For the next half hour the Buick put on the lightshow to end all lightshows, turning Shed B into a kind of fireball, shooting parallel lines of light through all the windows, flashing and flashing, a gaudy neon furnace without heat or sound. If anyone from John Q. Public's family had turned up during that time, God knew what they might have thought or who they would have told or how much those they told might have believed, but no outsiders did turn up. And by five-thirty, the D
Troopers had started to see individual flashes of light again, as if the power-source driving the phenomenon had begun to wobble. It made Sandy think of the way a motorcycle will lurch and spurt when the gas-tank is almost dry.
Curt edged up to the windows again, and although he had to duck down each time one of those bolts of light shot out, he could take little peeks in between. Sandy joined him, ducking away from the brighter pulses (We probably look like we're practicing some weird drill routine, he thought), squinting, eyes dazzled in spite of the triple layer of polarized glass in the goggles.
The Buick was still perfectly intact and apparently unchanged. The tarp lay in its same draped dune, unsinged by any fire. Arky's tools hung undisturbed on their pegs, and the stacks of old County American newspapers were still in the far corner, bundled and tied with twine. A single kitchen match would have been enough to turn those dry piles of old news into pillars of flame, but all that brilliant purple light hadn't charred so much as a single corner of a single Bradlee's circular.
'Sandy - can you see any of the specimens?'
Sandy shook his head, stood back, and took off the goggles Curt had loaned him. He passed them on to Andy Colucci, who was wild for a look into the shed. Sandy himself headed back to the barracks. Shed B was not going to blow up after all, it seemed. And, he was the acting SC, with a job to do.
On the back step, he paused and looked back. Even wearing goggles, Andy Colucci and the others were reluctant to approach the row of windows. There was only one exception, and that was Curtis Wilcox. He stood right there - big as Billy-be-damned, Sandy's mother might have said - as close as he could get and leaning forward to get even closer, goggles actually pressed to the glass, only turning his head aside slightly each time the thing flashed out an especially bright bolt, which it was still doing every twenty seconds or so.
Sandy thought, He's apt to put his eyes out, or at least go snowblind from it. Except he wouldn't. He seemed to have almost timed the flashes, to have gotten in rhythm with them. From where Sandy was, it looked as if Curtis was actually turning his face aside a second or two before each flash came. And when it did come he would for a moment become his own exclamatory shadow, an exotic frozen dancer caught against a great sheet of purple light. Looking at him that way was scary. To Sandy it was like watching something that was there and not there at the same time, real but not real, both solid and mirage. Sandy would later think that when it came to the Buick 8, Curt was oddly like Mister Dillon. He wasn't howling like the dog was, upstairs in the common room, but he seemed in touch with the thing just the same, in sync with it. Dancing with it: then and later, that was how it would come back to Sandy.
Dancing with it.
At ten minutes of six that evening, Sandy radioed down the hill to Matt and asked what was up.
Matt said nothing (Nothing, gramma was what Sandy heard in his tone), and Sandy told him to come on back to base. When he did, Sandy said he was free to step across the parking lot and have a look at Old '54, if he still wanted one. Matt was gone like a shot. When he came back a few minutes later, he looked disappointed.
'I've seen it do that before,' he said, leaving Sandy to reflect on how dense and thankless human beings were, for the most part; how quickly their senses dulled, rendering the marvelous mundane. 'All the guys said it really blew its stack an hour ago, but none of them could describe it.' This was said with a contempt Sandy didn't find surprising. In the world of the police communications officer, everything is describable; the world's cartography must and can be laid out in ten-codes.
'Well, don't look at me,' Sandy said. 'I can tell you one thing, though. It was bright.'
'Oh. Bright.' Matt gave him a look that said Not just a gramma but a loser gramma. Then he went back inside.
By seven o'clock, Troop D's TV reception (always an important consideration when you were off the road) had returned to normal. Dispatch communications were back to normal. Mister Dilloii had eaten his usual big bowl of Gravy Train and then hung out in the kitchen, trolling for scraps, so he was back to normal. And when Curt poked his head into the SC's office at seven forty-five to tell Sandy he wanted to go into the shed and check on his specimens, Sandy could think of no way to stop him. Sandy was in charge of Troop D that evening, no argument there, but when it came to the Buick, Curt had as much authority as he did, maybe even a little more. Also, Curt was already wearing the damn yellow rope around his waist. The rest was looped over his forearm in a coil.
'Not a good idea,' Sandy told him. That was about as close to no as he could get.
'Bosh.' It was Curtis's favorite word in 1983. Sandy hated it. He thought it was a snotty word.
He looked over Curt's shoulder and saw they were alone. 'Curtis,' he said, 'you've got a wife at home, and the last time we talked about her, you said she might be pregnant. Has that changed?'
'No, but she hasn't been to the - '
'So you've got a wife for sure and a maybe baby. And if she's not preg this time, she probably will be next time. That's nice. It's just the way it should be. What I don't understand is why you'd put all that on the line for that goddam Buick.'
'Come on, Sandy - I put it on the line every time I get into a cruiser and go out on the road.
Every time I step out and approach. It's true of everyone who works the job.'
'This is different and we both know it, so you can quit the high school debate crap. Don't you remember what happened to Ennis?'
'I remember,' Curt said, and Sandy supposed he did, but Ennis Rafferty had been gone almost four years by then. He was, in a way, as out-of-date as the stacks of County Americans in Shed B.
And as for more recent developments? Well, the frogs had just been frogs. Jimmy might have been named after a President, but he was really just a gerbil. And Curtis was wearing the rope. The rope was supposed to make everything all right. Sure, Sandy thought, and no toddler wearing a pair of water-wings ever drowned in a swimming pool. If he said that to Curt, would Curtis laugh? No.
Because Sandy was sitting in the big chair that night, the acting SC, the visible symbol of the PSP. But Sandy
