where matters stand. I can't, I won't, I mustn't. That means he'll come. And when he comes, God knows what will happen.'
'Thad,' Alan said uncomfortably, 'you need a little perspective on this, that's all. And when you get it, most of it will just . . . blow away. Like a milkweed puff. Like a bad dream in the morning.'
'It isn't perspective we need,' Liz said. They looked at her and saw she was crying silently. Not a lot, but the tears were there. 'What we need is for someone to turn him
6
Alan returned to Castle Rock early the next morning, arriving home shortly before two o'clock. He crept into the house as quietly as possible, noticing that Annie had once again neglected to activate the burglar alarm. He didn't like to hassle her about it — her migraines had become more frequent lately — but he supposed he would have to, sooner or later.
He started upstairs, shoes held in one hand, moving with a smoothness that made him seem almost to float. His body possessed a deep grace, the exact opposite of Thad Beaumont's clumsiness, which Alan rarely showed; his flesh seemed to know some arcane secret of motion which his mind found somehow embarrassing. Now, in this silence, there was no need to hide it, and he moved with a shadowy ease that was almost macabre.
Halfway up the stairs he paused . . . and went back down again. He had a small den off the living room, not much more than a broom-closet furnished with a desk and some bookshelves' but adequate for his needs. He tried not to bring his work home with him. He did not always succeed in this, but he tried very hard.
He closed the door, turned on the light, and looked at the telephone.
Then Alan thought of Liz Beaumont's eyes — her dark, frightened eyes — and decided he
Alan took the scrap of paper from the pocket of his uniform blouse and dialed Hugh Pritchard's number in Fort Laramie. He did it standing up, setting himself for a blast of anger from that gravelly voice.
He need not have worried; the answering machine cut in after the same fraction of a ring, and delivered the same message.
He hung up thoughtfully and sat down behind his desk. The goose-neck lamp cast a round circle of light on the desk's surface, and Alan began to make a series of shadow animals in its glow — a rabbit, a dog, a hawk, even a passable kangaroo. His hands possessed that same deep grace which owned the rest of his body when he was alone and at rest; beneath those eerily flexible fingers, the animals seemed to march in a parade through the tiny spotlight cast by the hooded lamp, one flowing into the next. This little diversion had never failed to fascinate and amuse his children, and it often set his own mind at rest when it was troubled.
It didn't work now.
That was impossible, of course; he supposed he could swallow a ghost if someone put a gun to his head, but not some malignant Superman of a ghost who crossed whole continents in a single bound. He could think of several good reasons why someone might turn on his answering machine at night. Not the least of them was to keep from being disturbed by late-calling strangers such as Sheriff Alan J. Pangborn, of Castle Rock, Maine.
Alan Pangborn shuddered. It was crazy, but he shuddered anyway. It twisted through him like a wire.
He dialed Wyoming Directory Assistance, got the number for the Fort Laramie Sheriff 's Office, and made another call. He was answered by a dispatcher who sounded half asleep. Alan identified himself, told the dispatcher whom he had been trying to contact and where he lived, and then asked if they had Dr Pritchard and his wife in their vacation file. If the doctor and his wife
'Well,' Dispatch said, 'why don't you give me your number? I'll call you back with the information.'
Alan sighed. This was just more standard operating procedure. More bullshit, not to put too fine a point on it. The guy didn't want to give out the information until he was sure Alan was what he said he was.
'No,' he said. 'I'm calling from home, and it's the middle of the night — '
'It's not exactly high noon here, Sheriff Pangborn,' Dispatch answered laconically.
Alan sighed. 'I'm sure that's true,' he said, 'and I'm also sure that your wife and kids aren't asleep upstairs. Do this, my friend: call the Maine State Police Barracks in Oxford, Maine — I'll give you the number — and verify my name. They can give you my LAWS ID number. I'll call back in ten minutes or so, and we can exchange passwords.'
'Shoot it to me,' Dispatch said, but he didn't sound happy about it. Alan guessed he might have taken the man away from the late show or maybe this month's
'What's this about?' Dispatch asked after he had read back the Oxford State Police Barracks phone number.
'Murder investigation,' Alan said, 'and it's hot. I'm not calling you for my health, pal.' He hung up.
He sat behind his desk and made shadow animals and waited for the minute hand to circle the face of the clock ten times. It seemed very slow. It had only gone around five times when the study door opened and Annie came in. She was wearing her pink robe and looked somehow ghostly to him; he felt that shudder wanting to work through him again, as if he had looked into the future and seen something there which was unpleasant. Nasty, even.
'Alan? What are you doing, sitting down here so late?'
He smiled, got up, kissed her easily. 'Just waiting for the drugs to wear off,' he said.
'No, really — is it this Beaumont business?'
'Yeah. I've been trying to chase down a doctor who may know something about it. I keep getting his answering machine, so I called the sheriff 's office to see if he's in their vacation file. The man on the other end is supposedly checking my
'No,' she said, 'but I heard you come in.' She smiled. 'You're the world's quietest man when you want to be, Alan, but you can't do a thing about your car.'
He hugged her.
'Do you want a cup of tea?' she asked.
'God, no. A glass of milk, if you want to get one.'
She left him alone and came back a minute later with the milk. 'What's Mr Beaumont like?' she asked. 'I've seen him around town, and his wife comes into the shop once in awhile, but I've never spoken to him.' The shop was You Sew and Sew, owned and operated by a woman named Polly Chalmers. Annie Pangborn had worked there part-time for four years.
Alan thought about it. 'I like him,' he said at last. 'At first I didn't — I thought he was a cold fish. But I was seeing him under difficult circumstances. He's just . . . distant. Maybe it's because of what he does for a living.'
'I liked both of his books very much,' Annie said.
He raised his eyebrows. 'I didn't know you'd read him.'
'You never asked, Alan. Then, when the story broke about the pen name, I tried one of the
'No good?'
'