Lopez, Oscar Hidalgo. Manual de construction con bambu.
Bogota: National University of Colombia, 1981.
McPhee, Collin. A House in Bali. New York: John Day, 1946.
Music in Bali. New Haven, Connecticut: Yale University Press, 1966.
Malinowski, Bronislaw. Magic, Science and Religion.
New York: Anchor, 1954.
___. Sex and Repression in Savage Society.
London: Routledge & Kegan Paul, 1927.
Manker, Ernst. People of Eight Seasons: The Story of the Lapps.
New York: Viking, 1964.
Mead, Margaret. Coming of Age in Samoa. Middlesex: Penguin, 1971.
__. Cultural Patterns and Technological Change. New York: Mentor, n.d.
__. Growing up in New Guinea. Middlesex: Penguin, 1970.
__. Male and Female. Middlesex: Penguin, 1970.
___. Sex and Temperament. New York: Morrow, 1935.
Meyer, Karl. Teotihuacan. Milan: Mondadori, 1973.
Michener, James A. Hokusai Sketchbooks. Tokyo: Tuttle, 1958.
Mookerjee, Ajit. TantraArt. New Delhi, India: Kumar Gallery, 1967.
Mowat, Parley. People of the Deer. New York: Pyramid, 1968.
Nicolaisen, Johannes. Ecology and Culture of the Pastoral Tuareg.
Copenhagen: National Museum of Copenhagen, 1963.
Oka, Hideyuki. How to Wrap Five Eggs. New York: Harper & Row, 1967.
Ortega у Gasset, Josft. The Dehumanization of Art. Translated by Weyl.
Princeton, New Jersey: Princeton University Press, 1948.
Ortiz, Alfonso. The Tewa World: Space, Time, Being,
& Becoming in a Pueblo Society.
Chicago: University of Chicago Press, 1969.
Page, Susanne, and Page, Jake. Hopi. New York: Abrams, 1982.
Pianzola, Maurice. Brasil Barroco. Rio de Janeiro: Edicao Funarte, 1980.
Ramseyer, Urs. The Art and Culture of Bali.
Oxford: Oxford University Press, 1977.
Reichard, Gladys A. Navajo Religion: A Study of Symbolism.
Princeton, New Jersey: Bollingen Series,
Princeton University Press, 1950.
Richards, Audrey I. Hunger and Work in a Savage Tribe.
New York: Meridian, 1964.
Rodman, Selven. Popular Artists of Brazil.
Old Greenwich: Devin-Adair, 1977.
Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians.
Berkeley: University of California Press, 1961.
Rudofsky, Bernard. Architecture without Architects.
New York: Museum of Modern Art, 1964.
___. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.
___. Behind the Picture Window. New York: Oxford University Press 10
___. The Kimono Mind. London: Gollancz, 1965.
___. The Prodigious Builders. New York: Harcourt Brace Jovanovich 197
___. Streets for People. New York: Doubleday, 1969.
___. The Unfashionable Human Body. New York: Doubleday, 1971.
Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist
Sculpture. London: Routledge & Kegan Paul, 1960.
