He reached out his hand and she started to take it, then drew her hand back. “You’ll have to play for me,” he said quietly. “I can’t let just anyone end me. That’s a big, important thing, you see. Not just anyone. So you’ll play for me.” He got heavily to his feet. Thinking of Lisbeth, Sharon, Dorothea. Gone, all gone now. Only he, Bekh, left behind, some of him left behind, old bones, dried meat. Breath as stale as Egypt. Blood the color of pumice. Sounds devoid of tears and laughter. Just sounds.

He led the way, and she followed him, out onto the stage, where the console still stood uncrated. He gave her his gloves, saying, “I know they aren’t yours. I’ll take that into account. Do the best you can.” She drew them on slowly, smoothing them.

She sat down at the console. He saw the fear in her face, and the ecstasy, also. Her fingers hovering over the keys. Pouncing. God, Timi’s Ninth! The tones swelling and rising, and the fear going from her face. Yes. Yes. He would not have played it that way, but yes, just so. Timi’s notes filtered through her soul. A striking interpretation. Perhaps she falters a little, but why not? The wrong gloves, no preparation, strange circumstances. And how beautifully she plays. The hall fills with sound. He ceases to listen as a critic might; he becomes part of the music. His own fingers moving, his muscles quivering, reaching for pedals and stops, activating the pressors. As if he plays through her. She goes on, soaring higher, losing the last of her nervousness. In full command. Not yet a finished artist, but so good, so wonderfully good! Making the mighty instrument sing. Draining its full resources. Underscoring this, making that more lean. Oh, yes! He is in the music. It engulfs him. Can he cry? Do the tearducts still function? He can hardly bear it, it is so beautiful. He has forgotten, in all these years. He has not heard anyone else play for so long. Seven hundred four days. Out of the tomb. Bound up in his own meaningless performances. And now this. The rebirth of music. It was once like this all the time, the union of composer and instrument and performer, soul-wrenching, all-encompassing. For him. No longer. Eyes closed, he plays the movement through to its close by way of her body, her hands, her soul. When the sound dies away, he feels the good exhaustion that comes from total submission to the art.

“That’s fine,” he said, when the last silence was gone. “That was very lovely.” A catch in his voice. His hands were still trembling; he was afraid to applaud.

He reached for her, and this time she took his hand. For a moment he held her cool fingers. Then he tugged gently, and she followed him back into the dressing room, and he laid down on the sofa, and he told her which mechanisms to break, after she turned him off, so he would feel no pain. Then he closed his eyes and waited.

“You’ll just—go?” she asked.

“Quickly. Peacefully.”

“I’m afraid. It’s like murder.”

“I’m dead,” he said. “But not dead enough. You won’t be killing anything. Do you remember how my playing sounded to you? Do you remember why I came here? Is there life in me?”

“I’m still afraid.”

“I’ve earned my rest,” he said. He opened his eyes and smiled. “It’s all right. I like you.” And, as she moved toward him, he said, “Thank you.”

Then he closed his eyes again.

She turned him off. Then she did as he had instructed her.

Picking her way past the wreckage of the sustaining chamber, she left the dressing room. She found her way out of the Music Center —out onto the glass landscape, under the singing stars, and she was crying for him.

Laddy. She wanted very much to find Laddy now. To talk to him. To tell him he was almost right about what he’d told her. Not entirely, but more than she had believed… before. She went away from there. Smoothly, with songs yet to be sung.

And behind her, a great peace had settled. Unfinished, at last the symphony had wrung its last measure of strength and sorrow.

It did not matter what Weatherex said was the proper time for mist or rain or fog. Night, the stars, the songs were forever.

Вы читаете The Song the Zombie Sang
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату