Neither he nor Buddy. Neither of them had ever been left alone with Gramma. Until now.
Suddenly George's mouth went dry. He went to the sink and got a drink of water. He felt... funny. These thoughts. These memories. Why was his brain dragging them all up now?
He felt as if someone had dumped all the pieces to a puzzle in front of him and that he couldn't quite put them together. And maybe it was
From the other room, where Gramma lived all her days and nights, a choking, rattling, gargling noise suddenly arose.
A whistling gasp was sucked into George as he pulled breath. He turned toward Gramma's room and discovered his shoes were tightly nailed to the linoleum floor. His heart was spike-iron in his chest. His eyes were wide and bulging.
Gramma had never made a noise like that before.
Gramma had
It arose again, a choking sound, low and then descending lower, becoming an insectile buzz before it died out altogether. George was able to move at last. He walked toward the entryway that separated the kitchen from Gramma's room. He crossed it and looked into her room, his heart slamming. Now his throat was
Gramma was still sleeping and it was all right, that was his first thought; it had only been some weird
That was his first thought. Then he noticed that the yellow hand that had been on the coverlet was now dangling limply over the side of the bed, the long nails almost but not quite touching the floor. And her mouth was open, as wrinkled and caved-in as an orifice dug into a rotten piece of fruit.
Timidly, hesitantly, George approached her.
He stood by her side for a long time, looking down at her, not daring to touch her. The imperceptible rise and fall of the coverlet appeared to have ceased.
That was the key word.
'Gramma?' he said, and all that came out was a whisper.
He cleared his throat and jumped back, frightened of the
sound. But his voice was a little louder. 'Gramma? You
want your tea now? Gramma?'
Nothing.
The eyes were closed.
The mouth was open.
The hand hung.
Outside, the setting sun shone golden-red through the trees.
He saw her in a positive fullness then; saw her with that childish and brilliantly unhoused eye of unformed immature reflection, not here, not now, not in bed, but sitting in the white vinyl chair, holding out her arms, her face at the same time stupid and triumphant. He found himself remembering one of the 'bad spells' when Gramma began to shout, as if in a foreign language --