she drifted back to those early days in a hayloft in the Cotswolds. And the urges returned. To love and to kill. Finally she found radical psychiatry. She stopped delving into the reasons why. After all, the unconscious is a myth. There's no such thing as mental illness. Her choices were as rational as those of an officer who killed his best friend on a rainy day in a muddy village far from home.'
Fox's eyes hardened and he started to say something, but I kept going. 'So now she finds occasional lovers, and when they stray, they die. But it's suspicious if your girlfriends keep dropping off. So she controls it, maybe confines the killing to her travels. If we studied her passport and air tickets, what correlations would we find? An unsolved murder of a young woman killed in Paris, Barcelona-who knows, Miami Beach? And the corpses, some evidence of sexual activity, but of course, never any semen.'
'Jesus H. Christ,' Nick Fox breathed. 'You got any proof of this?'
'At a homicide scene on Miami Beach a young assistant ME shoots enough pictures to make a family album. It's good training. You never know what you'll find. He takes close-ups of Marsha Diamond's neck. He thinks he can tell if a strangler is right-handed or left-handed from the crescents. Charlie Riggs sets him straight. No big deal. Charlie notices that one of the crescents isn't a crescent at all. It's jagged because of a torn nail. But that's no big deal either, because it'll grow back in a few days. No use looking for a guy with a hangnail. It's not like DNA, where your genes are your genes for life. Then Whitson takes shots of all the spectators, including one of Pam Maxson squeezing my forearm and a close-up of the marks. Nobody pays attention to anything but the reversal of the crescents. And that's all you can see until you blow it up to an eight-by-ten and compare it to the enlargements of Marsha's neck. They match, Nick, four crescents and one jagged edge.'
I opened my tackle box and showed Nick Fox the blowups. He held the photos in the light of the tower and studied them. Then he grimaced. 'This shit won't hold up. There can be ten thousand people with a busted nail. This ain't fingerprints. Jake, you're off the deep end again.'
'Nick,' I said, 'do me a favor and shut the fuck up.'
Pam was forcing a condescending smile. I hadn't gotten through to her, and Nick wasn't helping.
'I should have seen it earlier, but I couldn't or didn't want to. But it was there all the time. She has a good grip, really dug her nails into me. Maybe her hands aren't as strong as a jockey's. No fractured larynx, but she was strong enough to cut off the air, squeeze Marsha into unconsciousness, and from there into death. Then there was the lipstick message on the bathroom mirror. 'Catch me if you can, Mr. Lusk.' Who's the expert on Jack the Ripper? The lady from England, that's who. And how about a motive? Insane jealousy. Infidelity infuriated her, and she found Marsha sweet-talking on her computer just after they made love. What was it Jack the Ripper wrote: 'I am down on whores and I shan't quit ripping them till I do get buckled.' They were all whores to Pam Maxson, too. But one thing kept bothering me. Why did Marsha Diamond get out of bed with one lover-a lover who left no trace of semen-and start seeking another on the computer?'
Nick Fox shrugged. Pam Maxson looked away.
'Because Marsha knew this lover was just passing through, a one-night stand who was heading back across the Atlantic. I wasn't listening, Nick, but the clues were everywhere. Maybe she wanted us to know. Even the title of her book, The Murderer Within Us. It was there, within her, now and always.'
'Mr. Fox,' Pam said, 'surely you don't believe-'
'It's my fault, Nick. I couldn't see. I was dumb enough to think she came back to be with me. She came back to be part of the investigation, to relive the murder, just like the ambulance driver who killed and rushed to pick up the body. It's a thrill, isn't it, Pam? Tell me, did you really want to be caught?'
'Madness!' she spat. 'Sheer madness.'
'But you were right about one thing, Pam,' I said. 'I fouled it up with Bobbie Blinderman. She wasn't a killer. She was a pathetic lost soul in search of herself. She didn't come to the hotel to kill you. She came to love you, to tell you there was nothing between us. You didn't have to do it.'
'She fell,' Pam said, 'that's all.'
'She never would have hurt you, and you knew it.'
Pam turned away and stared across the water. The cruise ships were lined up at the seaport on the south side of Government Cut, thousands of tourists prepared for their seven days, six nights of prepackaged Caribbean fun. When Pam turned back, she said, 'Bobbie already had hurt me with her slutty ways. I could have treated her, arranged for her operation, everything. But she couldn't help being a trollop, could she?'
'And you hated her for it, just as you hate your mother and you hate yourself. But you would never kill Mum and you would never kill yourself.'
'I would never kill anyone, not even a strumpet who deserves no respect whatsoever.'
Nick Fox's head was bouncing back and forth. Finally the enormity sank in.
He grabbed my arm and said, 'She killed them both?'
'That's what I've been trying to tell you,' I said.
'Christ, the two of you are something. The broad kills my girlfriend and some she-male. The guy I hire kills my friend.'
That stopped me.
He really thought I did it. He was willing to cut a deal to save his own skin, but he really thought I murdered Alex Rodriguez. Which meant, of course, that Nick Fox didn't kill him.
Pam said, 'As you just indicated, Mr. Fox, you can't prove a thing. You have no-what do you call it? — hard evidence. Just the pathetic ramblings of a man I assure you is quite unbalanced. Now, this has really gone too far, and I have a plane to catch.' The breeze was blowing her auburn hair into her eyes, and she brushed it away.
'Wait,' I said, the fog in my mind beginning to lift. 'Of course. Nick, was Rodriguez keeping you informed of everything he did in the Diamond investigation?'
'Sure. You told him not to, but he worked for me.'
'Rodriguez wanted to interview Pam again. He told the professor. What do you know about it?'
'Fingerprints. She was never considered a suspect, but she was one of the last people to see Marsha alive. Rodriguez thought it was just covering the bases to get them. Compare with latents from the apartment. Apparently, he never did.'
'No, she must have kept putting him off. But she couldn't just refuse to give him the prints. How would it look? At the same time she figured he was the only one interested, and if he wasn't around anymore…'
'You're quite mad,' Pam said.
'I must be, to have gotten involved with you.' She shot a glance toward the end of the bridge where her cab waited. I couldn't keep her from leaving, but as long as I kept talking I figured she would stay put. 'The story's not over yet, so humor me. The problem is, she can't strangle a cop. Then she gets lucky. A gun drops into her lap, a. 38 registered to me. Better yet, my fingerprints all over it. So are hers after she fires it, but that's fine, too. After we go to my place, I'm knocked out with the large economy-size dose of vodka and Darvon. She leaves to meet Bobbie but stops at Cindy's and picks up the gun. Next day or so, she calls Rodriguez, says she'll stop by his house, save them both some trouble. He could have a fingerprint kit there. He's expecting a helpful witness, but he gets a slug in the chest. Then she dumps the gun where it's sure to be found. Her prints are easily explained. One shot in the apartment, two witnesses. Second shot?
Must have been fired by that hothead Lassiter. Now I see, Nick. You didn't frame me. She did.'
Again, three toots from an air horn. A big Bertram with a tuna tower was idling near the bridge. The tender hit his buttons and the traffic gate came down next to us.
Nick Fox thought about it. 'It's just crazy enough to be true, and easy enough to find out. Dr. Maxson, we're going to check your prints against the latents from the apartment. If they don't match, you'll be free to go. If they match, I'm going to hold you on suspicion of the murders of Marsha Diamond and Alex Rodriguez. As for the death of Mrs. Blinderman, Jake's got his own ideas, but there's no proof, so that's between you and your Maker.'
Pam Maxson didn't stop to plea-bargain. She ducked under the traffic gate, ignoring flashing lights and warning signs in three languages, and headed up the bridge. She moved quickly, but the bridge had already started its jerky ascent. She stumbled after three steps, the heels of her beige pumps wedging into the steel grid work, each opening big enough to swallow a man's fist. She fell to her knees, then kicked off her shoes. Regaining her balance, she started again, on all fours now, slowly climbing hand over hand.
The bridge tender saw what was happening and hit the air horn, which bleated a frantic warning. Drivers poured out of their cars, pointing, laughing at the crazy woman scaling the drawbridge. Others began honking their horns, cheering her on, the same yahoos who holler 'jump' at the guy on the ledge. One middle-aged man leaped
