New York: Orgone Institute Press, n.d.
___. The Function of the Orgasm. London: Panther, 1968.
___. The Mass Psychology oj Fascism. New York: Orgone Institute Press, 1946.
___. Selected Writings: An Introduction to Orgonomy.
New York: Vision Press, 1972.
___. The Sexual Revolution. New York: Vision Press, 1969.
Rolf, Dr. Ida P. Structural Integration.
Santa Monica, California: Esalen Press, 1962.
Ruesch, Jurgen. Communication. New York: Norton, 1951.
___. Disturbed Communication. New York: Norton, 1957.
___. Non-Verbal Communication.
Berkeley: University of California Press, 1956.
Shanks, Michael. The Innovators. Middlesex: Penguin, 1967.
Smith, Paul. Creativity. New York: Hastings House, 1959.
Spence, Lewis. Myth and Ritual in Dance, Came and Rhyme.
London: Watts Ltd., 1947.
Vernon, Magdalen D. A Further Study of Visual Perception.
Cambridge: Cambridge University Press, 1952.
Wertham, Fredric. Dark Legend. New York: Paperback Library, 1966.
___. Seduction of the Innocent. New York: Macmillan, 1954.
– The Show of Violence. New York: Paperback Library, 1966.
___.A Sign for Cain: An Exploration of Human Violence.
New York: Macmillan, 1966.
Wiener, Norbert. Cybernetics. New York: Wiley, 1948.
___. The Human Use of Human Beings. London: Sphere, 1969.
Массовая культура, социальные факторы и дизайн
Adams, Brooks. The Law of Civilization and Decay. New York: Vintage, n.d.
Arensberg, Conrad M., and Niehoff, Arthur H. Introducing Social Change.
Chicago: Aldine, 1964.
Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America.
New York: Harper & Row, 1964.
Brightbill, Charles K. The Challenge of Leisure. New York: Spectrum, 1960.
Brown, James A.C. Techniques of Persuasion. Middlesex: Penguin, 1963.
Cassirer, Ernst. An Essay on Man. New Haven, Connecticut:
Yale University Press, 1944.
___. Language and Myth. New York: Harper & Brothers, 1946.
___. The Myth of the State. London: Oxford University Press, 1946.
Galbraith, John Kenneth. The Voice of the Poor.
Cambridge, Massachusetts: Harvard University Press, 1983.
Goodman, Paul. Art and Social Nature.
New York: Arts and Science Press, 1946.
___. Compulsory Mis-education. Middlesex: Penguin, 1971.
___. Drawing the Line. New York: Random House, 1962.
___. Growing Up Absurd. London: Sphere, 1970.
___. Like a Conquered Province: The Moral Ambiguity of America.
New York: Random House, 1967.
___. Notes of a Neolithic Conservative. New York: Random House, 1970.
___. Utopian Essays and Practical Proposals. New York: Vintage, 1964.
