Four Past Midnight

limply downward like a creature with a broken neck, shut on its hinge.

Pop howled again, and

FLASH!

CHAPTER 22

This time it was like standing in the center of a sun which goes supernova in one sudden, heatless gust of light. Kevin felt as if his shadow had actually been hammered off his heels and driven into the wall. Perhaps this was at least partly true, for all of the wall behind him was instantly flash-baked and threaded with a thousand crazy cracks except for one sunken area where his shadow fell. His outline, as clear and unmistakable as a silhouette cut-out, was tattooed there with one elbow stuck out in a flying wedge, caught and frozen even as the arm which cast the shadow left its frozen image behind, rising to bring the new camera up to his face.

The top of the camera in Pop's hands tore free of the rest with a thick sound like a very fat man clearing his throat. The Sun dog growled, and this time that bass thunder was loud enough, clear enough, near enough, to shatter the glass in the fronts of the clocks and to send the glass in the mirrors and in the frames of pictures belching across the floor in momentary crystal arcs of amazing and improbable beauty.

The camera did not moan or whine this time; the sound of its mechanism was a scream, high and drilling, like a woman who is dying in the throes of a breech delivery. The square of paper which shoved and bulled its way out of that slitted opening smoked and fumed. Then the dark delivery-slot itself began to melt, one side drooping downward, the other wrinkling upward, all of it beginning to yawn like a toothless mouth. A bubble was forming upon the shiny surface of the last picture, which still hung in the widening mouth of the channel from which the Polaroid Sun gave birth to its photographs.

As Kevin watched, frozen, looking through a curtain of flashing, zinging dots that last white explosion had put in front of his eyes, the Sun dog roared again. The sound was smaller now, with less of that sense that it was coming from beneath and from everywhere, but it was also more deadly because it was more real, more here.

Part of the dissolving camera blew backward in a great gray gobbet, striking Pop Merrill's neck and expanding into a necklace. Suddenly both Pop's jugular vein and carotid artery gave way in spraying gouts of blood that jetted upward and outward in bright-red spirals. Pop's head whipped bonelessly backward.

The bubble on the surface of the picture grew. The picture itself began to jitter in the yawning slot at the bottom of the now-decapitated camera. Its sides began to spread, as if the picture was no longer on cardboard at all but some flexible substance like knitted nylon. It wiggled back and forth in the slot, and Kevin thought of the cowboy boots he had gotten for his birthday two years ago, and how he had had to wiggle his feet into them, because they were a little too tight.

The edges of the picture struck the edges of the camera delivery slot, where they should have stuck firmly. But the camera was no longer a solid; was, in fact, losing all resemblance to what it had been. The edges of the picture sliced through its sides as cleanly as the razor-sharp sides of a good doubleedged knife slide through tender meat. They poked through what had been the Polaroid's housing, sending gray drops of smoking plastic flying into the dim air. One landed in a dry, crumbling stack of old Popular Mechanics magazines and burrowed a fuming, charred hole into them.

The dog roared again, an angry, ugly sound - the cry of something with nothing but rending and killing on its mind. Those things, and nothing else.

The picture teetered on the edge of the sagging, dissolving slit, which now looked more like the bell of some misshapen wind instrument than anything else, and then fell forward to the desk with the speed of a stone tumbling into a well.

Kevin felt a hand claw at his shoulder.

'What's it doing?' his father asked hoarsely. 'Jesus Christ almighty, Kevin, what's it doing?'

Kevin heard himself answer in a remote, almost disinterested voice: 'Being born.'

CHAPTER 23

Pop Merrill died leaning back in the chair behind his worktable, where he had spent so many hours sitting: sitting and smoking; sitting and fixing things up so they would run for at least awhile and he could sell the worthless to the thoughtless; sitting and loaning money to the impulsive and the improvident after the sun went down. He died staring up at the ceiling, from which his own blood dripped back down to splatter on his cheeks and into his open eyes.

His chair overbalanced and spilled his lolling body onto the floor. His purse and his key-ring clattered.

On his desk, the final Polaroid continued to jiggle about restlessly. Its sides spread apart, and Kevin seemed to sense some unknown thing, both alive and not alive, groaning in horrid, unknowable labor pains.

'We've got to get out of here,' his father panted, pulling at him. John Delevan's eyes were large and frenzied, riveted on that spreading, moving photograph which now covered half of Merrill's worktable. It no longer resembled a photograph at all. Its sides bulged out like the cheeks of someone trying frantically to whistle. The shiny bubble, now a foot high, humped and shuddered. Strange, unnameable colors raced aimlessly back and forth across a surface which seemed to have broken some oily sort of sweat. That roar' full of frustration and purpose and frantic hunger, ripped through his brain again and again, threatening to split it and let in madness.

Kevin pulled away from him, ripping his shirt along the shoulder. His voice was full of a deep, strange calm. 'No - it would just come after us. I think it wants me, because if it wanted Pop it's already got him and I was the one who owned the camera first, anyway. But it wouldn't stop there. It'd take you, too. And it might not stop there, either.'

'You can't do anything!' his father screamed.

'Yes,' Kevin said. 'I've got one chance.'

And raised the camera.

The edges of the picture reached the edges of the worktable. Instead of lolling over, they curled up and continued to twist and spread. Now they resembled odd wings which were somehow equipped with lungs and were trying to breathe in some tortured fashion.

The entire surface of the amorphous, pulsing thing continued to puff up; what should have been flat surface had become a horrid tumor. its lumped and cratered sides trickling with vile liquid. It gave off the bland smell of head cheese.

The dog's roars had become continuous, the trapped and furious belling of a hell-hound bent on escape, and some of the late Pop Merrill's clocks began to strike again and again, as if in protest.

Mr Delevan's frantic urge to escape had deserted him; he felt overcome by a deep and dangerous lassitude, a kind of lethal sleepiness.

Kevin held the camera's viewfinder to his eye. He had only been deerhunting a few times, but he remembered how it was when it was your turn to wait, hidden, with your rifle as your hunting partners walked through the woods toward you, deliberately making as much noise as they could, hoping to drive something out of the trees and into the clearing where you were waiting, your field of fire a safe angle that would cross in front of the men. You didn't have to worry about hitting them; you only had to worry about hitting the deer.

There was time to wonder if you could hit it, when and if it showed itself. There was also time to wonder if you could bring yourself to fire at all. Time to hope that the deer would remain hypothetical, so the test did not have to