there. “Clean me up, bozo. I shit myself.”
“So I see. But first tell me if you’ve gone and spread your crap around the kitchen. And I know you’ve been down there, so don’t lie.”
“Warshed my hands first,” Burny says, and shows them. They are gnarled, but pink and clean for all that. Even the nails are clean. He certainly has washed them. He then adds: “Jackoff.”
“Come on down to the bathroom with me,” Butch says. “The jackoff asswipe will get you cleaned up.”
Burny snorts, but comes willingly enough.
“You ready for the dance this afternoon?” Butch asks him, just to be saying something. “Got your dancing shoes all polished, big boy?”
Burny, who can surprise you sometimes when he’s actually home, smiles, showing a few yellow teeth. Like his lips, they are stained with red. “Yowza, I’m ready to rock,” he says.
Although Ebbie’s face doesn’t show it, he listens with growing unease to T.J.’s story about Tyler Marshall’s abandoned bike and sneaker. Ronnie’s face, on the other hand, shows
“So what’re we gonna do, Ebbie?” T.J. asks when he’s done. He’s finally getting his breath back from his rapid pedal up the hill.
“What do you mean, what’re we gonna do?” Ebbie says. “Same things we were gonna do anyway, go downstreet, see what we can find for returnable bottles. Go down the park and trade Magics.”
“But . . . but what if—”
“Shut your yap,” Ebbie says. He knows what two words T.J. is about to say, and he doesn’t want to hear them. His dad says it’s bad luck to toss a hat on the bed, and Ebbie never does it. If that’s bad luck, mentioning some freako killer’s name has got to be twice as bad.
But then that idiot Ronnie Metzger goes and says it anyway . . . sort of. “But Ebbie, what if it’s the Misherfun? What if Ty got grabbed by the—”
“Shut the fuck up!” Ebbie says, and draws back his fist as if to hit the damn mushmouth.
At that moment the raghead clerk pops out of the 7-Eleven like a turbaned jack out of his box. “I want none of that talk here!” he cries. “You go now, do your filthy-talk another place! Or I call police!”
Ebbie starts to pedal slowly away, in a direction that will take him farther from Queer Street (under his breath he mutters
“He rode off on his own half an hour ago,” he says.
“Who did what?” says Ronnie.
“Ty Marshall. If anyone asks, he rode off on his own half an hour ago. When we were . . . ummm . . .” Ebbie casts his mind back, something that’s hard for him because he has had so little practice. In ordinary circumstances, the present is all Ebbie Wexler needs.
“When we were looking in the window of the Allsorts?” T.J. asks timidly, hoping he isn’t buying himself one of Ebbie’s ferocious Indian burns.
Ebbie looks at him blankly for a moment, then smiles. T.J. relaxes. Ronnie Metzger only goes on looking bewildered. With a baseball bat in his hands or a pair of hockey skates on his feet, Ronnie is prince of all he surveys. The rest of the time he’s pretty much at sea.
“That’s right,” Ebbie says, “yeah. We was lookin’ in the window of Schmitt’s, then that truck came along, the one playin’ the punk-ass music, and then Ty said he hadda split.”
“Where’d he have to go?” T.J. asks.
Ebbie isn’t bright, but he is possessed of what might be termed “low cunning.” He knows instinctively that the best story is a
“He didn’t go anywhere,” Ronnie says. “He just got behind because he’s a . . .” He pauses, arranging the word, and this time it comes out right. “Slowpoke.”
“You never mind that,” Ebbie says. “What if the . . . what if
“Gee,” Ronnie says. “You don’t really think the Misherfun
“I don’t know and I don’t care,” Ebbie says, “but I don’t mind it that he’s gone. He was startin’ to piss me off.”
“Oh.” Ronnie contrives to look both vacant and satisfied.
“Ronnie,” Ebbie says.
“What?”
“Where were we when Tyler took off?”