lodged in her hair like confetti.

'Yes,' he said at last. 'There is a vertical groove running up here.'

'Chip the plaster away from the crack around the vulture's head,' she

ordered, and he wiped the blade against his trouser leg and attacked the

wall again.

'It's free,' he said at last. 'It looks as though the head will travel

up the groove. Anyway, I am going to try it, Stand back and give me room

to work.'

He placed the heels of both hands under the head of the vulture, and

heaved upwards against it. Royan bunched her hands into fists and

screwed up her face in sympathy with his effort.

There was a soft grating sound, and the head began to move jerkily up

the exposed groove in the wall. It reached the top of the slot and

Nicholas jumped down from the crate. They both stared expectantly at the

disembodied head, now disfigured by the chipped and damaged plaster.

After a long, breathless wait, Royan whispered dejecr edly, 'Nothing It

hasn't changed anything.'

'The rest of the quotation from the stele,' he reminded her. 'There was

more to it than just the vulture and the sun.'

'You are right.' She looked around the rest of the wall eagerly. ''The

jackal hops and rests Upon his tail.

She pointed with a trembling finger at the small, almost insignificant

figure of Anubis, the jackal-headed god of the graveyards, on the wall

opposite the vulture that they had mutilated. Standing at the foot of

the huge, towering painting of Osiris, he was only a little larger in

size than the ringed and bejewelled big toe of the husband of Isis and

father of Horus.

Royan ran to the wall, and the moment she touched Anubis she felt that

his image too was raised. She flung all her strength against the tiny

figure, trying to twist it first one way and then the other.

''The jackal turns upon his tail',' she panted as she wrestled with him.

'He must turn!'

'Here, let me do that.' Gently Nicholas pulled her away, and knelt

before the black-headed god image. Once again he used the blade of his

clasp knife to chip away the plaster and the thick layer of paint from

around the outline.

'It seems to be carved in some sort of hard wood and then it's been

plastered over,' he told her, as he tested the construction of the

figure with the point of the blade.

When at last he had chipped it clear he tried to twist it in a clockwise

direction, and grunted with the effort.

'No! He gave up at last.

'They had no clock dials in ancient Egypt,' she reminded him agitatedly.

'The other way. Turn it the other way-$

When he tried to turn it counter-clockwise, there was another rasping,

gritty sound from behind the wall panel.

The tiny figure revolved slowly in his hands, until the black head

pointed down towards the yellow tiles.

They both stood well back from the wall, looking expectantly at it, but

after another long wait even Nicholas was disheartened.

Вы читаете The Seventh Scroll
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