art before her health broke down. They comprised the evening-dress of yellow brocaded silk, to which she had devoted herself on the morning when she first assumed her duties at Pisa; a black cloak and hood of an entirely new shape; and an irresistibly fascinating dressing-gown, said to have been first brought into fashion by the princesses of the blood-royal of France. These articles of costume, on being exhibited in the showroom, electrified the ladies of Pisa; and orders from all sides flowed in immediately on the Grifoni establishment. They were, of course, easily executed by the inferior work-women, from the specimen designs of the French dressmaker. So that the illness of Mademoiselle Virginie, though it might cause her mistress some temporary inconvenience, was, after all, productive of no absolute loss.
Two months at the baths of Lucca restored the new forewoman to health. She returned to Pisa, and resumed her place in the private work-room. Once re-established there, she discovered that an important change had taken place during her absence. Her friend and assistant, Brigida, had resigned her situation. All inquiries made of the Demoiselle Grifoni only elicited one answer: the missing work-woman had abruptly left her place at five minutes' warning, and had departed without confiding to any one what she thought of doing, or whither she intended to turn her steps.
Months elapsed The new year came; but no explanatory letter arrived from Brigida. The spring season passed off, with all its accompaniments of dressmaking and dress-buying, but still there was no news of her. The first anniversary of Mademoiselle Virginie's engagement with the Demoiselle Grifoni came round; and then at last a note arrived, stating that Brigida had returned to Pisa, and that if the French forewoman would send an answer, mentioning where her private lodgings were, she would visit her old friend that evening after business hours. The information was gladly enough given; and, punctually to the appointed time, Brigida arrived in Mademoiselle Virginie's little sitting-room.
Advancing with her usual indolent stateliness of gait, the Italian asked after her friend's health as coolly, and sat down in the nearest chair as carelessly, as if they had not been separated for more than a few days. Mademoiselle Virginie laughed in her liveliest manner, and raised her mobile French eyebrows in sprightly astonishment.
'Well, Brigida!' she exclaimed, 'they certainly did you no injustice when they nicknamed you 'Care-for-Nothing,' in old Grifoni's workroom. Where have you been? Why have you never written to me?'
'I had nothing particular to write about; and besides, I always intended to come back to Pisa and see you,' answered Brigida, leaning back luxuriously in her chair.
'But where have you been for nearly a whole year past? In Italy?'
'No; at Paris. You know I can sing—not very well; but I have a voice, and most Frenchwomen (excuse the impertinence) have none. I met with a friend, and got introduced to a manager; and I have been singing at the theater—not the great parts, only the second. Your amiable countrywomen could not screech me down on the stage, but they intrigued against me successfully behind the scenes. In short, I quarreled with our principal lady, quarreled with the manager, quarreled with my friend; and here I am back at Pisa, with a little money saved in my pocket, and no great notion what I am to do next.'
'Back at Pisa? Why did you leave it?'
Brigida's eyes began to lose their indolent expression. She sat up suddenly in her chair, and set one of her hands heavily on a little table by her side.
'Why?' she repeated. 'Because when I find the game going against me, I prefer giving it up at once to waiting to be beaten.'
'Ah! you refer to that last year's project of yours for making your fortune among the sculptors. I should like to hear how it was you failed with the wealthy young amateur. Remember that I fell ill before you had any news to give me. Your absence when I returned from Lucca, and, almost immediately afterward, the marriage of your intended conquest to the sculptor's daughter, proved to me, of course, that you must have failed. But I never heard how. I know nothing at this moment but the bare fact that Maddalena Lomi won the prize.'
'Tell me first, do she and her husband live together happily?'
'There are no stories of their disagreeing. She has dresses, horses, carriages; a negro page, the smallest lap- dog in Italy—in short, all the luxuries that a woman can want; and a child, by-the-by, into the bargain.'
'A child?'
'Yes; a child, born little more than a week ago.'
'Not a boy, I hope?'
'No; a girl.'
'I am glad of that. Those rich people always want the first-born to be an heir. They will both be disappointed. I am glad of that.'
'Mercy on us, Brigida, how fierce you look!'
'Do I? It's likely enough. I hate Fabio d'Ascoli and Maddalena Lomi—singly as man and woman, doubly as man and wife. Stop! I'll tell you what you want to know directly. Only answer me another question or two first. Have you heard anything about her health?'
'How should I hear? Dressmakers can't inquire at the doors of the nobility.'
'True. Now one last question. That little simpleton, Nanina?'
'I have never seen or heard anything of her. She can't be at Pisa, or she would have called at our place for work.'
'Ah! I need not have asked about her if I had thought a moment beforehand. Father Rocco would be sure to keep her out of Fabio's sight, for his niece's sake.'
'What, he really loved that 'thread-paper of a girl' as you called her?'
'Better than fifty such wives as he has got now! I was in the studio the morning he was told of her departure from Pisa. A letter was privately given to him, telling him that the girl had left the place out of a feeling of honor, and had hidden herself beyond the possibility of discovery, to prevent him from compromising himself with all his friends by marrying her. Naturally enough, he would not believe that this was her own doing; and, naturally enough also, when Father Rocco was sent for, and was not to be found, he suspected the priest of being at the bottom of the business. I never saw a man in such a fury of despair and rage before. He swore that he would have all Italy searched for the girl, that he would be the death of the priest, and that he would never enter Luca Lomi's studio
