___. When Democracy Builds. Chicago: University of Chicago Press, 1945.
Wright, Olgivanna Lloyd. The Shining Brow. New York: Horizon, 1958.
Yevtushenko, Yevgeny. Collected Poems. London: Calder & Boyars, 1969.
___. A Precocious Autobiography. New York: Dutton, 1963.
Истоки дизайна
Arnheim, Rudolf. Art and Visual Perception. London: Faber, 1967.
___. Film as Art. London: Faber, 1967.
___. Toward A Psychology oj Art. London: Faber, 1967.
Bayer, Herbert, and Gropius, Walter. Bauhaus 1919-1928.
Boston: Branford, 1952.
Berenson, Bernard. Aesthetics and History.
New York: Pantheon Books, 1948.
Biederman, Charles. Art as the Evolution of Visual Knowledge.
Redwing, Minnesota: Charles Biederman, 1948.
Boas, Franz. Primitive Art. New York: Dover, 1955.
Burckhardt, Lucius. Der Werkbund. Stuttgart: DVA, 1978.
Conrads, Ulrich, and Sperlich, Hans G. The Architecture of Fantasy.
New York: Praeger, 1962.
Danz, Louis. Dynamic Dissonance in Nature and the Arts.
New York: Longmans Green, 1952.
___. It is Still the Morning. New York: Morrow, 1943.
___. Personal Revolution and Picasso. New York: Longmans Green, 1941.
___. The Psychologist Looks at Art. New York: Longmans Green, 1937.
___.ZarathustraJr.. New York: Brentano, 1934.
Dorfles, Gillo. Kitsch: An Anthology of Bad Taste.
London: Studio Vista, 1970.
Ehrenzweig, Anton. The Hidden Order of Art. London: Paladin, 1970.
Feldman, Edmund B. (ed.). Art in American Higher Institutions. Washington,
D.C.: The National Art Education Association, 1970.
Friedmann, Herbert. The Symbolic Goldfinch:
Its History and Significance in European Devotional Art.
Princeton, New Jersey: Bollingen Series,
Princeton University Press, 1946.
Gamow, George. One, Two, Three... Infinity, rev. ed.
New York: Viking, 1961.
Gerstner, Karl. Kalte KunstP Basel, Switzerland: Arthur Niggli, 1957.
Gilson, Etienne. Painting and Reality. Princeton, New Jersey:
Bollingen Series, Princeton University Press, 1957.
Gombrich, E.H. Art and Illusion. Oxford: Phaidon, 1962.
___. Ideals and Idok. New York: E. P. Dutton, 1979.
___. The Image and the Eye. Ithaca: Cornell University Press, 1979.
___. Meditations on a Hobbyhorse. Oxford: Phaidon, 1963.
___. The Sense of Order. Ithaca: Cornell University Press, 1979.
Graves, Robert. The White'Goddess. London: Faber, 1952.
Hatterer, Lawrence J. The Artist in Society: Problems and Treatment of the
Creative Personality. New York: Grove Press, 1965.
Hauser, Arnold. The Social History of Art. 4 vols. London:
Rou-tledge & Kegan Paul, 1951.
Hinz, Berthold. Art in the Third Reich. New York: Pantheon, 1979.
