'Proposal? What are you talking about?'
Smithback roused himself and grasped Nora's shoulder. 'I'll tell you about it later. Look, are you going to be okay here? I'm worried about your safety, with Margo dead and all these warnings of Pendergast's.'
'The safest place in New York City is inside that museum right now. There must be a thousand cops in there.'
Smithback nodded slowly, thinking. 'True.'
'Listen, I do have to go to work.'
'I'm coming in with you. I've got to talk to Dr. Collopy.'
'Collopy? Good luck.'
Smithback could already see a large, angry crowd of reporters being kept from the museum by a string of policemen and guards. No one was getting in but employees. And Smithback was well known-all too well known-to the guards.
He felt Nora put an arm around his shoulder. 'What are you going to do?'
'I've got to get inside.'
Nora frowned. 'Does this have to do with that call of Pendergast's?'
'It sure does.' He looked into her green eyes, his gaze wandering over her copper hair and freckled nose. 'You know what I'd really like to do…'
'Don't tempt me. I have a ton of work to do. Today's the public opening of the exhibition-assuming we ever open again.'
Smithback gave her a kiss and a hug. He started to break away but found that Nora wouldn't release him.
'Bill,' she murmured in his ear, 'thank God you're back.'
They held each other a few moments more, then Nora slowly let her arms fall away. She smiled, winked, then turned and walked into the museum.
Smithback watched her disappearing form. Then he shouldered his way into the crowd of employees lined up outside the door, bypassing the thicket of reporters who had been shunted off to one side. All the employees had their IDs out, and the crowd was thick. Police and museum guards were checking everybody's identification: it was going to be a bitch getting in. Smithback thought a moment, then pulled out his business card and scribbled a short note on the back.
When his turn came to pass through the security barrier, a guard barred his way. 'ID?'
'I'm Smithback of the
'You're in the wrong place, pal. Press is over there.'
'Listen to me. I have a
The guard wavered, a look of fear in his eyes. The museum administration had not made life easy in recent years for those on the bottom, fostering a climate of fear more than family. Smithback had used this fact before, to good effect, and he hoped it would work again.
'What's it about?' the guard named Primus asked.
'The diamond theft. I have private information.'
The guard seemed to waver. 'I don't know…'
'I'm not asking you to let me in. I'm asking you to deliver this note directly to the director. Not to his secretary, not to anyone else-just to him. Look, I'm not some schmuck, okay? Here are my credentials.'
The guard took the press pass, looking at it doubtfully.
Smithback pressed the message into his hand. 'Don't read it. Put it in an envelope and deliver it personally. Trust me, you'll be glad you did.'
The guard hesitated a moment. Then he took the card and retreated to the security office, reappearing a few moments later with an envelope. 'I sealed it in here, never looked at it.'
'Good man.' Smithback scribbled on the envelope: 'For Dr. Collopy, extremely important, to be opened immediately. From William Smithback Jr. of the
The guard nodded. 'I'll see it's delivered.'
Smithback leaned forward. 'You don't understand. I want
The guard flushed, nodded. 'All right.' Envelope in hand, he disappeared down the hall.
Smithback waited, cell phone in hand. Five minutes passed. Ten.
Fifteen.
Smithback paced in frustration. This was not looking good.
Then his phone gave a shrill ring. He opened it quickly.
'This is Collopy,' came the patrician voice. 'Is this Smithback?'
'Yes, it is.'
'One of the guards will escort you to my office immediately.'
A scene of controlled chaos greeted Smithback as he approached the grand, carved oaken doors of the director's office. Outside was a confabulation of New York City police, detectives, and museum officials. The door was shut, but as soon as Smithback's escort announced him, he was shown inside.
Collopy stood pacing before a great row of curved windows, hands clasped behind his back. Beyond the windows lay the wintry fastness of Central Park. Smithback recognized the security director, Manetti, along with several other museum officials standing before Collopy's desk.
The museum director noticed him, stopped pacing. 'Mr. Smithback?'
'That's me.'
Collopy turned to Manetti and the other officials. 'Five minutes.'
He watched them leave, then turned to Smithback. He was gripping the card in one hand, his face slightly flushed. 'Who's behind this
Smithback swallowed. He had to make this sound good. 'It's not exactly a rumor, sir. It came from a confidential source which I can't reveal. But I made a few calls, checked it out. It seems there might be something to it.'
'This is intolerable. I've got enough to worry about without this. It's just some crank speculation, best ignored.'
'I'm not sure that would be wise.'
'Why? You're not going to publish unsubstantiated calumnies like this in the
'It's true the
'Bloody
'Let me pose a question to you,' Smithback said, keeping his voice the soul of reasonableness. 'When was the last time you personally saw Lucifer's Heart?'
Collopy shot him a glance. 'It would have been four years ago, when we renewed the policy.'
'Did a certified gemologist examine it at the time?'
'No. Why, it's an unmistakable gemstone…' Collopy's voice trailed off as he realized the weakness of his remark.
'How do
'I made a perfectly reasonable assumption.'
'That's the crux of it, isn't it, Dr. Collopy? The truth is,' Smithback continued gently, 'you don't know for a fact that Lucifer's Heart is still in the insurance company vault. Or, if a gemstone is there, whether it's the real one.'
'This is an absurd spinning of a conspiracy theory!' The director set off pacing again, hands balled up behind his back. 'I don't have time for this!'
'You wouldn't want to let a story like this get out of control. You know how these things tend to assume a life of their own. And I do have to file my article by this evening.'
'Your article? What article?'