of motivation concerning the final scene where the fat old woman

was murdered, but he did not see that as a fault. In 'The Tell-Tale

Heart,' Edgar A. Poe's finest story, there is no real motivation for

the murder of the old man, and that was as it should be. The motive

is not the point.

* * *

She got very big just before the end: even her legs swelled up to

twice their normal size. At the very end, her tongue popped out of

her mouth like a party-favor.

* * *

After leaving Bombay, Gerald Nately went on to Hong Kong, then

to Kowloon. The ivory guillotine caught his fancy immediately.

* * *

As the author, I can see only one correct omega to this story, and

that is to tell you how Gerald Nately got rid of the body. He tore up

the floor boards of the shed, dismembered Mrs. Leighton, and

buried the sections in the sand beneath.

When he notified the police that she had been rnissing for a week,

the local constable and a State Policeman came at once. Gerald

entertained them quite naturalIy, even offering them coffee. He

heard no beating heart, but then--the interview was conducted in

the big house.

On the following day he flew away, toward Bombay, Hong Kong,

and Kowloon.

The Cat from Hell

By STEPHEN

KING

First appeared in

Cavalier Magazine, 1971

Halston thought the old man in the wheelchair looked sick,

terrified, and ready to die. He had experience in seeing such things.

Death was Halston's business; he had brought it to eighteen men

and six women in his career as an independent hitter. He knew the

death look.

The house - mansion, actually - was cold and quiet. The only

sounds were the low snap of the fire on the big stone hearth and the

low whine of the November wind outside.

'I want you to make a kill,' the old man said. His voice was

quavery and high, peevish. 'I understand that is what you do.'

'Who did you talk to?' Halston asked.

'With a man named Saul Loggia. He says you know him.'

Halston nodded. If Loggia was the go-between, it was all right.

And if there was a bug in the room, anything the old man - Drogan

- said was entrapment.

'Who do you want hit?'

Drogan pressed a button on the console built into the arm of his

wheelchair and it buzzed forward. Closeup, Halston could smell

the yellow odors of fear, age, and urine all mixed.

They disgusted him, but he made no sign. His face was still and

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