My Lady's Money

instead of annoying her, has made her happy in the performance of a charitable action. Stop a bit! I haven't done with you yet. Who blacks your boots and shoes? Look here!' He pushed his pug-dog off his lap, dived under the table, appeared again with an old boot and a bottle of blackening, and set to work with tigerish activity. 'I'm going out for a walk, you know, and I may as well make myself smart.' With that announcement, he began to sing over his work—a song of sentiment, popular in England in the early part of the present century—'She's all my fancy painted her; she's lovely, she's divine; but her heart it is another's; and it never can be mine! Too-ral-loo-ral-loo'. I like a love-song. Brush away! brush away! till I see my own pretty face in the blacking. Hey! Here's a nice, harmless, jolly old man! sings and jokes over his work, and makes the kitchen quite cheerful. What's that you say? He's a stranger, and don't talk to him too freely. You ought to be ashamed of yourself to speak in that way of a poor old fellow with one foot in the grave. Mrs. Cook will give him a nice bit of dinner in the scullery; and John Footman will look out an old coat for him. And when he's heard everything he wants to hear, and doesn't come back again the next day to his work—what do they think of it in the servants' hall? Do they say, 'We've had a spy among us!' Yah! you know better than that, by this time. The cheerful old man has been run over in the street, or is down with the fever, or has turned up his toes in the parish dead-house—that's what they say in the servants' hall. Try me in your own kitchen, and see if your servants take me for a spy. Come, come, Mr. Lawyer! out with your ten pounds, and don't waste any more precious time about it!'

'I will consider and let you know,' said Mr. Troy.

Old Sharon laughed more ferociously than ever, and hobbled round the table in a great hurry to the place at which Moody was sitting. He laid one hand on the steward's shoulder, and pointed derisively with the other to Mr. Troy.

'I say, Mr. Silent-man! Bet you five pounds I never hear of that lawyer again!'

Silently attentive all through the interview (except when he was answering questions), Moody only replied in the fewest words. 'I don't bet,' was all he said. He showed no resentment at Sharon's familiarity, and he appeared to find no amusement in Sharon's extraordinary talk. The old vagabond seemed actually to produce a serious impression on him! When Mr. Troy set the example of rising to go, he still kept his seat, and looked at the lawyer as if he regretted leaving the atmosphere of tobacco smoke reeking in the dirty room.

'Have you anything to say before we go?' Mr. Troy asked.

Moody rose slowly and looked at Old Sharon. 'Not just now, sir,' he replied, looking away again, after a moment's reflection.

Old Sharon interpreted Moody's look and Moody's reply from his own peculiar point of view. He suddenly drew the steward away into a corner of the room.

'I say!' he began, in a whisper. 'Upon your solemn word of honor, you know—are you as rich as the lawyer there?'

'Certainly not.'

'Look here! It's half price to a poor man. If you feel like coming back, on your own account—five pounds will do from you. There! there! Think of it!—think of it!'

'Now, then!' said Mr. Troy, waiting for his companion, with the door open in his hand. He looked back at Sharon when Moody joined him. The old vagabond was settled again in his armchair, with his dog in his lap, his pipe in his mouth, and his French novel in his hand; exhibiting exactly the picture of frowzy comfort which he had presented when his visitors first entered the room.

'Good-day,' said Mr. Troy, with haughty condescension.

'Don't interrupt me!' rejoined Old Sharon, absorbed in his novel. 'You've had your guinea's worth. Lord! what a lovely book this is! Don't interrupt me!'

'Impudent scoundrel!' said Mr. Troy, when he and Moody were in the street again. 'What could my friend mean by recommending him? Fancy his expecting me to trust him with ten pounds! I consider even the guinea completely thrown away.'

'Begging your pardon, sir,' said Moody, 'I don't quite agree with you there.'

'What! you don't mean to tell me you understand that oracular sentence of his—'Suspect the very last person on whom suspicion could possibly fall.' Rubbish!'

'I don't say I understand it, sir. I only say it has set me thinking.'

'Thinking of what? Do your suspicions point to the thief?'

'If you will please to excuse me, Mr. Troy, I should like to wait a while before I answer that.'

Mr. Troy suddenly stood still, and eyed his companion a little distrustfully.

'Are you going to turn detective-policeman on your own account?' he asked.

'There's nothing I won't turn to, and try, to help Miss Isabel in this matter,' Moody answered, firmly. 'I have saved a few hundred pounds in Lady Lydiard's service, and I am ready to spend every farthing of it, if I can only discover the thief.'

Mr. Troy walked on again. 'Miss Isabel seems to have a good friend in you,' he said. He was (perhaps unconsciously) a little offended by the independent tone in which the steward spoke, after he had himself engaged to take the vindication of the girl's innocence into his own hands.

'Miss Isabel has a devoted servant and slave in me!' Moody answered, with passionate enthusiasm.

'Very creditable; I haven't a word to say against it,' Mr. Troy rejoined. 'But don't forget that the young lady has other devoted friends besides you. I am her devoted friend, for instance—I have promised to serve her, and I mean to keep my word. You will excuse me for adding that my experience and discretion are quite as likely to be useful to her as your enthusiasm. I know the world well enough to be careful in trusting strangers. It will do you no harm, Mr. Moody, to follow my example.'

Moody accepted his reproof with becoming patience and resignation. 'If you have anything to propose, sir, that will be of service to Miss Isabel,' he said, 'I shall be happy if I can assist you in the humblest capacity.'

'And if not?' Mr. Troy inquired, conscious of having nothing to propose as he asked the question.

'In that case, sir, I must take my own course, and blame nobody but myself if it leads me astray.'