a cigarette, and listening while the radio plays “Crazy Arms.” Yes, it’s always the past. That’s where the hurt is, all you can’t get over.
“Perhaps so,” she allows. “But there’s no time to think about the past today. It’s the future we must think about today.”
“Yes, but if I could ask just a few questions . . . ?”
“All right, but only a few.”
Jack opens his mouth, tries to speak, and makes a comical little gaping expression when nothing comes out. Then he laughs. “You take my breath away, too,” he tells her. “I have to be honest about that.”
A faint tinge of color rises in Sophie’s cheeks, and she looks down. She opens her lips to say something . . . then presses them together again. Jack wishes she had spoken and is glad she hasn’t, both at the same time. He squeezes her hands gently, and she looks up at him, blue eyes wide.
“Did I know you? When you were twelve?”
She shakes her head.
“But I saw you.”
“Perhaps. In the great pavilion. My mother was one of the Good Queen’s handmaidens. I was another . . . the youngest. You could have seen me then. I think you
Jack takes a moment to digest the wonder of this, then goes on. Time is short. They both know this. He can almost feel it fleeting.
“You and Judy are Twinners, but neither of you travel—she’s never been in your head over here and you’ve never been in
“Yes.”
“When she wrote things, that was you, whispering through the wall.”
“Yes. I knew how hard I was pushing her, but I had to.
“Such as?”
She shakes her head. “I am not the one to tell you. The one who will is much greater than I.”
He studies the tiny dressings that cover the tips of her fingers, and muses on how hard Sophie and Judy have tried to get through that wall to each other. Morgan Sloat could apparently become Morgan of Orris at will. As a boy of twelve, Jack had met others with that same talent. Not him; he was single-natured and had always been Jack in both worlds. Judy and Sophie, however, have proved incapable of flipping back and forth in any fashion. Something’s been left out of them, and they could only whisper through the wall between the worlds. There must be sadder things, but at this moment he can’t think of a single one.
Jack looks around at the ruined tent, which seems to breathe with sunshine and shadow. Rags flap. In the next room, through a hole in the gauzy cloth wall, he sees a few overturned cots. “What
She smiles. “To some, a hospital.”
“Oh?” He looks up and once more takes note of the cross. Maroon now, but undoubtedly once red.
Sophie’s smile widens, and Jack realizes it’s ironic. Whatever sort of hospital this is, or was, he’s guessing it bears little or no resemblance to the ones on
“Sort of like a traveling medicine show.”
This is supposed to be a joke, and he’s startled when she first nods, then laughs and claps her hands. “Yes! Yes, indeed! Although you wouldn’t want to be treated here.”
What exactly is she trying to say? “I suppose not,” he agrees, looking at the rotting walls, tattered ceiling panels, and ancient support posts. “Doesn’t exactly look sterile.”
Seriously (but her eyes are sparkling), Sophie says: “Yet if you were a patient, you would think it beautiful out of all measure. And you would think your nurses, the Little Sisters, the most beautiful any poor patient ever had.”
Jack looks around. “Where are they?”
“The Little Sisters don’t come out when the sun shines. And if we wish to continue our lives with the blessing, Jack, we’ll be gone our separate ways from here long before dark.”
It pains him to hear her talk of separate ways, even though he knows it’s inevitable. The pain doesn’t dampen his curiosity, however; once a coppiceman, it seems, always a coppiceman.
“Why?”
“Because the Little Sisters are vampires, and their patients never get well.”
Startled, uneasy, Jack looks around for signs of them. Certainly disbelief doesn’t cross his mind—a world that can spawn werewolves can spawn anything, he supposes.
She touches his wrist. A little tremble of desire goes through him.
“Don’t fear, Jack—they also serve the Beam.
“What beam?”