Black House

lolloping ears go leaping past Jack’s position, rising above the grass, sinking back into it, then rising above it again. They look like rabbits crossed with kangaroos. Their protruding black eyes stare with comic terror. Across the road they go, their flat feet (white-furred instead of brown) slapping up dust.

“Christ!” Jack says, half-laughing and half-sobbing. He whacks himself in the center of his forehead with the heel of his palm. “What was that, Richie-boy? Got any comments on that?”

Richie, of course does. He tells Jack that Jack has just suffered an extremely vivid . . . ba-haaa! . . . hallucination.

“Of course,” Jack says. “Giant bunny rabbits. Get me to the nearest A.A. meeting.” Then, as he steps out onto the road, he looks toward the southwestern horizon again. At the haze of smoke there. A village. And do the residents fear as the shadows of the evening come on? Fear the coming of the night? Fear the creature that is taking their children? Do they need a coppiceman? Of course they do. Of course they—

Something is lying on the road. Jack bends down and picks up a Milwaukee Brewers baseball cap, jarringly out of place in this world of giant hopping range rabbits, but indubitably real. Judging from the plastic adjustment band in the back, it’s a child’s baseball cap. Jack looks inside, knowing what he’ll find, and there it is, carefully inked on the bill: TY MARSHALL. The cap’s not as wet as Jack’s jeans, which are soaked with morning dew, but it’s not dry, either. It has been lying here on the edge of the road, he thinks, since yesterday. The logical assumption would be that Ty’s abductor brought Ty this way, but Jack doesn’t believe that. Perhaps it is the lingering pulse of vibration that gives rise to a different thought, a different image: the Fisherman, with Ty carefully stashed away, walking out this dirt road. Under his arm is a wrapped shoe box decorated with bogus stamps. On his head is Ty’s baseball hat, kind of balancing there because it’s really too small for the Fisherman. Still, he doesn’t want to change the adjustment band. Doesn’t want Jack to mistake it for a man’s cap, even for a single second. Because he is teasing Jack, inviting Jack into the game.

“Took the boy in our world,” Jack mutters. “Escaped with him to this world. Stashed him someplace safe, like a spider stashing a fly. Alive? Dead? Alive, I think. Don’t know why. Maybe it’s just what I want to believe. Leave it. Then he went to wherever he stashed Irma. Took her foot and brought it to me. Brought it through this world, then flipped back to my world to leave it on the porch. Lost the hat on the way, maybe? Lost it off his head?”

Jack doesn’t think so. Jack thinks this fuck, this skell, this world-hopping dirtbag, left the cap on purpose. Knew that if Jack walked this road he’d find it.

Holding the hat to his chest like a Miller Park fan showing respect to the flag during the national anthem, Jack closes his eyes and concentrates. It’s easier than he would have expected, but he supposes some things you never forget—how to peel an orange, how to ride a bike, how to flip back and forth between worlds.

Boy like you don’t need no cheap wine, anyhow, he hears his old friend Speedy Parker say, and there’s the edge of a laugh in Speedy’s voice. At the same time, that sense of vertigo twists through Jack again. A moment later he hears the alarming sound of an oncoming car.

He steps back, opening his eyes as he does so. Catches a glimpse of a tarred road—Norway Valley Road, but —

A horn blares and a dusty old Ford slams by him, the passenger side-view mirror less than nine inches from Jack Sawyer’s nose. Warm air, once again filled with the faint but pungent odor of hydrocarbons, surfs over Jack’s cheeks and brow, along with some farm kid’s indignant voice:

“—hell out of the road, assshollle—”

“Resent being called an asshole by some cow-college graduate,” Jack says in his best Rational Richard voice, and although he adds a pompous Ba-haaa! for good measure, his heart is pumping hard. Man, he’d almost flipped back right in front of that guy!

Please, Jack, spare me, Richard said. You dreamed the whole thing.

Jack knows better. Although he looks around himself in total amazement, the core of his heart isn’t amazed at all, no, not even a little bit. He still has the cap, for one thing—Ty Marshall’s Brewers cap. And for another, the bridge across Tamarack Creek is just over the next rise. In the other world, the one where giant rabbits went hopping past you, he has walked maybe a mile. In this one he’s come at least four.

That’s the way it was before, he thinks, that’s the way it was when Jacky was six. When everybody lived in California and nobody lived anywhere else.

But that’s wrong. Somehow wrong.

Jack stands at the side of the road that was dirt a few seconds ago and is tarred now, stands looking down into Ty Marshall’s baseball cap and trying to figure out exactly what is wrong and how it’s wrong, knowing he probably won’t be able to turn the trick. All that was a long time ago, and besides, he’s worked at burying his admittedly bizarre childhood memories since he was thirteen. More than half his life, in other words. A person can’t dedicate that much time to forgetting, then suddenly just snap his fingers and expect—

Jack snaps his fingers. Says to the warming summer morning: “What happened when Jacky was six?” And answers his own question: “When Jacky was six, Daddy played the horn.”

What does that mean?

“Not Daddy,” Jack says suddenly. “Not my daddy. Dexter Gordon. The tune was called ‘Daddy Played the Horn.’ Or maybe the album. The LP.” He stands there, shaking his head, then nods. “Plays. Daddy Plays. ‘Daddy Plays the Horn.’ ” And just like that it all comes back. Dexter Gordon playing on the hi-fi. Jacky Sawyer behind the couch, playing with his toy London taxi, so satisfying because of its weight, which somehow made it seem more real than a toy. His father and Richard’s father talking. Phil Sawyer and Morgan Sloat.

Imagine what this guy would be like over there, Uncle Morgan had said, and that had been Jack Sawyer’s first hint of the Territories. When Jacky was six, Jacky got the word. And—

“When Jacky was twelve, Jacky actually went there,” he says.