wonderful man just grew fat, telling the same stories they had told at the time of their party. Fewer and fewer people went to see them. After a time the man began to sleep with African women, but even that became too much for him, and he gave up. So Luisa the adopted child and her wonderful man lived happily or unhappily and then died, and Luisa's family fortune vanished, and nobody knew who Luisa was or who the wonderful man was. That's how my mother used to tell the story And here's another story. There was this dowdy and unhappy girl at the boarding school. She was living in the bush somewhere with her father and stepmother. Then the girl's real mother marries again, and the girl goes to live with her. The girl changes in a remarkable way. She becomes stylish, happy, a glamour girl. Her happiness doesn't last long. Her stepfather becomes interested in her, too interested. He goes into the girl's bedroom one night. There is a scene, and then a divorce and a great scandal.”
And Willie knew that the girl in that second story, the unhappy girl in the frightening, destructive bush of her African country, was Ana. He thought it explained her thinness, her nervousness. It increased his feeling for her.
A letter came from Sarojini in Cuba, with a photograph.
In the square black-and-white photograph, which was not well focused, Percy was sitting on a half-wall, legs dangling, in the slanting light of morning or late afternoon. He was wearing a striped woollen cap and a whitish tunic or bush shirt with a raised embroidered design in the same whitish colour. So he was as stylish as ever. He was smiling at the camera, and in his bright eyes Willie thought he could see all the other Percies: the Percies of Jamaica and Panama, Notting Hill and the bohemian parties, and the college of education.
Willie thought, “She's right. I've been believing in magic. My time's nearly finished here. My scholarship is nearly at an end, and I have planned nothing at all. I've been living here in a fool's paradise. When my time is up and they throw me out of the college, my life is going to change completely. I will have to look for a place to stay. I will have to look for a job. It will be a different London then. Ana wouldn't want to come to a room in Notting Hill. I am going to lose her.”
He worried like this for some days and then he thought, “I've been a fool. I've been waiting to be guided to where I should go. Waiting for a sign. And all this time the sign's been there. I must go with Ana to her country.”
When they next met he said, “Ana, I would like to go with you to Africa.”
“For a holiday?”
“For good.”
She said nothing. A week or so later he said, “You remember what I said about going to Africa?” Her face clouded. He said, “You've read my stories. You know I've nowhere else to go. And I don't want to lose you.” She looked confused. He didn't say any more. Later, when she was leaving, she said, “You must give me time. I have to think.” When she next came to his room, and they were on the little sofa, she said, “Do you think you'll like Africa?”
He said, “You think there'll be something I'll be able to do there?”
“Let's see how you like the bush. We need a man on the estate. But you'll have to learn the language.”
In his last week at the college a letter came from Sarojini in Colombia.
Willie thought, “She likes her own international marriage, but she is worried about mine.”
But, as always, her words, glib though they were, the words of someone still mimicking adulthood, troubled him and stayed with him. He heard them as he did his packing, removing his presence bit by bit from the college room, undoing the centre of his London life. Undoing that, so easily now, he wondered how he would ever set about getting a footing in the city again if at some time he had to. He might have luck again; there might be something like the chain of chance encounters he had had; but they would lead him into a city he didn't know.
*
THEY—HE AND ANA—left from Southampton. He thought about the new language he would have to learn. He wondered whether he would be able to hold on to his own language. He wondered whether he would forget his English, the language of his stories. He set himself little tests, and when one test was over he immediately started on another. While the Mediterranean went by, and the other passengers lunched and dined and played shipboard games, Willie was trying to deal with the knowledge that had come to him on the ship that his home language had almost gone, that his English was going, that he had no proper language left, no gift of expression. He didn't tell Ana. Every time he spoke he was testing himself, to see how much he still knew, and he preferred to stay in the cabin dealing with this foolish thing that had befallen him. Alexandria was spoilt for him, and the Suez Canal. (He remembered—as from another, happier life, far from his passage now between the red desert glare on both sides