half black, half white. It switched lazily back and forth.

It disappeared.

A bird cried somewhere again. Dawn came in breathless silence

then, over the frost-rimmed fields of rural Connecticut.

The farmer's name was Will Reuss.

He was on his way to Placer's Glen to get the inspection sticker

renewed on his farm truck when he saw the late-morning sun

twinkle on something in the ravine beside the road. He pulled over

and saw the Plymouth lying at a drunken, canted angle in the ditch,

barbed wire tangled in its grille like a snarl of steel knitting.

He worked his way down and then sucked in his breath sharply.

'Holy moley,' he muttered to the bright November day. There was

a guy sitting bolt upright behind the wheel, eyes open and glaring

emptily into eternity. The Roper organization was never going to

include him in its presidential poll again. His face was smeared

with blood. He was still wearing his seat belt.

The driver's door had been crimped shut, but Reuss managed to get

it open by yanking with both hands. He leaned in and unstrapped

the seat belt, planning to check for ID. He was reaching for the

coat when he noticed that the dead guy's shirt was rippling, just

above the belt buckle. Rippling ... and bulging. Splotches of blood

began to bloom there like sinister roses.

'What the Christ?' He reached out, grasped the dead man's shirt,

and pulled it up.

Will Reuss looked - and screamed.

Above Halston's navel, a ragged hole had been clawed in his flesh.

Looking out was the gore-streaked black-and-white face of a cat,

its eyes huge and glaring.

Reuss staggered back, shrieking, hands clapped to his face. A score

of crows took cawing wing from a nearby field.

The cat forced its body out and stretched in obscene languor.

Then it leaped out the open window. Reuss caught sight of it

moving through the high dead grass and then it was gone.

It seemed to be in a hurry, he later told a reporter from the local

paper.

As if it had unfinished business.

The Dark Man

Stephen King

Published in

'Ubris', 1969 and later in Moth, 1970.

I have stridden the fuming way

of sun-hammered tracks and

smashed cinders;

I have ridden rails

and bumed sterno in the

gantry silence of hob jungles:

I am a dark man.

I have ridden rails

and passed the smuggery

of desperate houses with counterfeit chimneys

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