'I think that's a
'I think Mrs Merrill never raised any fools,' his father said.
'Well,' Pop said, smiling enigmatically from behind folds of rising blue smoke, 'there was five of us, you know.'
The day had been bright blue when Kevin and his father walked down to the Emporium Galorium; a perfect autumn day. Now it was four-thirty, the sky had mostly clouded over, and it looked like it might rain before dark. The first real chill of the fall touched Kevin's hands. It would chap them red if he stayed out long enough, but he had no plans to. His mom would be home in half an hour, and already he wondered what she would say when she saw Dad was with him, and what his dad would say.
But that was for later.
Kevin set the Sun 660 on the chopping block in the little backyard, and Pop Merrill handed him a sledgehammer. The haft was worn smooth with usage. The head was rusty, as if someone had left it carelessly out in the rain not once or twice but many times. Yet it would do the job, all right. Kevin had no doubt of that. The Polaroid, its lens broken and most of the housing around it shattered as well, looked fragile and defenseless sitting there on the block's chipped, chunked, and splintered surface, where you expected to see a length of ash or maple waiting to be split in two.
Kevin set his hands on the sledgehammer's smooth handle and tightened them.
'You're sure, son?' Mr Delevan asked.
'Yes.'
'Okay.' Kevin's father glanced at his own watch. 'Do it, then.'
Pop stood to one side with his pipe clamped between his wretched teeth, hands in his back pockets. He looked shrewdly from the boy to the man and then back to the boy, but said nothing.
Kevin lifted the sledgehammer and, suddenly surprised by an anger at the camera he hadn't even known he felt, he brought it down with all the force he could muster.
And thought also:
But then there was no more time to think anything, because the sledge connected squarely with the camera. Kevin really
The Sun didn't so much shatter as detonate. Black plastic flew everywhere. A long rectangle with a shiny black square at one end - a picture which would never be taken, Kevin supposed - fluttered to the bare ground beside the chopping block and lay there, face down.
There was a moment of silence so complete they could hear not only the cars on Lower Main Street but kids playing tag half a block away in the parking lot behind Wardell's Country Store, which had gone bankrupt two years before and had stood vacant ever since.
'Well, that's t
'No need to do that,' he said, now addressing Mr Delevan, who was picking up broken chunks of plastic as prissily as a man picking up the pieces of a glass he has accidentally knocked to the floor and shattered. 'I have a boy comes in and cleans up the yard every week or two. I know it don't look much as it is, but if I didn't have that kid ... Glory!'
'Then maybe we ought to use your magnifying glass and take a look at those pictures,' Mr Delevan said, standing up. He dropped the few pieces of plastic he had picked up into a rusty incinerator that stood nearby and then brushed off his hands.
'Fine by me,' Pop said.
'Then burn them,' Kevin reminded. 'Don't forget that.'
'I didn't,' Pop said. 'I'll feel better when they're gone, too.'
'Jesus!' John Delevan said. He was bending over Pop Merrill's worktable, looking through the lighted magnifying glass at the second-to-last photograph. It was the one in which the object around the dog's neck showed most clearly; in the last photo, the object had swung back in the other direction again. 'Kevin, look at that and tell me if it's what I think it is.'
Kevin took the magnifying glass and looked. He had known, of course, but even so it still wasn't a look just for form's sake. Clyde Tombaugh must have looked at an actual photograph of the planet Pluto for the first time with the same fascination. Tombaugh had known it was there; calculations showing similar distortions in the orbital paths of Neptune and Uranus had made Pluto not just a possibility but a necessity. Still, to
He let go of the switch and handed the glass back to Pop. 'Yeah,' he said to his father. 'It's what you think it is.' His voice was as flat as ... as flat as the things in that Polaroid world, he supposed, and he felt an urge to laugh. He kept the sound inside, not because it would have been inappropriate to laugh (although he supposed it would have been) but because the sound would have come out sounding ... well . . . flat.
Pop waited and when it became clear to him they were going to need a nudge, he said: 'Well, don't keep me hoppin from one foot to the other! What the hell is it?'
Kevin had felt reluctant to tell him before, and he felt reluctant now. There was no reason for it, but
Yes. If he was around when t
'The Polaroid camera was a birthday present,' he heard himself saying in that same dry voice. 'What it's wearing around its neck was another one.'
Pop slowly pushed his glasses up onto his bald head and squinted at Kevin. 'I don't guess I'm followin you, son.'
'I have an aunt,' Kevin said. 'Actually she's my great-aunt, but we're not supposed to call her that, because she says it makes her feel old. Aunt Hilda. Anyway, Aunt Hilda's husband left her a lot of money - my mom says she's worth over a million dollars - but she's a tightwad.'
He stopped, leaving his father space to protest, but his father only smiled sourly and nodded. Pop Merrill, who knew all about t
'She comes and spends Christmas with us every three years, and that's about the only time we go to church, because
'Oh, your Uncle Randy makes your mother look like a piker,' Mr Delevan said unexpectedly. Kevin thought his dad meant it to sound amused in a cynical sort of way, but what came through was a deep, acidic bitterness. 'When Aunt Hilda says frog in Randy's house, they all just about turn cartwheels over the roofbeams.'