'Here we go, then.'

He pulled the two-seater to the curb.

'This is a no-parking zone,' she said.

'Right.  And the meter maid who usually works this stretch is one of my

students.  Orinda?  Short, built like a fireplug?  Be hell to pay in

class if she had my motorcar towed.'  He smiled.

The building they parked in front of was another of those sixteenth-or

seventeenth-century things with columns and dormered windows and all,

not particularly large or imposing, but stately enough.

They walked up to the front.  A uniformed, but unarmed, guard saw them,

tipped his hat, and said, 'Morning, Mr.  Stewart.'

'Hello, Bryce.  Lovely day.'

Toni looked at him.

'Come here a lot, do you?'

'Now and then.'

There was a brass plate on the wall next to a pair of tall wooden

doors, and Toni saw that they were about to enter the London Museum of

Indonesian Art.

Ah.

She happened to notice a list of the board of directors for the museum

posted just inside the door, and prominent on the list was the name

'Carl Stewart.'

She looked at her companion.

'You're on the board of directors here?'

He shrugged.

'My family contributes to various foundations and such.  Give enough

money, they put your name up somewhere.  It's nothing, really.'

'Place seems to be empty except for us,' she said.

'Well, that is one of the perks of having your name on the wall.

They'll open a bit early for you.'

When she'd first met Stewart, just after going to his silat school in a

bad section of town, she'd used her access to the local computer nets

to check him out.  His family was more than well-off, a thing he had

not mentioned.

The rich were different, and not just because they had more money.

'This way.'

She followed him down a corridor with shadow puppets mounted on the

walls, and into a room at the end.

'Wow,' she said.

All around here, in freestanding glass cases, or in clear-fronted

cabinets against the walls, were scores--hundreds--of krises.  Some

were in wooden sheathes, some out, revealing a multitude of shapes and

patterns of whorled steel in the blades.

'Wow,' she said again.

'Impressive, isn't it?  The largest collection of such daggers outside

of Indonesia.'

Toni nodded absently, looking at a seven-waved black steel blade with

inlaid lines of gold outlining the body of a dragon whose tail

undulated all the way up to the weapon's point.  The dragon's head was

at the base of the blade, opposite the longer side of the asymmetrical

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