divans to lunatic puffs of springs and stuffing, to spike the

mirrorbright finish of the great hall floor with barbarian hoofprints

and flying puddles of urine'

okay Shes there its a story i feel her

* * *

body, making it sag and billow.

'If you like,' he said. 'I didn't even see the cottage from the Shore

Road, Mrs. Leighton. Could you tell me where--'

'Did you drive in?'

'Yes. I left my car over there.'' He pointed beyond the dunes,

toward the road.

A smile, oddly one-dimensional, touched her lips. 'That's why.

You can only see a blink from the road: unless you're walking, you

miss it.' She pointed west at a slight angle away from the dunes

and the house. 'There. Right over that little hill.'

'All right,' he said, then stood there smiling. He really had no idea

how to terminate the interview.

'Would you like to come in for some coffee? Or a Coca-Cola?'

'Yes,' he said instantly.

She seemed a little taken back by his instant agreement. He had,

after 211, been her husband's friend, not her own. The face loomed

above Gerald, moonlike, disconnected, undecided. Then she led

him into the elderly, waiting house.

She had tea. He had Coke, Millions of eyes seemed to watch them.

He felt like a burglar, stealing around the hidden fiction he could

Make of her, carrying only his own youthful winsomeness and a

psychic flashlight.

* * *

My own name, of course, is Steve King, and you'll pardon my

intrusion on your mind-or I hope you will. I could argue that the

drawing-aside of the curtain of presumption between reader and

author is permissible because I am the writer; i.e., since it's my

story I'll do any goddam thing I please with it-but since that leaves

the reader out of it completely, that is not valid. Rule One for all

writers is that the teller is not worth a tin tinker's fart when

compared to the listener. Let us drop the matter, if we may. I am

intruding for the same reason that the Pope defecates: we both

have to.

You should know that Gerald Nately was never brought to the

dock; his crime was not discovered. He paid all the same. After

writing four twisted, monumental, misunderstood novels, he cut

his own head off with an ivory-figured guillotine purchased in

Kowloon.

I invented him first during a moment of eight o'clock boredom in a

class taught by Carroll F. Terrell of the University of Maine

English faculty. Dr. Terrell was speaking of Edgar A. Poe, and I

thought

ivory guillotine Kowloon

twisted woman of shadows, like a pig

some big house

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