The Illustrated Gormenghast Trilogy

pirates.

They were as tall as towers, their great brows beetling over their sunken eyes, like shelves of overhanging rocks. In their ears were hoops of red gold, and in their mouths scythe-edged cutlasses a-drip. Out of the red darkness they emerged, their eyes half closed against the sun, the water at their waists circling and bubbling with the hot light reflected from their bodies, their dimensions blotted out all else: and still they came on, until their wire-glinting breasts and rocky heads filled out the boy’s brain. And still they came on, until there was only room enough for the smouldering head of the central buccaneer, a great salt-water lord, every inch of whose face was scabbed and scarred like a boy’s knee, whose teeth were carved into the shapes of skulls, whose throat was circled by the tattooing of a scaled snake. And as the head enlarged, an eye became visible in the darkness of its sockets, and in a moment nothing else but this wild and sinister organ could be seen. For a short while it stayed there, motionless. There was nothing else in the great world but this – globe. It was the world, and suddenly like the world it rolled. And as it rolled it grew yet again, until there was nothing but the pupil, filling the consciousness; and in that midnight pupil Titus saw the reflection of himself peering forward. And someone approached him out of the darkness of the pirate’s pupil, and a rust-red pinpoint of light above the figure’s brow became the coiled locks of his mother’s wealth of hair. But before she could reach him her face and body had faded and in the place of the hair was Fuchsia’s ruby; and the ruby danced about in the darkness, as though it were being jerked on the end of a string. And then it, also, was gone and the marble shone in his hand with all its spiralled colours – yellow, green, violet, blue, red … yellow … green … violet … blue … yellow … green … violet … yellow … green … yellow … yellow.

And Titus saw quite clearly not only the great sunflower with its tired, prickly neck which he had seen Fuchsia carrying about for the last two days, but a hand holding it, a hand that was not Fuchsia’s. It held the heavy plant aloft between the thumb and forefinger as though it was the most delicate thing in the world. Every finger of the hand was aflame with gold rings, so that it looked like a gauntlet of flaming metal – an armoured thing.

And then, all at once, blotting it out, a swarm of leaves were swirling through him, a host of yellow leaves, coiling, diving, rising, as they swept forward across a treeless desert, while overhead, like a bonfire in the sky, the sun shone down on the rushing leaves. It was a yellow world: a restless, yellow world: and Titus was beginning to drift into a yet deeper maw of the colour when Bellgrove wakened with a jerk, gathered his gown about him like God gathering a whirlwind, and brought his hand down with a dull, impotent thud on the lid of his desk. His absurdly noble head raised itself. His proud and vacant gaze settled at last on young Dogseye.

‘Would it be too much to ask you,’ he said at last, with a yawn which exposed his carious teeth, ‘whether a young man – a not very studious young man, by name Dogseye – lies behind that mask of dirt and ink? Whether there is a human body within that sordid bunch of rags, and whether that body is Dogseye’s, also.’ He yawned again. One of his eyes was on the clock, the other remained bemusedly on the young pupil. ‘I will put it more simply: Is that really you, Dogseye? Are you sitting in the second row from the front? Are you occupying the third desk from the left? And were you – if, indeed, it is you, behind that dark-blue muzzle – were you carving something indescribably fascinating on to the lid of your desk? Did I wake to catch you at it, young man?’

Dogseye, a nondescript little figure, wriggled.

‘Answer me, Dogseye. Were you carving away when you thought your old master was asleep?’

‘Yes, sir,’ said Dogseye, surprisingly loudly; so loudly that he startled himself and glanced about him as though for the voice.

‘What were you carving, my boy?’

‘My name, sir.’

‘What, the whole thing, my boy?’

‘I’d only done the first three letters, sir.’

Bellgrove rose swathed. He moved, a benign, august figure, down the dusty aisle between the desks until he reached Dogseye.

‘You haven’t finished the “G”’, he said in a far-away, lugubrious voice. ‘Finish the “G” and leave it at that. And leave the “EYE” for other things …’ – an inane smirk began to flit across the lower part of his face – ‘such as your grammar-book,’ he said brightly, his voice horribly out of character. He began to laugh in such a way as might develop into something beyond control, but he was brought up short with a twinge of pain and he clutched at his jaw, where his teeth cried out for extraction.

After a few moments – ‘Get up,’ he said. Seating himself at Dogseye’s desk he picked up the penknife before him and worked away at the ‘G’ of ‘DOG’ until a bell rang and the room was transformed into a stampeding torrent of boys making for the classroom door as though they expected to find upon the other side the embodiment of their separate dreams – the talons of adventure, the antlers of romance.

IRMA WANTS A PARTY

‘Very well, then, and so you shall!’ cried Alfred Prunesquallor. ‘So you shall, indeed.’

There was a wild and happy desperation in his voice. Happy, in that a decision had been made at all, however unwisely. Desperate, because life with Irma was a desperate affair in any case; but especially in regard to this passion of hers to have a party.

‘Alfred! Alfred! are you serious? Will you pull your weight, Alfred? I say, will you pull your weight?’

‘What weight I have I’ll pull to pieces for you, Irma.’

‘You are resolved, Alfred – I say, you are resolved,’ she asked breathlessly.

‘It is you who are resolved, sweet Perturbation. It is I who have submitted. But there it is. I am weak. I am ductile. You will have your way – a way, I fear, that is fraught with the possibility of monstrous repercussions – but your own, Irma, your own. And a party we will throw. Ha, ha, ha, ha, ha, ha, ha!’

There was something that did not altogether ring true in his shrill laughter. Was there a touch of bitterness in it somewhere?

‘After all,’ he continued, perching himself on the back of a chair (and with his feet on the seat and his chin on his knees he looked remarkably like a grasshopper) … ‘After all, you have waited a long time. A long time. But, as you know, I would never advise such a thing. You’re not the type to give a party. You’re not even the type to go to a party. You have nothing of the flippancy about you that makes a party go, sister mine; but you are determined.’

‘Unutterably,’ said Irma.