and her hands writhed beneath their bonds in the effort to repossess themselves of the knife and strike again. But soon all sounds ceased to proceed from her lips, save the loud, thick, irregular breathings, which showed that she was yet conscious and yet lived.
Meanwhile the madman had passed into the inner recess of the temple, and had drawn the shutter over the opening in the wall, through which light had been admitted into the place when Numerian and Antonina first entered it. Even the black chasm formed by the mouth of the vault of the dragon now disappeared, with all other objects, in the thick darkness. But no obscurity could confuse the senses of Ulpius in the temple, whose every corner he visited in his restless wanderings by night and by day alike. Led as if by a mysterious penetration of sight, he traced his way unerringly to the entrance of the vault, knelt down before it, and placing his hands on the first of the steps by which it was descended, listened, breathless and attentive, to the sounds that rose from the abyss—listened, rapt and unmoving, a formidable and unearthly figure—like a magician waiting for a voice from the oracles of Hell—like a spirit of Night looking down into the mid-caverns of the earth, and watching the mysteries of subterranean creation, the giant pulses of Action and Heat, which are the life-springs of the rolling world.
The fitful wind whistled up, wild and plaintive; the river chafed and bubbled through the iron grating below; the loose scales of the dragon clashed as the night breezes reached them: and these sounds were still to him as the language of his gods, which filled him with a fearful rapture, and inspired him, in the terrible degradation of his being, as with a new soul. He listened and listened yet. Fragments of wild fancies—the vain yearnings of the disinherited mind to recover its divine birthright of boundless thought—now thrilled through him, and held him still and speechless where he knelt.
But at length, through the gloomy silence of the recess, he heard the voice of Goisvintha raised once more, and in hoarse, wild tones calling aloud for light and help. The agony of pain and suspense, the awful sense of darkness and stillness, of solitary bondage and slow torment, had at last effected that which no open peril, no common menace of violent death could have produced. She yielded to fear and despair—sank prostrate under a paralysing, superstitious dread. The misery that she had inflicted on others recoiled in retribution on herself, as she now shuddered under the consciousness of the first emotions of helpless terror that she had ever felt.
Ulpius instantly rose from the vault, and advanced straight through the darkness to the gates of the partition; but he passed his prisoner without stopping for an instant, and hastening into the outer apartment of the temple, began to grope over the floor for the knife which the woman had dropped when he bound her. He was laughing to himself once more, for the evil spirit was prompting him to a new project, tempting him to a pitiless refinement of cruelty and deceit.
He found the knife, and returning with it to Goisvintha, cut the rope that confined her wrists. Then she became silent when the first sharpness of her suffering was assuaged; he whispered softly in her ear, 'Follow me, and escape!'
Bewildered and daunted by the darkness and mystery around her, she vainly strained her eyes to look through the obscurity as Ulpius drew her on into the recess. He placed her at the mouth of the vault, and here she strove to speak; but low, inarticulate sounds alone proceeded from her powerless utterance. Still there was no light; still the burning, gnawing agony at her wrists (relieved but for an instant when the rope was cut) continued and increased; and still she felt the presence of the unseen being at her side, whom no darkness could blind, and who bound and loosed at his arbitrary will.
By nature fierce, resolute, and vindictive under injury, she was a terrible evidence of the debasing power of crime, as she now stood, enfeebled by the weight of her own avenging guilt, upraised to crush her in the hour of her pride; by the agency of Darkness, whose perils the innocent and the weak have been known to brave; by Suspense, whose agony they have resisted; by Pain, whose infliction they have endured in patience.
'Go down, far down the steep steps, and escape!' whispered the madman, in soft, beguiling tones. 'The darkness above leads to the light below! Go down, far down!'
He quitted his hold of her as he spoke. She hesitated, shuddered, and drew back; but again she was urged forward, and again she heard the whisper, 'The darkness above leads to the light below! Go down, far down!'
Despair gave the firmness to proceed, and dread the hope to escape. Her wounded arms trembled as she now stretched them out and felt for the walls of the vault on either side of her. The horror of death in utter darkness, from unseen hands, and the last longing aspiration to behold the light of heaven once more, were at their strongest within her as she began slowly and cautiously to tread the fatal stairs.
While she descended, the Pagan dropped into his former attitude at the month of the vault, and listened breathlessly. Minutes seemed to elapse between each step as she went lower and lower down. Suddenly he heard her pause, as if panic-stricken in the darkness, and her voice ascended to him, groaning, 'Light! light! oh, where is the light!' He rose up, and stretched out his hands to hurl her back if she should attempt to return; but she descended again. Twice he heard her heavy footfall on the steps—then there was an interval of deep silence—then a sharp, grinding clash of metal echoed piercingly through the vault, followed by the noise of a dull, heavy fall, faintly audible far beneath—and then the old familiar sounds of the place were heard again, and were not interrupted more. The sacrifice to the Dragon was achieved!
The madman stood on the steps of the sacred building, and looked out on the street shining before him in the bright Italian moonlight. No remembrance of Numerian and Antonina, and of the earlier events in the temple, remained within him. He was pondering imperfectly, in vague pride and triumph, over the sacrifice that he had offered up at the shrine of the Dragon of brass. Thus secretly exulting, he now remained inactive. Absorbed in his wandering meditations, he delayed to trace the subterranean passages leading to the iron grating where the corpse of Goisvintha lay washed by the waters, as they struggled onward through the bars, and waiting but his hand to be cast into the river, where all past sacrifices had been engulphed before it.
His tall solitary figure was lit by the moonlight streaming through the pillars of the portico; his loose robes waved slowly about him in the wind, as he stood firm and erect before the door of the temple: he looked more like the spectral genius of departed Paganism than a living man. But, lifeless though he seemed, his quick eye was still on the watch, still directed by the restless suspicion of insanity. Minute after minute quietly elapsed, and as yet nothing was presented to his rapid observation but the desolate roadway, and the high, gloomy houses that bounded it on either side. It was soon, however, destined to be attracted by objects which startled the repose of the tranquil street with the tumult of action and life.
He was still gazing earnestly on the narrow view before him, vaguely imagining to himself, the while, Goisvintha's fatal descent into the vault, and thinking triumphantly of her dead body that now lay on the grating beneath it, when a red glare of torchlight, thrown wildly on the moon-brightened pavement, whose purity it seemed to stain, caught his eye.
The light appeared at the end of the street leading from the more central portion of the city, and ere long displayed clearly a body of forty or fifty people advancing towards the temple. The Pagan looked eagerly on them as they came nearer and nearer. The assembly was composed of priests, soldiers, and citizens—the priests bearing torches, the soldiers carrying hammers, crowbars, and other similar tools, or bending under the weight of large chests secured with iron fastenings, close to which the populace walked, as if guarding them with jealous care. This strange procession was preceded by two men, who were considerably in advance of it—a priest and soldier. An expression of impatience and exultation appeared on their pale, famine-wasted countenances, as they approached the temple with rapid steps.
Ulpius never moved from his position, but fixed his piercing eyes on them as they advanced. Not vainly did he now stand, watchful and menacing, before the entrance of his gloomy shrine. He had seen the first degradations heaped on fallen Paganism, and he was now to see the last. He had immolated all his affections and all his hopes,
