the hour I when the body was weakest and the soul the strongest.
More importantly, it was a time of the greatest darkness. The Vodun soul shunned the day. Day was for the flesh so it could be warm and work. So it could be nourished. Then there was early night, a time dominated by firelight. That was the time for group prayer, for singing, drumming, and dancing. A time when animals were sacrificed to honor the loas. Revelers were asking the gods for health, wealth, and happiness in life. ! Occasionally, the celebrations led to pairings that created new , life. It was a holy thing for children to be conceived within the energy and love of a celebration.
Yet all of that, too, were needs of the flesh. And the flesh was a prison for the soul. Daylight was also an inhibiting force. In the dark, the soul could enjoy a sacred, private communion with the earth. It could leave the material world and visit the ! black places of its forebears. Like the souls of the living, the souls of the dead dwelt beneath the surface. j
Each midnight, before retiring, Dhamballa made time for I this personal reconnecting with the voices of the past. That I was how Dhamballa first became aware of his destiny. A ! Vodun priest, Don Glutaa, had guided him through a visit to j the spirit world. There was not always a revelation, but he always came out of this journey with a reminder of why he was here: to serve as a mortal bridge between the Vodun past and future.
Dhamballa lay on his back on the rough wicker mat. He
was dressed only in white shorts. His eyes were shut, but he was not asleep. The hut was dark, save for the very faint glow of a ceremonial candle. The wick was made from rushes that burned like a cigarette. It smouldered rather than flamed, releasing smoke rather than light. The short, squat candle had a slightly rounded bottom. It was not made from wax but from tallow. Dhamballa had created the candle himself before corning to the swamp. He had gone to the ancient cemetery of Machaneng. There, he mixed shavings of belladonna and pinches of dried ergot with the melted fat of a male goat. He had blended them in the eye socket of a human skull, the traditional way to make the Lights of Loa, the light of the possessing spirit. The herbs were necessary to relax his body and open his mind. The tallow was employed to capture the spirits of the dead. Burning the candle released those spirits so they could guide him through the home of the dead.
The candle sat at the top of Dhamballa's bare chest, just above his breastbone. The tallow pooled below his chin, reinventing the shape of the candle. This act was important to the Vodun faith. It symbolized what was about to occur. The dead were going to give something to the living. The living would use it to make into something new.
The pungent yellowish smoke snaked into Dhamballa's nostrils with every breath. His breathing grew slow and shallow. As he inhaled the fumes, the young man felt more and more as if he himself were made of smoke. He felt as though he were floating just above the mat. Then, like fire and air, his spirit wafted downward, through the weave of the mat.
Into the earth, he thought, home of the eternal spirit.
Dhamballa began to move, snakelike, through the thickly packed soil of the earth. He descended faster and faster. If and when the spirits wished, they would stir from cracks in the boulders and from places beneath the stones. They would come to him to make their knowledge available.
Almost at once, Dhamballa knew that this night was different than other nights. The spirits came quickly tonight, faster than ever before. That meant they had something important to share with Dhamballa. The Vodun priest stopped his descent
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so the spirits would not have to pursue him. It was for the living to wait for the honored dead.
Dhamballa did not select those to whom he wished to speak. Rather, the spirits approached Dhamballa. They came to tell him what he needed to know. They did not tell him in words but in images, in symbols.
The spirits began to tell Dhamballa about the future. They showed him a hen become a rooster. Then they brought him a calf, bloodied and torn but not yet dead. One was a mothering force that became a potential rival. The other signified a child that would be tested before it could mature.
The spirits left. Dhamballa moved on.
The holy man drifted farther into the earth. He moved now through larger caves and fissures. Finally, he came to a large pit. He floated past the rim and saw a great horned snake coiled below him. The gods were speaking to him now. This was a rarity. Dhamballa swam toward the huge rust-colored beast. The reptile opened its mouth. Dhamballa floated inside. Save for the serpent's red tongue, everything was black. Suddenly, the forks of the tongue became white wings. Flocks of sparrows rose from beneath him. Dhamballa watched as the birds soared upward. The first ones to reach the sky became stars. Soon there were thousands of points of light. He watched with delight but only for a moment. As birds were still rising, the stars became sand and rained to earth. The grains pelted the birds, ripping them to pieces. The downpour formed a sprawling, endless desert of sand. Here and there were small oases of dead birds and blood.
Dreams of greatness are going to be tested, the holy man thought. And those who follow the dreams will be tested as well.
Suddenly, a lion with a fiery mane burst from beneath the sand. Dhamballa recognized him immediately. It was Ogu Bodagris, the spirit of war. His fangs and claws raked the empty skies. New stars appeared, blood red and expanding. They formed faces. Familiar faces. Soon everything was red. Dhamballa moved away from the flood. Slowly, the flood grew
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to a dull orange. Dhamballa's eyes were open now. He was staring into the flame of the candle.
Perspiration rolled thickly down the holy man's neck and forehead. Some of the sweat was caused by the heat of the smouldering wick. Some of it was due to the close, humid warmth of the night. But most of it came from inside. From fear. Dhamballa was not afraid of the unknown. Faith, courage, and the Vodun arts were all he needed to survive life's countless mysteries and the troubles they caused. What frightened him was the known. Especially the duplicity of men. Even at that, Dhamballa did not fear for his own safety. If he died, his spirit would join his ancestors. What worried him was the fate of his followers. Many of them would lose their way so early in his ministry. He also feared for those who had not yet been returned to the ways of their people.
Dhamballa raised the candle from his chest. It came away easily because of the perspiration. He sat up slowly.
