Four Past Midnight

'It will be,' Pop said. He held a hand out to Kevin and Kevin gave him the Sun camera. 'It will be today.' He held the camera up, turning it over in his hands. 'This is a piece of work. What kind of piece I don't know, but your boy wants to smash it because he thinks it's dangerous. I think he's right. But I told him, 'You don't want your daddy to think you're a sissy, do you?' That's the only reason I had him ho you down here, John -'

'I liked 'Mr Delevan' better.'

'All right,' Pop said, and sighed. 'I can see you ain't gonna warm up none and let bygones be bygones.'

'No.'

Kevin looked from one man to the other, his face distressed.

'Well, it don't matter,' Pop said; both his voice and face went cold with remarkable suddenness, and he didn't look like Father Christmas at all. 'When I said the past is the past and what's done is done, I meant it ... except when it affects what people do in the here and now. But I'm gonna say this, Mr Delevan: I don't bottom deal, and you know it.'

Pop delivered this magnificent lie with such flat coldness that both of them believed it; Mr Delevan even felt a little ashamed of himself, as incredible as that was.

'Our business was our business. You told me what you wanted, I told you what I'd have to have in return, and you give it to me, and there was an end to it. This is another thing.' And then Pop told a lie even more magnificent, a he which was simply too towering to be disbelieved. 'I got no stake in this, Mr Delevan. There is nothing I want but to help your boy. I like him.'

He smiled and Father Christmas was back so fast and strong that Kevin forgot he had ever been gone. Yet more than this: John Delevan, who had for months worked himself to the edge of exhaustion and perhaps even death between the rollers in order to pay the exorbitant price this man demanded to atone for a momentary lapse into insanity - John Delevan forgot that other expression, too.

Pop led them along the twisting aisles, through the smell of dead newsprint and past the tick-tock clocks, and he put the Sun 660 casually down on the worktable a little too near the edge (just as Kevin had done in his own house after taking that first picture) and then just went on toward the stairs at the back which led up to his little apartment. There was a dusty old mirror propped against the wall back there, and Pop looked into it, watching to see if the boy or his father would pick the camera up or move it further away from the edge. He didn't think either would, but it was possible.

They spared it not so much as a passing glance and as Pop led them up the narrow stairway with the ancient eroded rubber treads he grinned in a way it would have been bad business for anyone to see and thought, Damn, I'm good!

He opened the door and they went into the apartment.

Neither John nor Kevin Delevan had ever been in Pop's private quarters, and John knew of no one who had. In a way this was not surprising; no one was ever going to nominate Pop as the town's number-one citizen. John thought it was not impossible that the old fuck had a friend or two - the world never exhausted its oddities, it seemed - but if so, he didn't know who they were.

And Kevin spared a fleeting thought for Mr Baker, his favorite teacher. He wondered if, perchance, Mr Baker had ever gotten into the sort of crack he'd need a fellow like Pop to get him out of. This seemed as unlikely to him as the idea of Pop having friends seemed to his father ... but then, an hour ago the idea that his own father ...

Well. It was best let go, perhaps.

Pop did have a friend (or at least an acquaintance) or two, but he didn't bring them here. He didn't want to. It was his place, and it came closer to revealing his true nature than he wanted anyone to see. It struggled to be neat and couldn't get there. The wallpaper was marked with water-stains; they weren't glaring, but stealthy and brown, like the phantom thoughts that trouble anxious minds. There were crusty dishes in the old-fashioned deep sink, and although the table was clean and the lid on the plastic waste-can was shut, there was an odor of sardines and something else - unwashed feet, maybe - which was almost not there. An odor as stealthy as the water-stains on the wallpaper.

The living room was tiny. Here the smell was not of sardines and (maybe) feet but of old pipe-smoke. Two windows looked out on nothing more scenic than the alley that ran behind Mulberry Street, and while their panes showed some signs of having been washed - at least swiped at occasionally - the corners were bleared and greasy with years of condensed smoke. The whole place had an air of nasty things swept under the faded hooked rugs and hidden beneath the old-fashioned, overstuffed easy-chair and sofa. Both of these articles were light green, and your eye wanted to tell you they matched but couldn't, because they didn't. Not quite.

The only new things in the room were a large Mitsubishi television with a twenty-five-inch screen and a VCR on the endtable beside it. To the left of the endtable was a rack which caught Kevin's eye because it was totally empty. Pop had thought it best to put the better than seventy fuck-movies he owned in the closet for the time being.

One video cassette rested on top of the television in an unmarked case.

'Sit down,' Pop said, gesturing at the lumpy couch. He went over to the TV and slipped the cassette out of its case.

Mr Delevan looked at the couch with a momentary expression of doubt, as if he thought it might have bugs, and then sat down gingerly. Kevin sat beside him. The fear was back, stronger than ever.

Pop turned on the VCR, slid the cassette in, and then pushed the carriage down. 'I know a fellow up the city,' he began (to residents of Castle Rock and its neighboring towns, 'up the city' always meant Lewiston), 'who's run a camera store for twenty years or so. He got into the VCR business as soon as it started up, said it was going to be the wave of the future. He wanted me to go halves with him, but I thought he was nuts. Well, I was wrong on that one, is what I mean to say, but -'

'Get to the point,' Kevin's father said.

'I'm tryin,' Pop said, wide-eyed and injured. 'If you'll let me.'

Kevin pushed his elbow gently against his father's side, and Mr Delevan said no more.

'Anyway, a couple of years ago he found out rentin tapes for folks to watch wasn't the only way to make money with these gadgets. If you was willing to lay out as little as eight hundred bucks, you could take people's movies and snapshots and put em on a tape for em. Lots easier to watch.'

Kevin made a little involuntary noise and Pop smiled and nodded.

'Ayuh. You took fifty-eight pitchers with that camera of yours, and we all saw each one was a little different than the last one, and I guess we knew what it meant, but I wanted to see for myself. You don't have to be from Missouri to say show me, is what I mean to say.'

'You tried to make a movie out of those snapshots?' Mr Delevan asked.

'Didn't try,' Pop said. 'Did. Or rather, the fella I know up the city did. But it was my idea.'

'Is it a movie?' Kevin asked. He understood what Pop had done, and part of him was even chagrined that he hadn't thought of it himself, but mostly he was awash in wonder (and delight) at the idea.

'Look for yourself,' Pop said, and turned on the TV. 'Fifty-eight pitchers. When this fella does snapshots for folks, he generally videotapes each one for five seconds - long enough to get a good look, he says, but not long enough to get bored before you go on to the next one. I told him I wanted each of these on for just a single second, and to run them right together with no fades.'

Kevin remembered a game he used to play in grade school when he had finished some lesson and had free time before the next one began. He had a little dime pad of paper which was called a Rain-Bo Skool Pad because there would be thirty pages of little yellow sheets, then thirty pages of little pink sheets, then thirty pages of green, and so on. To play the game, you went to the very last page and at the bottom you drew a stick-man wearing baggy shorts and holding his arms out. On the next page you drew the same stick-man in the same place and wearing the same baggy shorts, only this time you drew his arms further up ... but just a little bit. You did that on every page until the arms came together over the stick-man's head. Then, if you still had time, you went on drawing the stick-man, but now with the arms going down. And if you flipped the pages very fast when you were done, you had a crude sort of cartoon which showed a boxer celebrating a KO: he raised his hands over his head, clasped them, shook them, lowered them.

He shivered. His father looked at him. Kevin shook his head and murmured, 'Nothing.'