‘My name is Mark Petrie,’ the boy said. ‘I have some bad news for you.’
‘Susan Norton is one of
Ben tried to speak and couldn’t. His throat was locked.
The boy nodded, taking charge effortlessly. ‘Maybe we could go for a ride in your car and talk. I don’t want anyone to see me around. I’m playing hooky and I’m already in dutch with my folks.’
Ben said something-he didn’t know what. After the motorcycle accident that had killed Miranda, he had picked himself up off the pavement shaken but unhurt (except for a small scratch across the back of his left hand, mustn’t forget that, Purple Hearts had been awarded for less) and the truck driver had walked over to him, casting two shadows in the glow of the streetlight and the head lamps of the truck-he was a big, balding man with a pen in the breast pocket of his white shirt, and stamped in gold letters on the barrel of the pen he could read ‘Frank’s Mobil Sta’ and the rest was hidden by the pocket, but Ben had guessed shrewdly that the final letters were ‘tion’, elementary, my dear Watson, elementary. The truck driver had said something to Ben, he didn’t remember what, and then he took Ben’s arm gently, trying to lead him away. He saw one of Miranda’s flat-heeled shoes lying near the large rear wheels of the moving van and had shaken the trucker off and started toward it and the trucker had taken two steps after him and said,
‘I’m going to be sick,’ he said.
‘That’s all right.’
Ben stepped behind his Citroen and doubled over, holding on to the door handle. He closed his eyes, feeling darkness wash over him, and in the darkness Susan’s face appeared, smiling at him and looking at him with those lovely deep eyes. He opened his eyes again. It occurred to him that the kid might be lying, or mixed up, or an out- and-out psycho. Yet the thought brought him no hope. The kid was not set up like that. He turned back and looked into the kid’s face and read concern there-nothing else.
‘Come on,’ he said.
The boy got in the car and they drove off. Eva Miller watched them go from the kitchen window, her brow creased. Something bad was happening. She felt it, was filled with it, the same way she had been filled with an obscure and cloudy dread on the day her husband died.
She got up and dialed Loretta Starcher. The phone rang over and over without answer until she put it back in the cradle. Where could she be? Certainly not at the library. It was closed Mondays.
She sat, looking pensively at the telephone. She felt that some great disaster was in the wind - perhaps something as terrible as the fire of ‘51.
At last she picked up the phone again and called Mabel Werts, who was filled with the gossip of the hour and eager for more. The town hadn’t known such a weekend in years.
4
Ben drove aimlessly and without direction as Mark told his story. He told it well, beginning with the night Danny Glick had come to his window and ending with his nocturnal visitor early this morning.
‘Are you sure it was Susan?’ he asked. Mark Petrie nodded.
Ben pulled an abrupt U-turn and accelerated back up Jointner Avenue.
‘Where are you going? To the-’
‘Not there. Not yet.
5
‘Wait. Stop.’
Ben pulled over and they got-out together. They had been driving slowly down the Brooks Road, at the bottom of Marsten’s Hill. The wood-road where Homer McCaslin had spotted Susan’s Vega. They had both caught the glint of sun on metal. They walked up the disused road together, not speaking. There were deep and dusty wheel ruts, and the grass grew high between them. A bird twitted somewhere.
They found the car shortly.
Ben hesitated, then halted. He felt sick to his stomach again. The sweat on his arms was old.
‘Go look,’ he said.
Mark went down to the car and leaned in the driver’s side window. ‘Keys are in it,’ he called back.
Ben began to walk toward the car and his foot kicked something. He looked down and saw a.38 revolver lying in the dust. He kicked it up and turned it over in his hands. It looked very much like a police issue revolver.