rub it in. Nick Fox had been so busy dispensing victory statements to the press, he hadn't even needled me after the verdict. I waited, listening to the faint traffic noises that told me Fox was calling from his state-owned Chrysler.
'Jake, you did a helluva job for that fish wrapper they call a newspaper,' Nick Fox boomed.
'Maybe you can tell that to Symington Foote. He thought I should have attacked when I played defense.'
'He's an asshole. Downtown power-clique country-club asshole. You low-keyed it, kept the damages down. A savvy lawyer knows when to do that.'
I didn't tell him I get my savvy from Marvin the Maven.
Fox paused, and so did I. We were out of conversation, or so I thought.
'Jake,' he said finally, 'I'd like you to meet me at a homicide scene.'
'Should I have my alibi ready?'
He didn't laugh. 'Three seventy-five Ocean Drive, South Beach, second floor. I need independent counsel to head the investigation.'
'Why me?'
From somewhere at his end a police siren wailed. 'Because you're honest and not plugged into any of the political groups. I checked you out. Latin Builders, Save-Our-Guns, English Only…nobody's heard of you since you used to sit on the bench for the Dolphins. I don't even know if you're a Democrat or Republican.'
'Audubon Society.'
'Huh?'
'My only affiliation. Charlie Riggs and I like to stomp through the Glades and look at the birds. Blue herons, snowy egrets, roseate spoonbills. Makes you believe in a Creator or at least a damn fortuitous Big Bang.'
'Charlie Riggs,' Fox said, almost wistfully. 'Tell that old grave robber to stop in and see me sometime.'
'Tell him yourself. He's about ten yards yonder, putting away some key lime pie and amusing a British lady psychiatrist with murder and mayhem.'
'Her name Maxson?'
I looked around for a hidden camera. 'You're getting some pretty good intelligence these days.'
'Lucky guess. I have a man waiting at her hotel. She was one of the last people to see the decedent alive.'
'This decedent have a name?'
'This line's not secure. I'll see you in twenty minutes. Bring Riggs and the lady.'
When I returned to the table, Charlie was halfway through the story of the widow whose first two husbands died after eating kidney pie laced with paraquat. The third husband was smart enough to refuse her cooking, but deaf enough not to move when she rode the El Toro mower over the spot where he was sunbathing.
Charlie looked up at me, a dab of whipped cream stuck to his beard.
'Saddle up,' I said. 'We been deputized.'
CHAPTER 3
Retirees still sit on plastic rockers on the front porches of the art-deco hotels. Hookers, fences, dealers, transvestites, pimps, chicken hawks, and runaways still stroll Ocean Drive, hustling their wares. But the Yuppies have staked claims to South Beach, spiffing up the old buildings with turquoise and salmon paint, dressing themselves in bright, baggy cottons and silks, and hovering on the perimeter of perpetual trendiness. Over the whine of the window air conditioner is heard the agreeable hum of European engineering as the young lawyers, brokers, accountants, bankers, and journalists steer their Saabs, BMWs, and Volvos into oceanfront parking lots.
Cafes and comedy clubs now occupy once-abandoned storefronts. Stylish restaurants abound, strands of pasta hanging on wooden rods like moss on forest trees. Saloons with etched-glass mirrors and polished brass rails offer exotic tropical drinks at outrageous prices. Fresh tuna is seared ever so slightly on open grills. And for reasons inexplicable, a sushi bar stands on every corner. Raw fish is fine for shipwreck victims, but with all the crud floating in our waters, I prefer my seafood well done.
The apartment building was built in the 1930s, which in Miami Beach qualified as a historic site. The building had been empty for years, before the resurgence of South Beach brought fresh money and fresher hucksters to town. The newspapers coined the term 'Tropical Deco' to describe the renovated hotels and apartment buildings. This one was called Flamingo Arms and consisted of a series of curved walls, glass blocks, and cantilevered sunshades that looked like stucco eyebrows. The paint was the color of a ripe avocado. Two metal flamingos formed a grillwork on the front door, and the same motif was picked up in the lobby with a mural of several of the pink birds high-stepping through a fountain.
The three of us-the coroner, the shrink, and the mouthpiece- were let in by a uniformed cop who recognized Charlie Riggs. We climbed a winding staircase with a looping metal railing to the second floor. It was a corner apartment facing Ocean Drive with just a sliver of a view of the Fifth Street Beach. Nick Fox stood in a corner of the living room, his face drawn into a tight mask. Whispering in his ear was a cop in plainclothes. Nick Fox shook his head and didn't move. The cop came over to us.
'Alex Rodriguez,' he said, shaking my hand, and nodding to Charlie Riggs and Pamela Maxson. He looked just right for a detective, which is to say he looked like your average forty-two-year-old, middle-class man who sells power tools at Sears. His dark hair was beginning to thin at the crown. He was of average height, average weight, and average demeanor, except for his nose, which, he later told me, had been head-butted one direction by a drugged-out citizen and smashed the other way by his partner's errant nightstick while quelling a domestic dispute.
'I'm glad you're here, Dr. Maxson,' Rodriguez said. 'You too, Charlie. Lassiter. Give Nick a minute. Then he'll talk to you. Now…'
He left it hanging there, and we all turned toward a desk in a corner of the room where a young assistant medical examiner was still snapping his photos. The ME nodded toward Charlie but kept at his work. His pale hair was parted high on his head and clipped short on the sides, a style favored by the current crop of young professionals.
In rebellion, I keep mine unfashionably long and shaggy, and when in the company of callow youth, I incessantly hum Joan Baez tunes. He wore a white lab coat with a name tag. He didn't look old enough to be a doctor, but I figured, no matter what, he couldn't kill the patient. His little kit was open, and he had lined up his sketch pads, gloves, sponges, plastic bags, thermometer, trowel, chalk, and tape recorder.
Charlie walked straight to the body. She wore a black silk camisole and nothing else.
She was sprawled-legs akimbo-in her chair at a desk.
Her head was jammed through a computer monitor. The keyboard was pulled open.
Maybe Charlie Riggs was used to homicide scenes. Maybe it was just another day at the office for him. But not for me. The aftermath of violence chilled me. I didn't know this woman, didn't even know her name. I had no sense of loss for a loved one. I would not miss a laugh I had never heard. But I knew someone-a mother, a lover, a friend-would cry out her name. And somewhere, I knew, was someone who didn't cry for anyone or anything. Someone so foreign to me as to be unfathomable.
My life has been circumscribed by rules. I tried not to hit after the whistle, and I never lied to a judge, though I've been tempted to take a poke at one or two. But there are games people play without rules. The hard-eyed cops know the players, stare them down every day. Could I do that? At the moment, filled with a mixture of anger and dread, I didn't know.
I looked at Pam Maxson, who seemed to be studying me. 'Of course it's dreadful,' she said, 'but scientifically, Mr. Lassiter, it's quite fascinating, too.'
Charlie Riggs took control. He gently pulled the body back into the chair. 'Lividity of the face and lips, engorgement and petechial hemorrhages in the conjunctivae.'
He examined her neck. 'No sign of a ligature. Crescentic abrasions on the skin, most likely fingernail marks.
