you were not used to being a painter's model. I hope I have not given you cold—'
'Given me cold?' repeated Mat, amazedly. He seemed about to add a sufficiently indignant assertion of his superiority to any such civilized bodily weakness, as a liability to catch cold—but just as the words were on his lips, he looked fixedly at Mr. Blyth, and checked himself.
'I am afraid you must be tired with the long sitting you have so kindly given me,' added Valentine.
'No,' answered Mat, after a moment's consideration; 'not tired. Only sleepy. I'd best go home. What's o'clock?'
A reference to young Thorpe's watch showed that it was ten minutes past ten. Mat held out his hand directly to take leave; but Valentine positively refused to let him depart until he had helped himself to something from the supper-table. Hearing this, he poured out a glass of brandy and drank it off; then held out his hand once more, and said good night.
'Well, I won't press you to stay against your will,' said Mr. Blyth, rather mournfully. 'I will only thank you most heartily for your kindness in sitting to me, and say that I hope to see you again when I return from the country. Good bye, Zack. I shall start in the morning by an early train. Pray, my dear boy, be steady, and remember your mother and your promises, and call on Mr. Strather in good time to-morrow, and stick to your work, Zack—for all our sakes, stick to your work!'
As they left the studio, Mat cast one parting glance at the garden door. Would the servant, who had most likely bolted and locked it early in the evening, go near it again, before she went to bed? Would Mr. Blyth walk to the bottom of the room to see that the door was safe, after he had raked the fire out? Important questions these, which only the events of the night could answer.
A little way down Kirk Street, at the end by which Zack and his friend entered it on returning from Mr. Blyth's, stood the local theater—all ablaze with dazzling gas, and all astir with loitering blackguards. Young Thorpe stopped, as he and his companion passed under the portico, on the way to their lodgings further up the street.
'It's only half-past ten, now,' he said. 'I shall drop in here, and see the last scenes of the pantomime. Won't you come too?'
'No,' said Mat; 'I'm too sleepy. I shall go on home.'
They separated. While Zack entered the theater, Mat proceeded steadily in the direction of the tobacco shop. As soon, however, as he was well out of the glare of gas from the theater door, he crossed the street; and, returning quickly by the opposite side of the way, took the road that led him back to Valentine's house.
CHAPTER XII. THE HAIR BRACELET.
Mr. Blyth's spirits sank apace, as he bolted and locked the front door, when his guests had left him. He actually sighed as he now took a turn or two alone, up and down the studio.
Three times did he approach close to the garden door, as he walked slowly from end to end of the room. But he never once looked up at it. His thoughts were wandering after Zack, and Zack's friend; and his attention was keeping them company. 'Whoever this mysterious Mat may be,' mused Valentine, stopping at the fourth turn, and walking up to the fireplace; 'I don't believe there's anything bad about him; and so I shall tell Mrs. Thorpe the next time I see her.'
He set himself to rake out the fire, leaving only a few red embers and tiny morsels of coal to flame up fitfully from time to time in the bottom of the grate. Having done this, he stood and warmed himself for a little while, and tried to whistle a favorite tune. The attempt was a total failure. He broke down at the third bar, and ended lamentably in another sigh.
'What can be the matter with me? I never felt so miserable about going away from home before.' Puzzling himself uselessly with such reflections as these, he went to the supper-table, and drank a glass of wine, picked a bit of a sandwich, and unnecessarily spoilt the appearance of two sponge cakes, by absently breaking a small piece off each of them. He was in no better humor for eating or drinking, than for whistling; so he wisely determined to light his candle forthwith, and go to bed.
After extinguishing the lights that had been burning on the supper-table, he cast a parting glance all round the room, and was then about to leave it, when the drawing of the old five-barred gate, which he had taken down for Mat to look at, and had placed on a painting-stand at the lower end of the studio, caught his eye. He advanced towards it directly—stopped half-way—hesitated—yawned—shivered a little—thought to himself that it was not worth while to trouble about hanging the drawing up over the garden door, that night—and so, yawning again, turned on his heel and left the studio.
Mr. Blyth's two servants slept up-stairs. About ten minutes after their master had ascended to his bed-room, they left the kitchen for their dormitory on the garret floor. Patty, the housemaid, stopped as she passed the painting room, to look in, and see that the lights were out, and the fire safe for the night. Polly, the cook, went on with the bedroom candle; and, after having ascended the stairs as far as the first landing from the hall, discreetly bethought herself of the garden door, the general care and superintendence of which was properly attached to her department in the household.
'I say, did you lock the garden door?' said Polly to Patty through the banisters.
'Yes; I did it when I took up master's tea,' said Patty to Polly, appearing lazily in the hall, after one sleepy look round the fast-darkening studio.
'Hadn't you better see to it again, to make sure?' suggested the cautious cook.
'Hadn't
'Hush!' whispered Valentine, suddenly appearing on the landing above Polly, from his bedroom, arrayed in his flannel dressing-gown and nightcap. 'Don't talk here, or you'll disturb your mistress. Go up to bed, and talk there. Good night.'
'Good night, sir,' answered together the two faithful female dependents of the house of Blyth, obeying their master's order with simpering docility, and deferring to a future opportunity all further considerations connected with the garden door.
The fire was fading out fast in the studio grate. Now and then, at long intervals, a thin tongue of flame leapt up faintly against the ever-invading gloom, flickered for an instant over the brighter and more prominent objects in the
