he’s not into idle chitchat.

I have no idea what to say next. I don’t speak Japanese, I don’t know anything about Japanese business or Japanese culture. Apart from sushi. But I can’t exactly go up to him and say “Sushi!” out of the blue. It would be like going up to a top American businessman and saying “T-bone steak!”

“I’m … a huge fan,” I improvise. “Of your work. Could I have your autograph?”

He looks puzzled, and one of his colleagues whispers a translation into his ear. Immediately, his brow clears and he bows to me.

Cautiously, I bow back, and he snaps his fingers, barking an instruction. A moment later, a beautiful leather folder has been opened in front of him, and he’s writing something elaborate in Japanese.

“Is he still there?” The stranger’s voice suddenly emanates from the phone.

“Yes,” I mutter into it. “Just about. Where are you?” I shoot a bright smile at Mr. Yamasaki.

“Fifth floor. Keep him there. Whatever it takes.”

Mr. Yamasaki hands me his piece of paper, caps his pen, bows again, and makes to walk off.

“Wait!” I cry desperately. “Could I … show you something?”

“Mr. Yamasaki is very busy.” One of his colleagues, wearing steel glasses and the whitest shirt I’ve ever seen, turns back. “Kindly contact our office.”

They’re heading away again. What do I do now? I can’t ask for another autograph. I can’t rugby-tackle him. I need to attract his attention somehow.

“I have a special announcement to make!” I exclaim, hurrying after them. “I am a singing telegram! I bear a message from all Mr. Yamasaki’s many fans. It would be a great discourtesy to them if you were to refuse me.”

The word discourtesy seems to have stopped them in their tracks. They’re frowning and exchanging confused glances.

“A singing telegram?” says the man in steel glasses suspiciously.

“Like a Gorilla Gram?” I offer. “Only singing.”

I’m not sure that’s made things any clearer.

The interpreter murmurs furiously in Mr. Yamasaki’s ear and after a moment looks at me.

“You may present.”

Mr. Yamasaki turns and all his colleagues follow suit, folding their arms expectantly and lining up in a row. Around the lobby I can see a few interested glances from other groups of businesspeople.

“Where are you?” I murmur desperately into the phone.

“Third floor,” comes the man’s voice after a moment. “Half a minute. Don’t lose him.”

“Begin,” the man in steel spectacles says pointedly.

Some people nearby have turned to watch. Oh God. How did I get myself into this? Number one, I can’t sing. Number two, what do I sing to a Japanese businessman I’ve never met before? Number three, why did I say singing telegram?

But if I don’t do something soon, twenty people might lose their jobs.

I make a deep bow, to spin out some more time, and all the Japanese bow back.

“Begin,” repeats the man in steel spectacles, his eyes glinting ominously.

I take a deep breath. Come on. It doesn’t matter what I do. I only have to last half a minute. Then I can run away and they’ll never see me again.

“Mr. Yamasaki … ” I begin cautiously, to the tune of “Single Ladies.” “Mr. Yamasaki. Mr. Yamasaki, Mr. Yamasaki.” I shimmy my hips and shoulders at him, just like Beyonce.11 “Mr. Yamasaki, Mr. Yamasaki.”

Actually, this is quite easy. I don’t need any lyrics—I can keep singing “Mr. Yamasaki” over and over. After a few moments, some of the Japanese even start singing along and clapping Mr. Yamasaki on the back.

“Mr. Yamasaki, Mr. Yamasaki. Mr. Yamasaki, Mr. Yamasaki.” I lift my finger and waggle it at him with a wink. “Ooh-ooh-ooh … ooh-ooh-ooh … ”

This song is ridiculously catchy. All the Japanese are singing now, apart from Mr. Yamasaki, who’s standing there, looking delighted. Some nearby delegates have joined in with the singing, and I can hear one of them saying, “Is this a flash mob thing?”

“Mr. Yamasaki, Mr. Yamasaki, Mr. Yamasaki … Where are you?” I mutter into the phone, still beaming brightly.

“Watching.”

“What?” My head jerks up and I sweep the lobby.

Suddenly my gaze fixes on a man standing alone, about thirty yards away. He’s wearing a dark suit and has thick black rumpled hair and is holding a phone to his ear. Even from this distance I can see that he’s laughing.

“How long have you been there?” I demand furiously.

“Just arrived. Didn’t want to interrupt. Great job, by the way,” he adds. “I think you won Yamasaki round to the cause, right there.”

“Thanks,” I say sarcastically. “Glad I could help. He’s all yours.” I bow to Mr. Yamasaki with a flourish, then turn on my heel and head swiftly toward the exit, ignoring the disappointed cries of the Japanese. I’ve got more

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