annual per capita fish consumption in Kiribati is over four hundred pounds. Pause for a moment and absorb this startling fact. The average man, woman, or child in Kiribati eats more than four hundred pounds of fish every year. That’s fish for breakfast, fish for lunch, fish for dinner. And in Kiribati, there are really only two ways to eat fish, raw or boiled. This, of course, was a dispiriting discovery. Raw fish has a place in my culinary world, but raw fish consumed before an intermediary stop in a refrigerator is, I can attest, a very effective way of eliciting weight loss. And boiled fish, well, I think it’s safe to say that we can blame the English for that. Not for the first time, I wished Kiribati had been colonized by the French, particularly after I asked Bwenawa if there were any local spices on the island.

“Spices?” he said.

“Yes. You know, like salt, pepper, saffron, that sort of thing.”

“Ah yes… like the salt fish.”

“Salt fish?”

Bwenawa brought my attention to two wooden planks raised about four feet above the ground. On the ledges were lagoon fish sliced open and lying in the sun, the carcasses just visible through an enveloping blizzard of flies. “You see,” said Bwenawa. “The water dries in the sun, leaving the salt. It’s kang-kang [tasty]. We call it salt fish.”

“Ah,” I said. “In my country we call it rotten fish.”

Since I had, as Sylvia liked to point out, “more time,” it was left to me to gather the daily fish for our evening meal. In the late afternoon, after a hard day of thinking, I usually went biking. Sometimes I turned left and went down the atoll, sometimes I turned right and went up the atoll, but mostly I wished I had somewhere else to bike to, because frankly, biking up and down an atoll every day for two years does little to alleviate island fever. The quest for something edible gave my journeys up and down the atoll a welcome purpose.

As I soon discovered, finding food on Tarawa that is tasty, nutritious, and available is no easy task. After biking the entire length of Tarawa, I realized that the island is, in fact, two distinct places. Where the island’s lone road unfolds along the southern axis of the atoll is called South Tarawa; where a narrow bush trail links the village of Buota with the wind- and sea-blasted end of the atoll at Na’a is known as North Tarawa, and the differences between the two are vivid. North Tarawa, officially classified as an outer island, is beguiling. It is isolated from any hint of modernity. There is no electricity, no running water, no towns, not even a road. With the light and the water and the snow-white fairy terns fluttering in the casuarina trees, it feels very much like paradise ought to feel, except, of course, it is too hot. We were drawn there most weekends, enticed by long swaths of golden beaches, where we tramped like beachcombers, sifting through the tide’s curiosities, eyes straining along the reef, searching for turtles. To reach North Tarawa, we crossed the channel separating Tanaea from Buota—at high tide with a villager poling his canoe through the current—and walked along a footpath through a grove of coconut palm trees until we reached the aptly named Broken Bridge, a slab of cement that functions as a seesaw over a fish-laden channel. Across the bridge lies the islet of Abatao, the first of twenty-nine such islets in North Tarawa, perpetually chiseled by an ocean rushing and running twice daily, and the farther one walks the more elemental the islets seem.

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