simmering with excitement. Tanus checked the rowers with a peremptory hand-signal, and the boat glided to a halt and lay rocking gently upon the green waters that were so still that when I glanced overboard and saw my own reflection look back at me, I was struck, as always, by how well my beauty had carried over the years. To me it seemed that my face was more lovely than the cerulean blue lotus blooms that framed it. I had little time to admire it, however, for the crew were all abustle.

  One of Tanus' staff officers ran up his personal standard to the masthead. It was the image of a blue crocodile, with its great coxcombed tail held erect and its jaws open. Only an officer of the rank of Best of Ten Thousand was entitled to his own standard. Tanus had achieved such rank, together with the command of the Blue Crocodile division of Pharaoh's own elite guard, before his twentieth birthday.

  Now the standard at the masthead was the signal for the hunt to begin. On the horizon of the lagoon the rest of the squadron were tiny with distance, but their paddles began to beat rhythmically, rising and falling like the wings of wild geese in flight, glistening in the sunlight. From their sterns the multiple wavelets of their wakes were drawn out across the placid waters and lay for a long while on the surface, as though moulded from solid clay.

  Tanus lowered the gong over the stem. It was a long bronze tube. He allowed the end of it to sink below the surface. When struck with a hammer of the same metal the shrill, reverberating tones would be transmitted through the water, filling our quarry with consternation. Unhappily for my equanimity, I knew that this could readily turn to a murderous rage.

  Tanus laughed at me. Even in his own excitation he had sensed my qualms. For a rude soldier he had unusual perception. 'Come up here in the stern-tower, Taita!' he ordered. 'You can beat the gong for us. It will take your mind off the safety of your own beautiful hide for a while.'

  I was hurt by his levity, but relieved by the invitation, for the stern-tower is high above the water. I moved to do his bidding without undignified haste, and,'as I passed him, I paused to exhort him sternly, 'Have a care for the safety of my mistress. Do you hear me, boy? Do not encourage her to recklessness, for she is every bit as wild as you are.' I could speak thus to an illustrious commander of ten thousand, for he was once my pupil and I had wielded the cane on more than one occasion across those martial buttocks. He grinned at me now as he had in those days, as cocky and impudent as ever.

  'Leave that lady in my hands, I implore you, old friend. There is nothing I would relish more, believe me!' I did not admonish him for such a disrespectful tone, for I was in some small haste to take my place in the tower. From there I watched him take up his bow.

  Already that bow was famous throughout the army, indeed throughout the length of the great river from the cataracts to the sea. I had designed it for him when he had grown dissatisfied with the puny weapons that, up until that time, were all that were available to him. I had suggested that we should try to fashion a bow with some new material other than those feeble woods that grow in our narrow riverine valley; perhaps with exotic timbers such as the heart-wood of the olive from the land of the Hittites or of the ebony from Cush; or with even stranger materials such as the horn of the rhinoceros or the ivory tusk of the elephant.

  No sooner had we made the attempt than we came upon a myriad of problems, the first of which was the brittleness of these exotic materials. In their natural state none of them would bend without cracking, and only the largest and therefore the most expensive elephant tusk would allow us to carve a complete bowstock from it. I solved both these problems by splitting the ivory of a smaller tusk into slivers and gluing these together in sufficient girth and bulk to form a full bow. Unfortunately it was too rigid for any man to draw.

  However, from there it was an easy and natural step to laminate together all four of our chosen materials? olive wood, ebony, horn and ivory. Of course, there were many months of experimentation with combinations of these materials, and with various types of glue to hold them together. We never did succeed in making a glue strong enough. In the end I solved this last problem by binding the entire bowstock with electrum wire to prevent it from flying apart. I had two big men assist Tanus in twisting the wire on to it with all their combined strength, while the glue was still hot. When it cooled, it set to an almost perfect combination of strength and pliability.

  Then I cut strands from the gut of a great black-maned lion that Tanus hunted and killed with his bronze- bladed war spear out in the desert. These I tanned and twisted together to form a bowstring. The result was this gleaming arc of such extraordinary power that only one man out of all the hundreds who had made the attempt could draw it to full stretch.

  The regulation style of archery as taught by the army instructors was to face the target and draw the nocked arrow to the sternum of the chest, hold that aim for a deliberate pause, then loose on command. However, not even Tanus had the strength to draw this bow and hold his aim steadily. He was forced to develop a completely new style. Standing sideways to the target, addressing it over his left shoulder, he would throw up the bow with his left arm outstretched and, with a convulsive heave, draw back the arrow until the feathered flights touched his lips and the muscles of his arms and chest stood proud with the effort. In that same instant of full extension, seemingly without aiming, he would loose.

  At first, his arrovlfe flew at random as wild bees leave the hive, but he practised day after day and month after month.

  The fingers of his right hand became raw and bleeding from the chafing of the bowstring, but they healed and toughened. The inside of his left forearm was bruised and excoriated where the bowstring slashed past it on the release of the arrow, but I fashioned a leather guard to protect it. And Tanus stood at the butts and practised and practised.

  Even I lost confidence in his ability to master the weapon but Tanus never gave up. Slowly, agonizingly slowly, he gained control of it to the point where, finally, he could launch three arrows with such rapidity that they were all in the air at the same instant. At least two of the three would strike the target, a copper disc the size of a man's head set up at a distance of fifty paces from where Tanus stood. Such was the force of those arrows that they would fly cleanly through the metal which was the thickness of my little finger.

  Tanus named this mighty weapon Lanata which was, quite coincidentally, the discarded baby-name of my mistress. Now he stood in the bows with the woman at his side, and her namesake in his left hand. They made a marvellous couple, but too obviously so for my peace of mind.

  I called sharply, 'Mistress! Come back here immediately! It is unsafe where you are.' She did not even deign to glance over her shoulder, but made a sign at me behind her back. Every one of the crew of the galley saw it, and the boldest of them guffawed. One of those little black vixens that were her handmaidens must have taught Lostris that gesture, which was more appropriate to the ladies of the riverside taverns than to a high-born daughter of the House of Intef. I considered remonstrating with her, but at once abandoned such an imprudent course, for my mistress is amenable to restraint only in certain of her moods. Instead, I applied myself to beating the bronze gong with sufficient vigour to disguise my chagrin.

  The shrill, reverberating tone carried across the glassy waters of the lagoon, and instantly the air was filled with the susurration of wings and a shade was cast over the sun as, from the papyrus beds and the hidden pools and open water, a vast cloud of water-fowl rose into the sky. They were of a hundred varieties: black and white ibis with vulturine heads, sacred to the goddess of the river; flights of honking geese in russet plumage, each with a

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