A Short Story by Morton Rainey

it said.

Suddenly something whizzed over Mort's shoulder, just missing his head. The orange. As Mort cringed back, the orange struck the blackboard, burst open with a rotten squashing sound, and splattered gore across what had been written there.

He turned back to Shooter. Stop that! he cried in a shaky, scolding voice.

Shooter dipped into his bag again. What's the matter? Shooter asked in his calm, stern voice. Don't you recognize blood oranges when you see them? What kind of writer are you?

He threw another one. It splattered crimson across Mort's name and began to drip slowly down the wall.

No more! Mort screamed, but Shooter dipped slowly, implacably, into the bag again. His long, callused fingers sank into the skin of the orange he brought out; blood began to sweat its way onto the orange's skin in pinprick droplets.

No more! No more! Please! No more! I'll admit it, I'll admit anything. everything, if you just stop! Anything, if you'll just stop! If you'll

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stop, if you'll just stop -

He was falling.

Mort grabbed at the edge of the couch just in time to save himself a short and probably painful trip to the living- room floor. He rolled toward the back of the couch and simply lay there for a moment, clutching the cushions, shivering, and trying to grasp at the ragged tails of the dream.

Something about a classroom, and blood oranges, and the school of hard knocks. Even this was going, and the rest was already gone. It had been real, whatever it was. Much too real.

At last he opened his eyes, but there was precious little to see; he had slept until long past sundown. He was horribly stiff, especially at the base of his neck, and he suspected he had been asleep at least four hours, maybe five. He felt his way cautiously to the living-room light-switch, managing to avoid the octagonal glass-topped coffee table for a change (he had an idea the coffee table was semi-sentient, and given to shifting its position slightly after dark, the better to hack away at his shins), and then went into the front hall to try Amy again. On the way, he checked his watch. It was quarter past ten. He had slept over five hours ... nor was this the first time. And he wouldn't even pay for it by tossing and turning all night, judging by past experience, he would be asleep as soon as his head hit the pillow in the bedroom.

He picked up the phone, was momentarily puzzled by the dead silence in his ear. then remembered he had yanked the damn thing's fang. He pulled the wire through his fingers until he got to the jack, turned around to plug it in ... and paused. From here he could look out the small window to the left of the door. This gave him an angle of vision on the back porch, where the mysterious and unpleasant Mr Shooter had left his manuscript under a rock yesterday. He could also see the garbage cabinet, and there was something on it - two somethings, actually. A white something and a dark something. The dark something looked nasty; for one frightening second, Mort thought a giant spider was crouched there.

He dropped the phone cord and turned on the porch light in a hurry. Then there was a space of time - he didn't know just how long and didn't care to know -when he was incapable of further movement.

The white thing was a sheet of paper - a perfectly ordinary 8 1/2' x 11' sheet of typing paper. Although the garbage cabinet was a good fifteen feet away from where Mort was standing, the few words on it were printed in large strokes and he could read them easily. He thought Shooter must have used either a pencil with an extremely soft lead or a piece of artist's charcoal. REMEMBER, YOU HAVE 3 DAYS, the message read. I AM NOT JOKING.

The black thing was Bump. Shooter had apparently broken the cat's neck before nailing him to the roof of the garbage cabinet with a screwdriver from Mort's own toolshed.

14

He wasn't aware of breaking the paralysis which held him. At one moment he was standing frozen in the hall by the telephone table, looking out at good old Bump, who seemed to have grown a screwdriver handle in the middle of his chest, where there was a ruff of white fur - what Amy had liked to call Bump's bib. At the next he was standing in the middle of the porch with the chilly night air biting through his thin shirt, trying to look six different ways at once.

He forced himself to stop. Shooter was gone, of course. That's why he had left the note. Nor did Shooter seem like the kind of nut who would enjoy watching Mort's obvious fear and horror. He was a nut, all right, but one which had fallen from a different tree. He had simply used Bump, used him on Mort the way a farmer might use a crowbar on a stubborn rock in his north forty. There was nothing personal in it; it was just a job that had to be done.

Then he thought of how Shooter's eyes had looked that afternoon and shivered violently. No, it was personal, all right. It was all kinds of personal.

'He believes I did it,' Mort whispered to the cold western Maine night, and the words came out in ragged chunks, bitten off by his chattering teeth. 'The crazy son of a bitch really believes I did it.'

He approached the garbage cabinet and his stomach rolled over like a dog doing a trick. Cold sweat broke out on his forehead, and he wasn't sure he could take care of what needed taking care of. Bump's head was cocked far to the left, giving him a grotesque questioning look. His teeth, small, neat, and needle-sharp, were bared. There was a little blood around the blade of the screwdriver at the point where it was driven into his

(bib)

ruff, but not very much. Bump was a friendly cat; if Shooter had approached him, Bump would not have shied away. And that was what Shooter must have done, Mort thought, and wiped the sick sweat off his forehead. He had picked the cat up, snapped its neck between his fingers like a Popsicle stick, and then nailed it to the slanting roof of the garbage cabinet, all while Mort Rainey slept, if not the sleep of the just, that of the unheeding.

Mort crumpled up the sheet of paper, stuffed it in his back pocket, then put his hand on Bump's chest. The body, not stiff and not even entirely cold, shifted under his hand. His stomach rolled again, but he forced his other hand to close around the screwdriver's yellow plastic handle and pull it free.

He tossed the screwdriver onto the porch and held poor old Bump in his right hand like a bundle of rags. Now his stomach was in free fall, simply rolling and rolling and rolling. He lifted one of the two lids on top of the garbage cabinet, and secured it with the hook-and-eyelet that kept the heavy lid from crashing down on the arms or head of whoever was depositing trash inside. Three cans were lined up within. Mort lifted the lid from the center one and deposited Bump's body gently inside. It lay draped over the top of an olivegreen Hefty bag like a fur stole.

He was suddenly furious with Shooter. If the man had appeared in the driveway at that second, Mort would have charged him without a second thought - driven him to the ground and choked him if he could.

Easy - it really is catching.

Maybe it was. And maybe he didn't care. It wasn't just that Shooter had killed his only companion in this lonely October house by the lake; it was that he had done it while Mort was asleep, and in such a way that good old Bump had become an object of revulsion, something it was hard not to puke over.

Most of all it was the fact that he had been forced to put his good cat in a garbage can like a piece of worthless trash.

I'll bury him tomorrow. Right over in that soft patch to the left of the house. In sight of the lake.

Yes, but tonight Bump would lie in undignified state on top of a Hefty bag in the garbage cabinet because some man - some crazy son of a bitch - could be out there, and the man had a grudge over a story Mort Rainey hadn't

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