Transgressions

TRANSGRESSIONS

Edited by Ed McBain

THE THINGS THEY

LEFT BEHIND

Stephen King

THE RANSOME WOMEN

John Farris

A TOM DOHERTY ASSOCIATES

BOOK NEW YORK

Contents

INTRODUCTION

by Ed McBain

vii

THE THINGS THEY LEFT BEHIND

by Stephen King

1

THE RANSOME WOMEN

by John Farris

61

Introduction

When I was writing novellas for the pulp magazines back in the 1950s, we still called them 'novelettes,'

and all I knew about the form was that it was long and it paid half a cent a word. This meant that if I wrote 10,000 words, the average length of a novelette back then, I would sooner or later get a check for five hundred dollars. This was not bad pay for a struggling young writer.

A novella today can run anywhere from 10,000 to 40,000 words. Longer than a short story (5,000 words) but much shorter than a novel (at least 60,000 words), it combines the immediacy of the former with the depth of the latter, and it ain't easy to write. In fact, given the difficulty of the form, and the scarcity of markets for novellas, it is surprising that any writers today are writing them at all.

But here was the brilliant idea.

Round up the best writers of mystery, crime, and suspense novels, and ask them to write a brand-new novella for a collection of similarly superb novellas to be published anywhere in the world for the very first time. Does that sound keen, or what? In a perfect world, yes, it is a wonderful idea, and here is your novella, sir, thank you very much for asking me to contribute.

But many of the bestselling novelists I approached had never written a novella in their lives. (Some of them had never even written a short story!) Up went the hands in mock horror. 'What! A novella? I wouldn't even know how to begin one.' Others thought that writing a novella ( 'How long did you say it had to be?') would constitute a wonderful challenge, but bestselling novelists are busy people with publishing contracts to fulfill and deadlines to meet, and however intriguing the invitation may have seemed at first, stark reality reared its ugly head, and so . . .

'Gee, thanks for thinking of me, but I'm already three months behind deadline,' or...

'My publisher would kill me if I even dreamed of writing something for another house,' or . . .

'Try me again a year from now,' or . . .

'Have you asked X? Or Y? Or Z?'

What it got down to in the end was a matter of timing and luck. In some cases, a writer I desperately wanted was happily between novels and just happened to have some free time on his/her hands. In other cases, a writer had an idea that was too short for a novel but too long for a short story, so yes, what a wonderful opportunity! In yet other cases, a writer wanted to introduce a new character he or she had been thinking about for some time. In each and every case, the formidable task of writing fiction that fell somewhere between 10,000 and 40,000 words seemed an exciting challenge, and the response was enthusiastic.

Except for length and a loose adherence to crime, mystery, or suspense, I placed no restrictions upon the writers who agreed to contribute. The results are as astonishing as they are brilliant. The novellas that follow are as varied as the writers who concocted them, but they all exhibit the same devoted passion and the same extraordinary writing. More than that, there is an underlying sense here that the writer is attempting something new and unexpected, and willing to share his or her own surprises with us. Just as their names are in alphabetical order on the book cover, so do their stories follow in reverse alphabetical order: I have no favorites among them. I love them all equally. Enjoy!