'I propose to take you to London with me to-morrow, on this condition—that you promise me, on your word of honor, not to attempt to see your wife before Saturday next.'
'I shall see her then?'
'If you give me your promise.'
'I do! I do!'
The next course came in. Sir Patrick entered on the question of the merits of the partridge, viewed as an eatable bird, 'By himself, Arnold—plainly roasted, and tested on his own merits—an overrated bird. Being too fond of shooting him in this country, we become too fond of eating him next. Properly understood, he is a vehicle for sauce and truffles—nothing more. Or no—that is hardly doing him justice. I am bound to add that he is honorably associated with the famous French receipt for cooking an olive. Do you know it?'
There was an end of the bird; there was an end of the jelly. Arnold got his next chance—and took it.
'What is to be done in London to-morrow?' he asked.
'To-morrow,' answered Sir Patrick, 'is a memorable day in our calendar. To-morrow is Tuesday—the day on which I am to see Miss Silvester.'
Arnold set down the glass of wine which he was just raising to his lips.
'After what has happened,' he said, 'I can hardly bear to hear her name mentioned. Miss Silvester has parted me from my wife.'
'Miss Silvester may atone for that, Arnold, by uniting you again.'
'She has been the ruin of me so far.'
'She may be the salvation of you yet.'
The cheese came in; and Sir Patrick returned to the Art of Cookery.
'Do you know the receipt for cooking an olive, Arnold?'
'No.'
'What
'Yes, Sir.'
'How to cook an olive! Put an olive into a lark, put a lark into a quail; put a quail into a plover; put a plover into a partridge; put a partridge into a pheasant; put a pheasant into a turkey. Good. First, partially roast, then carefully stew—until all is thoroughly done down to the olive. Good again. Next, open the window. Throw out the turkey, the pheasant, the partridge, the plover, the quail, and the lark.
At last the servants left them—with the wine and dessert on the table.
'I have borne it as long as I can, Sir,' said Arnold. 'Add to all your kindness to me by telling me at once what happened at Lady Lundie's.'
It was a chilly evening. A bright wood fire was burning in the room. Sir Patrick drew his chair to the fire.
'This is exactly what happened,' he said. 'I found company at Lady Lundie's, to begin with. Two perfect strangers to me. Captain Newenden, and his niece, Mrs. Glenarm. Lady Lundie offered to see me in another room; the two strangers offered to withdraw. I declined both proposals. First check to her ladyship! She has reckoned throughout, Arnold, on our being afraid to face public opinion. I showed her at starting that we were as ready to face it as she was. 'I always accept what the French call accomplished facts,' I said. 'You have brought matters to a crisis, Lady Lundie. So let it be. I have a word to say to my niece (in your presence, if you like); and I have another word to say to you afterward—without presuming to disturb your guests.' The guests sat down again (both naturally devoured by curiosity). Could her ladyship decently refuse me an interview with my own niece, while two witnesses were looking on? Impossible. I saw Blanche (Lady Lundie being present, it is needless to say) in the back drawing-room. I gave her your letter; I said a good word for you; I saw that she was sorry, though she wouldn't own it—and that was enough. We went back into the front drawing-room. I had not spoken five words on our side of the question before it appeared, to my astonishment and delight, that Captain Newenden was in the house on the very question that had brought me into the house—the question of you and Miss Silvester. My business, in the interests of
