man of my years should have but two women who are old for work and the

bearing of children.  I have purchased two younger wives.'

'I see,' said Sean, and kept the grin off his face.  Mbejane had

invested a large percentage of his capital.  'And what do YOU propose

doing with all your wives, you know we must soon return again to

fight?'

'When the time comes they will go to the kraals of their fathers and

wait for me there.  ' Mbejane hesitated delicately.  'I bring them with

me until I am certain that I have trodden on the moon of each of them.

' Treading on a woman's moon was the Zulu expression for interrupting

her menstrual cycle.  Mbejane was making sure his investment bore

interest.

'There is a farm upon the hills up there.'  Sean seemed to be changing

the subject.

'Many times, Nkosi, you and I have spoken of it.  ' But Mbejane

understood and there was an anticipatory gleam in his eyes.

'It is a good farm?  ' Sean held him a little longer in suspense.

'It is truly an excellent and beautiful farm.  The water is sweeter

than the juice of the sugar-cane, the earth is richer than the flesh of

a young ox, the grass upon it as thick and as full of promise as the

hair on a woman's pudendum.  ' Now Mbejane's eyes were shining with

happiness.  In his book a farm was a place where a man sat in the sun

with a pot of millet beer beside him and listened to his wives singing

in the fields.  It meant cattle, the only true wealth, and many small

sons to herd them.

It meant the end of a long weary road.

'Take your wives with you and select the place where you wish to build

your kraal.  ' 'Nkosi.  ' There is no Zulu equivalent of thank you.  He

could say I praise you, but that was not what Mbejane felt.

At last he found the word.  'Bayete!  Nkosi, Bayete!  ' The salute to a

King.

Dirk's pony was tethered to the hitching-post in front of the

homestead.  Using a charred stick Dirk was writing his name in crude

capitals on the wall of the front veranda.

Although the entire house would be replastered and painted Sean found

himself quivering with anger.  He jumped from his horse roaring and

brandishing his sjambok and Dirk disappeared round the corner of the

house.  By the time Sean had regained self-control and was sitting on

the veranda wall revelling in the pride of ownership, Mbejane

arrived.

They chatted a while and then Mbejane led his women away.  Sean could

trust him to build the beehive huts of his kraal on the richest earth

of Lion Kop.

The last girl in the line was Mbejane's youngest and prettiest wife.

Balancing the large bundle on her head, her back straight, her buttocks

bare except for the strip of cloth that covered the cleft, she walked

away with such unconsciously regal grace that Sean was instantly and

forcibly reminded of Ruth.

His elation subsided.  He stood up and walked away from the old

building.  Without Ruth in it, this house would not be a home.

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